| Mountain Scene with Bridges | |
|---|---|
 | |
| Artist | Joos de Momper |
| Year | c. 1600 [1] |
| Medium | Oil on panel |
| Dimensions | 53 cm× 20.8 cm(17.7 in× 28.2 in) |
| Location | Wallraf–Richartz Museum, Cologne |
Mountain Scene with Bridges is an oil-on-oak-panel painting by Flemish painter Joos de Momper.
The painting is currently housed at the Wallraf–Richartz Museum in Cologne. [2] [1] [3]
The Wallraf–Richartz Museum is an art museum in Cologne, Germany, with a collection of fine art from the medieval period to the early twentieth century. It is one of the three major museums in Cologne.
Adoration of the Christ Child is a painting previously attributed to Hieronymus Bosch portraying Mary and the Christ Child. It was created c. 1568, long after Bosch's death. It is held in the Wallraf-Richartz Museum in Cologne.
The Master of the Saint Bartholomew Altarpiece was an Early Netherlandish painter active in Germany, mostly Cologne, between 1475/1480 and 1510. Despite his anonymity, he is one of the most recognizable artists of the early Renaissance period in German art.
The Langlois Bridge at Arles is the subject of four oil paintings, one watercolor and four drawings by Vincent van Gogh. The works, made in 1888 when van Gogh lived in Arles, in southern France, represent a melding of formal and creative aspects. Van Gogh used a perspective frame that he built and used in The Hague to create precise lines and angles when portraying perspective.
Self-portrait in a circle of friends from Mantua is an oil painting on canvas by Peter Paul Rubens, produced between 1602 and 1605. It measures 77.5 cm by 101 cm. It is now in the Wallraf-Richartz Museum in Cologne. From left to right it shows Frans Pourbus, Caspar Schoppe, William Richardot, the painter's brother Philip or Filippo Rubens, Rubens himself, and Justus Lipsius.
Juno and Argus is a 1610 painting by Peter Paul Rubens, depicting Juno and Argus. It is now in the Wallraf-Richartz Museum in Cologne.
The term Cologne School of Painting was first applied in the 19th century to describe old German paintings generally. It subsequently came to refer more specifically to painters who had their workshops in medieval Cologne and the lower-Rhine region from about 1300 to 1550.
The notname Master of the Aachen Altar is given to an anonymous late gothic painter active in Cologne between 1495 and 1520 or 1480 and 1520, named for his master work, the Aachen Altar triptych owned by the Aachen Cathedral Treasury. Along with the Master of St Severin and the Master of the legend of St. Ursula he is part of a group of painters who were active in Cologne at the beginning of the sixteenth century and were Cologne's last significant practitioners of late gothic painting.
Ferdinand Franz Wallraf was a German botanist, mathematician, theologian, art collector and Roman Catholic priest. His collection formed the founding nucleus of the Wallraf–Richartz Museum.
Johann Anton Alban Ramboux was a German painter and lithographer.
The Master of the Holy Kinship the Younger is a German painter of the Middle Ages who was active between 1475 and 1515 in Cologne and its environs. He is designated "The Younger" to distinguish him from another Master, given the same name, who worked in that area from 1410 to 1440.
Johann Heinrich Richartz was a German businessman and patron of the arts, best known as the main funder of the Wallraf-Richartz-Museum.
The Hunt Breakfast is a large oil-on-canvas painting completed in 1858 by the French Realist painter Gustave Courbet which is now in the collection of the Wallraf–Richartz Museum in Cologne, Germany. It was painted in Germany during a long stay by the artist in Frankfurt and has probably never left the country.
Caspar Johann Nepomuk Scheuren was a German painter and illustrator.
Matthias Joseph de Noël was a German merchant, painter, art collector and writer.
Hans Wilhelm Hupp (1896–1943) was a German art historian, author and curator. From 1933 to 1943 he directed the Museum Kunstpalast of the city of Düsseldorf..
Katja Terlau is a German art historian and provenance researcher. She was a co-initiator and founding member of the international Arbeitskreis Provenienzforschung in Germany, founded in 2000 and is considered a pioneer of German Provenance Research, which she entered after the Washington Principles on Nazi-Confiscated Art of 1998. Her main subject area is looted art; a number of museum holdings and large Jewish collections have been processed by her.
The Master of the Legend of Saint Bruno is the "notname" of an anonymous Gothic painter who was active in Cologne in the late 15th century. He is best known for the cycle of paintings on canvas produced for Cologne Charterhouse after which he is named.
A Couple also known as The Engaged Couple or Alfred Sisley and his Wife, is an oil-on-canvas painting by the French artist Pierre-Auguste Renoir (1841–1919), created around 1868 during his early Salon period at a time when he focused on thematic works about couples. It was acquired by the Wallraf–Richartz Museum in 1912.
Young Girls on a Bridge is the title of twelve works by Edvard Munch produced over the course of his lifetime, particularly between 1886 and 1927. They all show a bridge in Åsgårdstrand, a bathing station on the Oslofjord, where the artist spent several summers, a very short season in Norway. Each shows a particular emotion of the artist, with the 1901 version for instance showing the same composition as that of 1927 but with completely different colouring.
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