Mountain Landscape with Castle | |
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Artist | Joos de Momper |
Year | 1600s |
Catalogue | 6967 |
Medium | Oil on panel |
Dimensions | 45 cm× 74.8 cm(17.7 in× 29.4 in) |
Location | Kunsthistorisches Museum, Vienna |
Mountain Landscape with Castle is an oil on panel painting by Flemish painter Joos de Momper. The painting was probably completed in the 1600s. [1] [2]
The painting depicts the foreign, imaginary landscape typical of de Mompers' oeuvre and his circle. [3] [4] A warm colored and exotic foreground gives way to a less warm background with bluish highlands seen from a distance. Several people are traveling up and down a winding path dug into a cliff, on top of which there sits a castle. In the foreground, there moves a group of travelers with two donkeys. Among them there are two horsemen, one of whose horses stands beside a dog. In his early work, de Momper often collaborated with Jan Brueghel the Elder, who generally painted staffage figures for him. [1]
The painting became property of Arthur Seyss-Inquart, an Austrian Nazi leader responsible of crimes against the Dutchmen and humanity. [5] [2] The painting was acquired in 1942 by Dr. Schubert-Soldern, and became part of Vienna's Gemäldegalerie collection in 1942. [2]
Arthur Seyss-Inquart was an Austrian Nazi politician who served as Chancellor of Austria in 1938 for two days before the Anschluss. His positions in Nazi Germany included "deputy governor to Hans Frank in the General Government of Occupied Poland, and Reich commissioner for the German-occupied Netherlands" including shared responsibility "for the deportation of Dutch Jews and the shooting of hostages".
Joos de Momper the Younger or Joost de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Lucas van Uden was a leading Flemish landscape painter, draughtsman and engraver, who lived and worked in Antwerp. He was a leading landscape painter who collaborated with various local figure painters. His most original works are his drawings.
Dirk Hannema was a controversial museum director and art collector. The Museum Boijmans flourished under his directorship, but he was also arrested and interned for eight months for his conduct during the German occupation of the Netherlands during World War II. Further, his reputation was severely damaged when he inaccurately attributed various forgeries to the painter Johannes Vermeer, among others. However, a quarter century after his death, he was at least partially vindicated when Le Blute-Fin Mill, a painting he had championed as a van Gogh, was finally authenticated as being by the renowned painter.
Landscape with Sea and Mountain is an oil on canvas painting by Flemish painter Joos de Momper. It was painted in the early 1620s, and is currently housed at the Museum of Prado in Madrid.
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Landscape with a Mountain Pass is a large oil on canvas painting by Flemish painter Joos de Momper. The painting was completed sometime between 1600 and 1625. The painting was acquired by Prince Karl Eusebius von Liechtenstein from the art dealer Peter Bousin between 1674 and 1680, and is currently part of the private collection of the Liechtenstein Museum in Vienna.
Mountain Landscape is a large oil on canvas painting by Flemish painter Joos de Momper. The painting was probably completed in the 1620s and is currently housed at the Kunsthistorisches Museum in Vienna.
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Landscape with Grotto and a Rider is an oil on panel painting by Flemish painter Joos de Momper. The painting was completed in the 1610s, possibly in 1616. It is currently housed at the art gallery of Yale University in New Haven, Connecticut.
Alpine Landscape is an oil on canvas painting by Flemish painter Tobias Verhaecht. The painting was completed between 1600 and 1615, and is now in the Museum of Prado in Madrid.
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Friedrich Dworschak was an Austrian numismatist and art historian, and museum director during the Nazi era.