Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]
It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy. The three stars at the top of the painting represent the planet Saturn as described by Galileo a few years before its painting. The central star is the planet itself, whilst the two others represent what he thought were two stars aligned with the planet. In reality, these were the rings around the planet, which his telescope was not powerful enough to distinguish. [2]
The painting represents the Greek myth of the titan Cronus devouring his children. In the original myth, Cronus swallowed his children whole, and later spit them out, also whole. The painting, however, shows Cronus taking a bite out of one of his children. [lower-alpha 1] [lower-alpha 2]
The Theogony is a poem by Hesiod describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. It is one of the most important sources for the understanding of early Greek cosmology.
In Greek mythology, the Titans were the pre-Olympian gods. According to the Theogony of Hesiod, they were the twelve children of the primordial parents Uranus (Sky) and Gaia (Earth), with six male Titans—Oceanus, Coeus, Crius, Hyperion, Iapetus, and Cronus—and six female Titans, called the Titanides or Titanesses—Theia, Rhea, Themis, Mnemosyne, Phoebe, and Tethys. Cronus mated with his older sister Rhea, who then bore the first generation of Olympians: the six siblings Zeus, Hades, Poseidon, Hestia, Demeter, and Hera. Certain descendants of the Titans, such as Prometheus, Atlas, Helios, and Leto, are sometimes also called Titans.
Rhea or Rheia is a mother goddess in ancient Greek religion and mythology, the Titan daughter of the earth goddess Gaia and the sky god Uranus, himself a son of Gaia. She is the older sister of Cronus, who was also her consort, and the mother of the five eldest Olympian gods and Hades, king of the underworld.
In Greek mythology, the Titanomachy was a ten-year series of battles fought in Ancient Thessaly, consisting of most of the Titans fighting against the Olympians and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just the Titan War. The war was fought to decide which generation of gods would have dominion over the universe; it ended in victory for the Olympian gods.
In some versions of Greek mythology, Ophion, also called Ophioneus (Ὀφιονεύς) ruled the world with Eurynome before the two of them were cast down by Cronus and Rhea.
Kronos can refer to:
There are many myths and legends about the origin of the Milky Way, the crowd of stars that makes a distinctive bright streak across the night sky.
In Greek and Roman mythology, the primordial deities are the first generation of gods and goddesses. These deities represented the fundamental forces and physical foundations of the world and were generally not actively worshipped, as they, for the most part, were not given human characteristics; they were instead personifications of places or abstract concepts.
The Titans of Myth are mythological deities who appear in the Teen Titans and Wonder Woman comic book series by DC Comics.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house sometime between 1820 and 1823. It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
The War in Heaven was a mythical conflict between two groups of angels in traditional Christian cosmology, attested in the Book of Revelation alongside proposed parallels in the Hebrew Bible and the Dead Sea Scrolls. It is described as the result of the Archangel Satan rebelling against God and leading to a war between his followers and those still loyal to God, led by the Archangel Michael. Within the New Testament, the War in Heaven provides basis for the concept of the fallen angels and for Satan's banishment to Christian Hell. The War is frequently featured in works of Christian art, such as John Milton's epic poem Paradise Lost, which describes it as occurring over the course of three days as a result of God the Father announcing Jesus Christ as His Son.
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris.
In Ancient Greek religion and mythology, Cronus, Cronos, or Kronos was the leader and youngest of the first generation of Titans, the divine descendants of the primordial Gaia and Uranus. He overthrew his father and ruled during the mythological Golden Age, until he was overthrown by his own son Zeus and imprisoned in Tartarus. According to Plato, however, the deities Phorcys, Cronus, and Rhea were the eldest children of Oceanus and Tethys.
Saturn was a god in ancient Roman religion, and a character in Roman mythology. He was described as a god of time, generation, dissolution, abundance, wealth, agriculture, periodic renewal and liberation. Saturn's mythological reign was depicted as a Golden Age of abundance and peace. After the Roman conquest of Greece, he was conflated with the Greek Titan Cronus. Saturn's consort was his sister Ops, with whom he fathered Jupiter, Neptune, Pluto, Juno, Ceres and Vesta.
In Greek mythology, Gaia, also spelled Gaea, is the personification of Earth. Gaia is the ancestral mother—sometimes parthenogenic—of all life. She is the mother of Uranus (Sky), from whose sexual union she bore the Titans, the Cyclopes, and the Giants; as well as of Pontus (Sea), from whose union she bore the primordial sea gods. Her equivalent in the Roman pantheon was Terra.
In Greek mythology, Uranus, sometimes written Ouranos, is the personification of the sky and one of the Greek primordial deities. According to Hesiod, Uranus was the son and husband of Gaia (Earth), with whom he fathered the first generation of Titans. However, no cult addressed directly to Uranus survived into classical times, and Uranus does not appear among the usual themes of Greek painted pottery. Elemental Earth, Sky, and Styx might be joined, however, in solemn invocation in Homeric epic. Uranus is associated with the Roman god Caelus.
The familiar name and large size of the Titans have made them dramatic figures suited to market-oriented popular culture.
In astrology, planets have a meaning different from the astronomical understanding of what a planet is. Before the age of telescopes, the night sky was thought to consist of two similar components: fixed stars, which remained motionless in relation to each other, and moving objects/"wandering stars", which moved relative to the fixed stars over the course of the year(s).
The Mongol cosmological system is mainly based on the positions, relationships and movements of the sun, the moon, the five major planets in the solar system and the various constellations in the sky. This system of belief is centered around local wild fauna and oral transmission, with few written sources. Mongol cosmology was largely influenced by Chinese civilisation and Buddhism.
The planetae, were the five naked-eye planets known to ancient Greek and Roman astronomers, who assigned them a variety of names, associated them with different gods, and ascribed various qualities to their apparent behaviour in the sky. Some scholars included the Sun and Moon, making seven planets, representing the seven heavenly bodies that moved against the fixed background of stars. This concept survives in astrology, which was not clearly differentiated from astronomy before modern times. Others added the fixed stars, representing a single planet, along with the earth itself, and the antichthon, to make a system of ten.