Christ Falling on the Way to Calvary, also known as Lo Spasimo or Il Spasimo di Sicilia, is a painting by the Italian High Renaissance painter Raphael, of c. 1514–16, now in the Museo del Prado in Madrid. It is an important work for the development of his style.
The Madonna della Seggiola or The Madonna della Sedia is an oil on panel Madonna painting by the High Italian Renaissance artist Raphael, executed c. 1513–1514, and housed at the Palazzo Pitti Collection in Florence, Italy. Although there is documentation on its arrival to its current location, Palazzo Pitti, it is still unknown who commissioned the painting; however, it has been in the Medici family since the 16th century.
The Madonna Colonna is an oil on poplar painting by the Italian Renaissance artist Raphael. It was painted c. 1507–1508, near the end of Raphael's Florentine period.
The Portrait of Andrea Navagero e Agostino Beazzano is a painting by the Italian High Renaissance painter Raphael, created in 1516. It is housed in the Galleria Doria Pamphilj, Rome.
The Madonna of the Rose is a 1518-1520 painting, now in the Museo del Prado in Madrid. Its attribution as by Raphael is uncertain, and the involvement of Giulio Romano cannot be excluded. The rose and the lower portion were added at a later date by an unknown artist. A second autograph version of this painting, without the added rose and lower strip, painted on wood panel, is owned by real estate magnate Luke Brugnara. In 2022, the painting was included in an exhibition held by the National Gallery.
The Holy Family is a 1518 painting of the Holy Family, Saint Elisabeth, an infant John the Baptist and two angels. It is signed by Raphael, but most of the work was delegated to his workshop assistants. It was commissioned by Pope Leo X as a gift to Claude, wife of Francis I of France, hence its name. It is now in the Louvre.
The Madonna with Beardless St. Joseph is an early painting by Raphael, produced c. 1506, now at the Hermitage Museum. It depicts Saint Joseph, the Virgin Mary, and the baby Jesus.
The Portrait of Cardinal Bibbiena is a portrait of Cardinal Bernardo Dovizi da Bibbiena by Raphael, painted around 1516 and now in the Palazzo Pitti in Florence. Its rendering appears more rigid than is usual for Raphael, leading some critics to attribute it to one of his pupils or to feel it is possibly a copy from a lost autograph original.
The Visitation is a c. 1517 painting of the Visitation of the Virgin Mary to Saint Elizabeth by Raphael, in the Prado Museum since 1837. Commissioned by the Apostolic Protonotary Giovanni Branconio at his father Marino's request for their family chapel in the church of San Silvestre in Aquila, it was plundered by the occupation troops of Philip IV of Spain in 1655 and placed at El Escorial.
Portrait of Pope Julius II is an oil painting of 1511–1512 by the Italian High Renaissance painter Raphael. The portrait of Pope Julius II was unusual for its time and would carry a long influence on papal portraiture. From early in its life, it was specially hung at the pillars of the church of Santa Maria del Popolo, on the main route from the north into Rome, on feast and high holy days. Giorgio Vasari, writing long after Julius' death, said that "it was so lifelike and true it frightened everyone who saw it, as if it were the living man himself".
La Perla is a 1518-1520 oil on canvas painting by Raphael. At this stage clearly influenced by his encounter with Leonardo (1513-1516) the pyramidal arrangement of the characters, the light contrasts and the recreation of a landscape that is no longer idealized but realistic are proof of it.
The Perla of Modena is an oil on panel painting, dated to 1518-1520 and now attributed to Raphael. It is now in the Galleria Estense in Modena.
Mary Magdalene is an oil on panel painting of Mary Magdalene, dating to around 1500 and now in the Galleria Palatina in Florence - it has featured in its inventory since 1641. It is now attributed to Perugino. It is modelled on his wife Chiara Fancelli, who also modelled for several of his Madonnas. It is comparable to his Madonna and Child with St John the Baptist and St Catherine of Alexandria (Louvre), of similar date and with a similar dark background.
The Madonna of the Baldacchino is a c.1506-1508 oil on canvas holy conversation-style painting by Raphael, now in the Galleria Palatina in Florence.
Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175.
The Small Holy Family is an oil-on-panel painting by Raphael and assistants, now in the Louvre in Paris. Its name distinguishes it from his Great Holy Family, also in the Louvre. It is signed and dated "RAPHAEL VRBINAS S[anti] PINGEBAT MDXVIII" on the hem of the Madonna's garment.
Saint John the Baptist as a Boy is a c. 1518-1519 oil on canvas painting by the studio of Raphael, now in the Uffizi in Florence.
St John the Baptist in the Desert is a c.1516-1517 oil painting by Raphael and his assistants, including Giulio Romano. The composition is thought to be by Raphael himself, who may also have drafted some of the sections of the finished work. It is now in the Louvre in Paris. Originally on panel, it was transferred to a canvas support in 1777 - the practice was quite common in French collections at that period.
The 'Diotallevi Madonna is an oil on panel painting by Raphael, created c. 1504. It is held in the Bode Museum, in Berlin, where it entered in 1841-1842 from Marquess Diotallevi's collection in Rimini. Previously attributed to Raphael's teacher Perugino, almost all art historians now attribute it to Raphael, with the exception of Adolfo Venturi who attributes it and parts of Perugino's Madonna della Consolazione to an anonymous "Master of the Diotallevi Madonna".
The Bridgewater Madonna is a religious painting by Raphael, dated 1507. Originally on oil and wood, but later transferred to canvas, it measures 81 by 55 cm. The picture is part of the permanent collection of the Scottish National Gallery in Edinburgh, on loan from the Duke of Sutherland Collection.
