River Landscape with Boar Hunt | |
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Artist | Joos de Momper |
Year | c. 1590-1635 |
Medium | Oil on panel |
Dimensions | 121 cm× 196.5 cm(48 in× 77.4 in) |
Location | Rijksmuseum, Amsterdam |
River Landscape with a Boar Hunt, or Dutch: Rivierlandschap met everzwijnjacht, is a c. 1600 painting by the Flemish artist Joos de Momper, now in the Rijksmuseum, in Amsterdam. [1] The artist uses a high point of view, like in Altdorfer's The Battle of Alexander at Issus (1528-1529) and Brueghel's The Hunters in the Snow (1565). Later, de Momper mostly used a lower point of view, establishing what would become a typical feature of 17th century Dutch and Flemish landscapes, such as Windmill at Wijk bij Duurstede .[ citation needed ]
Louis de Caullery, Caulery or Coulery (ca.1580–1621) was a Flemish painter who is known for his architectural scenes, city views, genre scenes, allegorical compositions and history paintings. He was one of the pioneers of the art genre of courtly gatherings and the garden parties in Flemish painting.
Joos de Momper the Younger or Joost de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.
Hercules Pieterszoon Seghers or Segers was a Dutch painter and printmaker of the Dutch Golden Age. He has been called "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker.
Peter Snayers or Pieter Snayers (1592–1667) was a Flemish painter known for his panoramic battle scenes, depictions of cavalry skirmishes, attacks on villages, coaches and convoys and hunting scenes. He established his reputation mainly through his topographic battle scenes providing a bird's eye view over the battlefield. He further painted large landscapes and portraits of the aristocracy. He was a regular collaborator of local landscape painters and also Rubens.
Lucas van Uden was a leading Flemish landscape painter, draughtsman and engraver, who lived and worked in Antwerp. He was a leading landscape painter who collaborated with various local figure painters. His most original works are his drawings.
Jacques Fouquier, Jacques Fouquières or Jacob Focquier was a Flemish landscape painter. After training in Antwerp he worked in various places where he often obtained appointments as a painter to the court including that of the French kings. He earned great success and a very high reputation during his lifetime and was even referred to as the 'Flemish Titian'. Very few of his paintings have been preserved. His work was influential in his time and was widely circulated thanks to reproductions by various contemporary engravers.
Lodewijk Toeput, called il Pozzoserrato was a Flemish landscape painter and draftsman active in Italy. He is mainly known for his canvases and frescoes of landscapes and formal gardens with banquets and music-making groups. His landscapes had an important influence on the next generation of Flemish landscape artists such as Joos de Momper, Tobias Verhaecht and Gillis and Frederik van Valckenborch.
Frans de Momper was a Flemish landscape painter who, after training in Antwerp, worked for a while in the Dutch Republic. Here he was exposed to the work of Dutch landscape painters such as Jan van Goyen. His later paintings prefigure the imaginative landscapes of Hercules Segers.
Philips de Momper the Elder, Philips de Momper (I) or Philippe de Momper (I) (1598–1634) was a Flemish landscape painter and son of the prominent landscape painter Joos de Momper. His work was virtually unknown until a group of paintings, mainly depicting Treviso and Rome, which had formerly been attributed to his father were re-assigned to him. The artist is often confused with his cousin Philips de Momper the Younger (or Philips de Momper (II)) (c. 1610-1675).
Jan de Momper, also known as Giovanni de Momper was a Flemish landscape painter who, after training in Antwerp, had a successful career in Rome where he worked for an elite clientele. The artist was forgotten until his rediscovery in 1959. With his highly expressionist landscapes executed with a very free brush the artist occupies a unique position in the artistic panorama of Baroque Rome.
Bartholomeus de Momper (I) or Bartholomeus de Momper the Elder (Antwerp, 1535 – Antwerp, between 1595-1597) was a Flemish publisher, printer, draughtsman and art dealer. He was a member of de Momper family, a prominent family of landscape painters and printmakers, originally from Bruges, which had settled in Antwerp in the 16th century.
Landscape with Sea and Mountain is an oil-on-canvas painting by Flemish painter Joos de Momper. It was painted in the early 1620s, and is now in the Museum of Prado in Madrid.
Landscape with the Fall of Icarus is an oil-on-canvas painting by Flemish painter Joos de Momper. It was possibly painted in the 1620s, and is currently housed at the Nationalmuseum in Stockholm.
Landscape with a View of the Sea at Sunset is a pen and ink wash drawing by Flemish painter Joos de Momper. It was painted in 1610, and is now in the British Museum in London. The drawing is valuable in that it is the only drawing signed and dated by de Momper.
Landscape with the Temptation of Christ is an oil-on-oak-panel painting by Flemish painter Joos de Momper. The painting is now in the National Gallery in Prague.
Tobias' Journey is an oil-on-panel painting by Flemish artist Joos de Momper. The painting showcases Momper's large scale, imaginary landscape painting and his interpretation of perspective in distant views while at the same time treating a biblical subject. The painting depicts the story of Tobit, a righteous Israelite of the tribe of Naphtali, living in Nineveh, who is sent to recover is father's money to Media, escorted by the Archangel Raphael. The painting is currently housed at the Rockox House in Antwerp.
Landscape with Grotto is an oil-on-panel painting by Flemish painter Joos de Momper. The painting was completed in the 1610s, possibly in 1616, and is now in the Rheinisches Landesmuseum in Bonn.
Landscape with a Mountain Pass is a large oil-on-canvas painting by Flemish painter Joos de Momper. It was completed sometime between 1600 and 1625. The painting was acquired by Prince Karl Eusebius von Liechtenstein from the art dealer Peter Bousin between 1674 and 1680, and is currently part of the private collection of the Liechtenstein Museum in Vienna.
Mountain Landscape with Pilgrims in a Grotto Chapel, also known as A Hermit before a Grotto, is an oil on panel painting by Flemish painters Joos de Momper and Jan Brueghel the Elder. The painting was completed at some time between 1610 and 1626. It is currently part of the private collection of the Liechtenstein Museum in Vienna.
Grotto Landscape with a Hermitage, also called The Reading Hermit, is an oil on canvas painting by Flemish painters Jan Brueghel the Younger and Joos de Momper. It was painted around 1625, and is currently in private collection. It depicts a reading hermit in a monumental grotto, several pilgrims and various animals. It was painted in Antwerp.