The Resurrection of Christ, The Easter Tomb or The Triumph of Christ over Death and Sin is a painting by Peter Paul Rubens, executed c. 1616. It entered the collection of Ferdinando de' Medici, Grand Prince of Tuscany between 1713 and 1723 and is now in the Galleria Palatina of the Palazzo Pitti in Florence.
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Odoardo Farnese was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626.
Defendente Ferrari was an Italian painter active in Piedmont. His work marks the transition from late Gothic traditions to Renaissance art in the region.
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori, his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
The Lamentation over the Dead Christ is a painting of the common subject of the Lamentation of Christ by the Italian Renaissance painter Pietro Perugino, executed in 1495 and now in the Galleria Palatina of Palazzo Pitti, Florence, Italy.
Portrait of Vincenzo Mosti is a painting by Titian, executed around 1520 and now housed in the Galleria Palatina of Florence, Italy.
The Portrait of a Gentleman in a Fur is an oil painting by Paolo Veronese measuring 140 centimetres (55 in) by 107 centimetres (42 in), dated to circa 1550–1560 and now in the Galleria Palatina in Florence. Another version exists at the Museum of Fine Arts in Budapest. The painting's subject is unknown: Daniele Barbaro has been suggested, but this is contradicted by a confirmed portrait of him held at the Rijksmuseum in Amsterdam.
The Portrait of Alvise Cornaro is a portrait by the Venetian painter Tintoretto, showing the man of letters Alvise 'Luigi' Cornaro. Datable to around 1560–1565, it was acquired by Leopoldo de' Medici and is now in the Galleria Palatina in Florence. For the time between the 1698 and 1829 inventories, it was mis-attributed to Titian.
The Portrait of Infanta Isabella Clara Eugenia is a painting by Rubens of Isabella Clara Eugenia. It is dated to 1625 and shows her in the habit of the Poor Clares, which she assumed on 22 October 1621 after the death of her husband Archduke Albert of Austria. She visited the painter's studio while on her way back from Breda in 1625 to see the painting begun, as a master copy from which several others could be drawn. The master copy is now in the Galleria Palatina in Florence, having been traded in the past for a portrait of the same subject by Anthony van Dyck. Two other copies are known in private collections, while a third is in the Norton Simon Museum in Pasadena.
The Madonna of the Basket or the Madonna della Cesta is a painting by Peter Paul Rubens, dated to around 1615. It is now held in the Galleria Palatina of the Palazzo Pitti in Florence. Between 1799 and 1815 it was confiscated by the French and assigned to the Dijon Museum of Fine Arts.
The Four Philosophers is an oil painting on panel painted in 1611–12 by Peter Paul Rubens. It is now held in the Galleria Palatina of the Palazzo Pitti in Florence.
The Peasants' Return From The Fields is a c. 1640 painting by Peter Paul Rubens. It arrived in Florence in 1765 and is now in the Galleria Palatina in Florence.
The Three Graces is a grisaille painting by Peter Paul Rubens, dating to 1620–1623. It is now held in the Galleria Palatina in Florence.
Odysseus on the island of the Phaecians is a landscape painting by Peter Paul Rubens, dating to around 1630–1635. It shows Nausicaa and her maids discovering Odysseus on Phaecia. It is now in the Galleria Palatina in Florence.
Madonna del Sacco is an oil on panel painting by Perugino, dating to around 1495–1500. It shows the Madonna and Child with the infant John the Baptist and an angel. It is now in the Galleria Palatina in Florence.
The Madonna of the Baldacchino is a c.1506-1508 oil on canvas holy conversation-style painting by Raphael, now in the Galleria Palatina in Florence.
The Disputation on the Trinity is an oil-on-canvas painting by the Italian Renaissance artist Andrea del Sarto, created c. 1517, now in the Galleria Palatina in Florence.
Adoration of the Magi is a c.1522-1523 oil on panel painting by Pontormo, produced for the antechamber of Giovan Maria Benitendi's palazzo in Florence and now in the Galleria Palatina in the same city.
The Concert or The Interrupted Concert is a c. 1510–1511 oil on canvas painting by Titian, now in the Galleria Palatina, in Florence. A copy in the Galleria Borghese includes an additional fourth figure.
Portrait of Cardinal Guido Bentivoglio is an oil on canvas painting of Guido Bentivoglio by Anthony van Dyck, now in the Galleria Palatina in Florence. It was painted around 1623 during the artist's stay in Italy - Bentivoglio had links to the artist's native Flanders.
Holy Family with the Infant Saint John the Baptist is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, executed c. 1521–1522, now in the Galleria Palatina in Florence. The painting's composition is strongly influenced by Raphael. The seraphim in the four corners of the work are thought to be later additions by a Sienese artist, possibly at the end of the 16th century – Judey attributes them to an artist in the circle of Correggio and Sanminiatelli to a generic Baroque-influenced Sienese artist.