The Palace on the Isle, also known as the Baths Palace, is a classicist palace in Warsaw's Royal Baths Park, the city's largest park, occupying over 76 hectares of the city center.
Samson and Delilah is a painting long attributed to the Flemish Baroque painter Peter Paul Rubens (1577–1640) and displayed in the National Gallery. It dates from about 1609 to 1610.
Events from the year 1615 in art.
Sir Peter Paul Rubens was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands. He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp.
Susanna and the Elders is a painting by Flemish artist Peter Paul Rubens from 1607. It is housed in the Galleria Borghese in Rome, Italy. There is another version, a youthful work from 1608, in Real Academia de Bellas Artes de San Fernando, in Madrid.
Perseus Freeing Andromeda is a painting by the Flemish artist Peter Paul Rubens, done in 1622. It is now in the Gemäldegalerie, Berlin, Germany.
Venus with a Mirror is a painting by Titian, now in the National Gallery of Art in Washington, DC, and it is considered to be one of the collection's highlights.
The Feast of Venus is an oil on canvas painting by Flemish painter Peter Paul Rubens, created in 1635–1636, now in the Kunsthistorisches Museum in Vienna. It is a fanciful depiction of the Roman festival Veneralia celebrated in honor of Venus Verticordia.
Perseus and Andromeda is a 1622 painting in the Hermitage Museum by the Flemish artist Peter Paul Rubens of the ancient Greek myth of Perseus and Andromeda after the former's defeat of the Gorgon. The composition is similar to that of an earlier painting by Rubens, Perseus frees Andromeda.
Feast in the House of Simon the Pharisee, also known as Christ in the Home of Simon the Pharisee, is a painting by Peter Paul Rubens. It was painted c. 1618–1620, and is in The Hermitage Museum, St. Petersburg.
The Union of Earth and Water is a Baroque painting by Flemish artist Peter Paul Rubens, showing Cybele as the personification of earth holding the horn of plenty and Neptune as the personification of water in the center. The pair is crowned by the goddess Victoria and the union is heralded through a conch by the Triton below. The union symbolizes fertility, wealth and prosperity, specifically the city of Antwerp and the river Scheldt whose mouth in Rubens' times was blocked by the Dutch depriving Flanders of the access to the sea. The painting features a pyramidal composition, symmetry and the balance of forms. It was influenced by late Italian Renaissance, particularly by Venetian artists.
Descent from the Cross is an oil-on-canvas painting of 1600–1602 by the Flemish artist Peter Paul Rubens. It was his first major commissioned work made for the private chapel of Eleonora de’ Medici Gonzaga (1567–1611), duchess of Mantua. The painting remained somewhat obscure until 2001, when it was discovered by German art historian Justus Müller-Hofstede, a specialist on Rubens' early work.
Venus Frigida is a 1611 oil on panel painting by Peter Paul Rubens, now in the Royal Museum of Fine Arts Antwerp. It is one of the few works which he both signed and dated and derives its title from a quotation from the Roman playwright Terence, "sine Cerere et Baccho friget Venus" i.e. love cannot survive without food and wine). He draws Venus' crouched pose from what would later be called the Lely Venus, which he saw in the Gonzaga collection during his time in Mantua.
Bacchanalia is a c. 1615 oil painting of Bacchus, Silenus, bacchantes and satyrs by Peter Paul Rubens. Originally painted on panel, it was transferred to canvas by A. Sidorov in 1892.
Bacchus is a 1638-1640 oil painting of Bacchus by Peter Paul Rubens, now in the Hermitage Museum, in Saint Petersburg, for which it was purchased in 1772. It was originally on a panel support but was transferred to canvas in 1891 by A. Sidorov. An autograph copy of the work is now in the Uffizi in Florence.
Roman Charity is an oil on canvas painting by Peter Paul Rubens, executed c. 1612, now in the Hermitage Museum, in Saint Petersburg, for which it was bought from Koblenz's collection in Brussels in 1768. In 1828 D. A. Smitha of the Hermitage misattributed it as a copy. Later researchers agreed in 1864 and the work was placed in store until 1905, when a re-examination restored its autograph status.
Ecce Homo or Christ Wearing the Crown of Thorns is an oil on oak panel painting of the Ecce Homo subject by Peter Paul Rubens, executed c. 1612, now in the Hermitage Museum, in Saint Petersburg. The Hermitage also houses an oil study for its figure of Pilate.
Coronation of the Virgin is a 1609-1611 oil sketch by Peter Paul Rubens, produced as a proposal for a side-chapel in Antwerp Cathedral but rejected in March 1611 and never realised as a full work, instead being reworked later for the same chapel as Assumption of the Virgin. It is now in the Hermitage Museum, in Saint Petersburg, for which it was acquired in 1722 from the F.I. Dufferin collection. It was transferred from a panel to a canvas support in 1868.
Venus and Adonis is an oil on canvas painting by Peter Paul Rubens and his studio, executed c. 1614, now in the Hermitage Museum, in Saint Petersburg. It is a version of an autograph work from 1609 now in the Museum Kunstpalast in Düsseldorf, replacing its rocky background with Venus's attribute of a golden chariot. A third version was in the Kaiser-Friedrich-Museum in Berlin until being destroyed during World War Two.
Venus, Cupid, Bacchus, and Ceres is a painting that was completed by Peter Paul Rubens between 1612–1613. It is a depiction of four figures from Roman Mythology. The painting is currently residing at the Staatliche Museen in Berlin.
