Summer Landscape with Harvesters | |
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Artist | Joos de Momper; Jan Brueghel the Elder |
Year | ca. 1610 |
Catalogue | 2003.16 |
Medium | Oil on canvas |
Dimensions | 166.4 cm× 65.5 cm(251.1 in× 98.8 in) |
Location | Toledo Museum of Art, Toledo, Ohio |
Summer Landscape with Harvesters is an oil-on-canvas painting by Flemish artists Joos de Momper and Jan Brueghel the Elder. It was painted in the first quarter of the 17th century, probably around 1610, and is currently housed at the Museum of Art in Toledo, Ohio. [1] [2] After having been exposed in Toledo as an "anonymous loan," the Museum directory opted for the purchase, influenced by the reaction of the public. [3] The painting was acquired by the Toledo Museum of Art in 2003. [3] [1]
Summer Landscape with Harvesters might be part of one of the series dedicated to the four seasons started by de Momper in 1615, [4] of which Landscape with Skaters is part. [4] [1]
The picture is an earthy depiction of nature and humanity, both at ease and engaged in physical exertion. Some people are working hard in the fields, others are having a picnic, others still are in the middle of a romantic encounter. Over seventy figures are depicted in the painting, and their activities reveal a cohesive and studied narrative. Some farmers are cutting off the grain, while others roll it into sheaves. Wagons are carrying the harvest to town, where it will be shipped to overseas markets, as indicated by the ships sailing in the faraway sea. [1]
To the left, people are relaxing in the shade of the crop. They are eating food and drinking at a picnic. On the road, a dog greets a man walking up in front of his empty wagon to the viewer, and a woman sets the basket she is carrying on the ground, to rest a while on her way home. [1]
The painting is a large vista of fields that recede to the background, giving way to a gulf and the ocean. By using a "mutually reinforcing geometry of diagonals that intersect with three distinct color bands [yellow, green, blue]," de Momper allowed his composition to "convincingly lead the eye deep into the picture." [1]
Summer Landscape with Harvesters is considered one of many collaborations between de Momper of Jan Brueghel the Elder. The two collaborated on several occasions, with de Momper always painting the landscape and Brueghel taking care of the staffage, usually the animated figures. [1]
The painting was acquired by the Toledo Museum of Art in March 2003 at an yearly old master fair in Maastricht. The painting previously was part of private collections in Spain, and was possibly part of the collection decorating the Torre de la Reina in the Alcázar de Madrid , which reached Madrid from Flanders in the early 17th century. [5] [3]
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century.
Jan van Kessel the Younger or Jan van Kessel II, known in Spain as Juan Vanchesel el Mozo or el Joven, was a Flemish painter who after training in Antwerp worked in Spain. Known mainly for his portraits he became a court painter to the King and Queen of Spain. A few landscapes and mythological and allegorical scenes have also been attributed to him. He was formerly believed to have been active as a landscape painter, but this is now no longer generally accepted.
Joos de Momper the Younger or Joost de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Peter Snayers or Pieter Snayers (1592–1667) was a Flemish painter known for his panoramic battle scenes, depictions of cavalry skirmishes, attacks on villages, coaches and convoys and hunting scenes. He established his reputation mainly through his topographic battle scenes providing a bird's eye view over the battlefield. He further painted large landscapes and portraits of the aristocracy. He was a regular collaborator of local landscape painters and also Rubens.
Marten Ryckaert or Maerten Ryckaert, was a Flemish landscape painter. He was known for his small, usually imaginary landscapes in an Italianate style.
Lucas van Uden was a leading Flemish landscape painter, draughtsman and engraver, who lived and worked in Antwerp. He was a leading landscape painter who collaborated with various local figure painters. His most original works are his drawings.
Adriaen or Adriaan van Stalbemt or Adriaen van Stalbempt was a Flemish painter and printmaker who is known for his landscapes with religious, mythological and allegorical scenes. He was also a gifted figure painter who was regularly invited to paint the staffage in compositions of fellow painters.
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