Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century.
Joos de Momper the Younger or Joost de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Lucas van Uden was a leading Flemish landscape painter, draughtsman and engraver, who lived and worked in Antwerp. He was a leading landscape painter who collaborated with various local figure painters. His most original works are his drawings.
Cornelis van Dalem was a Flemish painter and draughtsman active in Antwerp in the middle of the 16th century and an important contributor to the development of landscape art in the Low Countries. Van Dalem introduced into landscape painting new themes, which he derived from his humanistic education, and searched for new ways of representing his themes.
Philips de Momper the Elder, Philips de Momper (I) or Philippe de Momper (I) (1598–1634) was a Flemish landscape painter and son of the prominent landscape painter Joos de Momper. His work was virtually unknown until a group of paintings, mainly depicting Treviso and Rome, which had formerly been attributed to his father were re-assigned to him. The artist is often confused with his cousin Philips de Momper the Younger (or Philips de Momper (II)) (c. 1610-1675).
Flemish Market and Washing Place is an oil on canvas painting by Flemish painter Joos de Momper. It was painted in the 1620s, and it might be a collaboration between de Momper and Jan Brueghel the Elder
Landscape with Sea and Mountain is an oil on canvas painting by Flemish painter Joos de Momper. It was painted in the early 1620s, and is currently housed at the Museum of Prado in Madrid.
Life in the Countryside is an oil on canvas painting by Flemish artists Jan Brueghel the Elder and Joos de Momper. It was painted between 1620 and 1622. The painting is kept in the Museum of Prado in Madrid.
Landscape with Skater is an oil on canvas painting by Flemish artist Joos de Momper. The painting is today considered a collaboration between the latter and Jan Brueghel the Elder. It was painted between 1615 and 1625. The painting is kept in the Museum of Prado in Madrid.
Village at Full Moon is a tempera on panel painting by Flemish painter Joos de Momper. The oeuvre was painted in the early 17th century, possibly in the 1620s, and is currently housed at the National Gallery in Prague.
Tobias' Journey is an oil on panel painting by Flemish artist Joos de Momper. The painting showcases Momper's large scale, imaginary landscape painting and his interpretation of perspective in distant views while at the same time treating a biblical subject. The painting depicts the story of Tobit, a righteous Israelite of the tribe of Naphtali, living in Nineveh, who is sent to recover is father's money to Media, escorted by the Archangel Raphael. The painting is currently housed at the Rockox House in Antwerp.
Minerva's Visit to the Muses is an oil on oak panel painting by Flemish painter Joos de Momper. The painting depicts a scene from Ovid's Metamorphoses, which tells of Minerva visiting the muses on Mount Helicon, to listen to their song and see the Hippocrene. In the painting, the scene takes place in a wooded mountain side. At the same time, a pastel, distant landscape is depicted in the background. The painting is currently housed at the Royal Museum of Fine Arts in Antwerp.
Large Mountain Landscape is a large oil on canvas painting by Flemish painter Joos de Momper. The painting was completed in the early 17th century. It is currently part of the private collection of the Liechtenstein Museum in Vienna.
Landscape with a Mountain Pass is a large oil on canvas painting by Flemish painter Joos de Momper. The painting was completed sometime between 1600 and 1625. The painting was acquired by Prince Karl Eusebius von Liechtenstein from the art dealer Peter Bousin between 1674 and 1680, and is currently part of the private collection of the Liechtenstein Museum in Vienna.
Mountain Landscape with Castle is an oil on panel painting by Flemish painter Joos de Momper. The painting was probably completed in the 1600s.
Mountain Landscape is a large oil on canvas painting by Flemish painter Joos de Momper. The painting was probably completed in the 1620s and is currently housed at the Kunsthistorisches Museum in Vienna.
Rocky Landscape with a Waterfall is an oil on panel painting by Flemish painter Joos de Momper. The painting was completed in the early 1610s, and currently housed at the Hermitage Museum in Saint Petersburg.
Landscape with Grotto and a Rider is an oil on panel painting by Flemish painter Joos de Momper. The painting was completed in the 1610s, possibly in 1616. It is currently housed at the art gallery of Yale University in New Haven, Connecticut.
Summer Landscape with Harvesters is an oil on canvas painting by Flemish artists Joos de Momper and Jan Brueghel the Elder. It was painted in the first quarter of the 17th century, probably around 1610, and is currently housed at the Museum of Art in Toledo, Ohio. After having been exposed in Toledo as an "anonymous loan," the Museum directory opted for the purchase, influenced by the reaction of the public. The painting was acquired by the Toledo Museum of Art in 2003.
Grotto Landscape with a Hermitage, also called The Reading Hermit, is an oil on canvas painting by Flemish painters Jan Brueghel the Younger and Joos de Momper. It was painted around 1625, and is currently in private collection. It depicts a reading hermit in a monumental grotto, several pilgrims and various animals. It was painted in Antwerp.
