The Infanta Isabel Clara Eugenia in the Mariemont Park | |
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Artist | Joos de Momper; Jan Brueghel the Elder |
Year | Early 17th century |
Catalogue | P001428 |
Medium | Oil on canvas |
Dimensions | 176 cm× 236 cm(69.3 in× 92.9 in) |
Location | Museum of Prado [1] [2] , Madrid |
The Infanta Isabel Clara Eugenia in the Mariemont Park (Spanish: La infanta Isabel Clara Eugenia en el parque de Mariemont) is a large oil on canvas [1] painting by Flemish artists Jan Brueghel the Elder and Joos de Momper. [2] It was painted in the first quarter of the 17th century. [3] The painting is kept in the Museum of Prado in Madrid. [2] [1] [3]
The oeuvre was part of a collection of 26 paintings which arrived in Madrid in the early 17th century. Some of the paintings, hung in the Torre de la Reina at the Alcázar de Madrid , showed everyday activities of the people of Flanders; other portrayed the archdukes in their landed estates. There were four paintings in the latter group. [3]
To the left there stand the dukes, surrounded by courtladies, children and small sized dogs. To the right there is a group of deer, chased by small sized dogs. The painting seems to represent hunting; however, it does so in a placid, unrealistic way: some deers are resting, and the small sized dogs are not of the breed generally used for hunting. [3]
Differently from the Excursion in the Countryside of Infanta Isabel Clara Eugenia, also by Brueghel and de Momper, dating to the same period, part of the same set, and showing the same gardens in the archdukes' residence of Mariemont, the latter's palace is not visible in the background of this painting. A collection of letters between Isabel Clara Eugenia and the Duke of Lerma shows the former's passion for the life in the countryside. [4] This painting was commissioned by the archduke out of her enthusiasm for such places. [3]
Isabella Clara Eugenia, sometimes referred to as Clara Isabella Eugenia, was sovereign of the Spanish Netherlands, which comprised the Low Countries and the north of modern France with her husband, Archduke Albert VII of Austria.
Alonso Sánchez Coello was an Iberian portrait painter of the Spanish and Portuguese Renaissance. He is mainly known for his portrait paintings executed in a style which combines the objectivity of the Flemish tradition with the sensuality of Venetian painting. He was court painter to Philip II.
Joos de Momper the Younger or Joost de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Peter Snayers or Pieter Snayers (1592–1667) was a Flemish painter known for his panoramic battle scenes, depictions of cavalry skirmishes, attacks on villages, coaches and convoys and hunting scenes. He established his reputation mainly through his topographic battle scenes providing a bird's eye view over the battlefield. He further painted large landscapes and portraits of the aristocracy. He was a regular collaborator of local landscape painters and also Rubens.
Benito Manuel Agüero (1624–1668) was a Spanish painter of the Baroque period, active mainly in Madrid as a landscape and battle painter.
The Adoration of the Magi is a very large oil painting by the Flemish Baroque painter Peter Paul Rubens. He first painted it in 1609 and later gave it a major reworking between 1628 and 1629 during his second trip to Spain. It is now in the Museo del Prado in Madrid.
The Master of Ávila, a painter in the Flemish style of Fernando Gallego, was active in Ávila and surroundings in the middle of the 15th century. The art historian Elías Tormo and others have tentatively identified him as García del Barco, a painter who was known to have been in Ávila between 1465 and 1473. No works by Barco have been attributed with any certainty.
Portrait of Infanta Isabella Clara Eugenia is a 1599 oil-on-canvas painting of Isabella Clara Eugenia by the Italian painter Sofonisba Anguissola, identified in 1992 by Maria Kusche. Owned by the Museo del Prado, it currently hangs in the Spanish Embassy in Paris.
Flemish Market and Washing Place is an oil-on-canvas painting by Flemish painter Joos de Momper. It was painted in the 1620s, and it might be a collaboration between de Momper and Jan Brueghel the Elder
Landscape with Sea and Mountain is an oil-on-canvas painting by Flemish painter Joos de Momper. It was painted in the early 1620s, and is now in the Museum of Prado in Madrid.
Excursion in the Countryside of Infanta Isabel Clara Eugenia is an oil on canvas painting by Flemish artists Jan Brueghel the Elder and Joos de Momper. It was painted in the first quarter of the 17th century, and is housed at the Museum of Prado, in Madrid.
Life in the Countryside is an oil on canvas painting by Flemish artists Jan Brueghel the Elder and Joos de Momper. It was painted between 1620 and 1622. The painting is kept in the Museum of Prado in Madrid.
A Farm is an oil on panel painting by Flemish painter Joos de Momper.
Landscape is an oil on panel painting by Flemish painter Joos de Momper.
Landscape with Skater is an oil on canvas painting by Flemish artist Joos de Momper. The painting is today considered a collaboration between the latter and Jan Brueghel the Elder. It was painted between 1615 and 1625. The painting is kept in the Museum of Prado in Madrid.
Summer Landscape with Harvesters is an oil-on-canvas painting by Flemish artists Joos de Momper and Jan Brueghel the Elder. It was painted in the first quarter of the 17th century, probably around 1610, and is currently housed at the Museum of Art in Toledo, Ohio. After having been exposed in Toledo as an "anonymous loan," the Museum directory opted for the purchase, influenced by the reaction of the public. The painting was acquired by the Toledo Museum of Art in 2003.
Alpine Landscape is an oil-on-canvas painting by Flemish painter Tobias Verhaecht. The painting was completed between 1600 and 1615, and is now in the Museum of Prado in Madrid.
Visitation is a 1610s oil painting by the Flemish Baroque artist Peter Paul Rubens. It is now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 198.
Maria Kusche was a Spanish art historian of German descent, a specialist on painters at the royal court of Philip II of Spain, in particular Sofonisba Anguissola, Juan Pantoja de la Cruz, and Alonso Sánchez Coello.