Mantua is a comune (municipality) in the Italian region of Lombardy, and capital of the province of the same name.
Giulio Pippi, known as Giulio Romano and Jules Romain, was an Italian Renaissance painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe.
The Villa Farnese, also known as Villa Caprarola, is a pentagonal mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres (31 mi) north-west of Rome, originally commissioned and owned by the House of Farnese. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. This villa is not to be confused with two similarly-named properties of the family, the Palazzo Farnese and the Villa Farnesina, both in Rome.
The Palazzo della Cancelleria is a Renaissance palace in Rome, Italy, situated between the present Corso Vittorio Emanuele II and the Campo de' Fiori, in the rione of Parione. It was built 1489–1513 by Baccio Pontelli and Antonio da Sangallo the Elder as a palace for Raffaele Cardinal Riario, Camerlengo of the Holy Roman Church, and is regarded as the earliest Renaissance palace in Rome.
The Villa Farnesina is a Renaissance suburban villa in the Via della Lungara, in the district of Trastevere in Rome, central Italy. Built between 1506 and 1510 for Agostino Chigi, the Pope's wealthy Sienese banker, it was a novel type of suburban villa, subsidiary to his main Palazzo Chigi in the city. It is especially famous for the rich frescos by Raphael and other High Renaissance artists that remain in situ.
Gianfrancesco Penni (1488/1496–1528), called il Fattore, was an Italian painter. His brother Bartolommeo was an artist of the Tudor court of Henry VIII, and another brother, Luca, ended up as one of the Italian artists of the School of Fontainebleau.
Giovanni Maria Falconetto was an Italian architect and painter. He designed among the first high Renaissance buildings in Padua, the Loggia Cornaro, a garden loggia for Alvise Cornaro built as a Roman doric arcade. Along with his brother, Giovanni Antonio Falconetto, he was among the most prominent painters of Verona and Padua in the early 16th century.
The Palazzo Ducale di Mantova is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m2, which make it the sixth largest palace in Europe after the palaces of the Vatican, the Louvre Palace, the Palace of Versailles, the Royal Palace of Caserta and the Castle of Fontainebleau. It has more than 500 rooms and contains seven gardens and eight courtyards. Although most famous for Mantegna's frescos in the Camera degli Sposi, they have many other very significant architectural and painted elements.
Buonconsiglio Castle is a castle in Trento, northern Italy.
Palazzo Thiene is a 15th-16th-century palace in Vicenza, northern Italy, designed for Marcantonio and Adriano Thiene, probably by Giulio Romano, in 1542, and revised during construction from 1544 by Andrea Palladio.
The Royal Palace of Milan was the seat of government in the Italian city of Milan for many centuries. Today, it serves as a cultural centre and it is home to international art exhibitions. It spans through an area of 7,000 square meters and it regularly hosts modern and contemporary art works and famous collections in cooperation with notable museums and cultural institutions from across the world. More than 1,500 masterpieces are on display annually.
Frans Geffels, known in Italy as Francesco Geffels, was a Flemish painter, printmaker, architect, stage designer and designer of ephemeral structures for solemn and festive occasions. After training in his native Antwerp, he was mainly active in Mantua, where he was prefetto delle fabbriche to the Duke, a role that gave him the direction of the artistic and construction activities undertaken by the Ducal court. He worked also on projects for the local aristocratic class of Mantua. In addition, he completed projects for the Liechtenstein princes and for the imperial court in Vienna.
Rinaldo Mantovano, also called Domenico Rinaldo, was an Italian painter from Mantua who was active between 1527 and 1539. According to Giorgio Vasari he was the most talented assistant of Giulio Romano during his stay in the service of the Gonzaga Marquis' of Mantua.
The Galleria degli Antichi and the Palazzo del Giardino are adjacent, contemporaneous, Renaissance-style buildings located on Piazza d`Armi #1 in Sabbioneta, in the Province of Mantua, region of Lombardy, Italy. Prior to 1797, the buildings were connected to the Rocca or Castle of Sabbioneta, and the gallery once housed the Gonzaga collection of antique Roman statuary and hunting trophies. While the architectural design of the gallery is striking, the richness of the interior decoration of the palazzo is also dazzling.
The Palazzo San Sebastiano is a 16th-century palace in Mantua. Built by the Gonzaga family, since 19 March 2005 it has housed Mantua's city museum.
The Castello di San Giorgio is part of the Ducal palace of Mantua. It is a moated rectangular castle, each of which's four corners has a large tower and the moat is crossed by three drawbridges.
Palazzo Sacchetti is a palazzo in Rome, important for historical and artistic reasons.
The Fall of the Giants is a fresco by the Italian Renaissance artist Giulio Romano. Born in Rome Giulio Romano was a pupil of Raphael. In the year 1522 he was courted by Federico II Gonzaga, the ruler of Mantua, who wanted him as his court artist as he was especially attracted by his skill as an architect. In the year 1524 Romano moved to Mantua where he remained for the rest of his life. According to Vasari, Baltasare Castilliogne was delegated by Federico II Gonzaga to procure Romano to execute paintings and architectural projects in the city of Mantua, Italy. His masterpiece of architecture and fresco painting in that city is the Palazzo del Te, with its famous illusionistic frescos. In one of rooms of palazzo, the Sala dei Giganti Giulio Romano had depicted the Gigantomachy, an episode derived from Greek mythology. The fresco was created between 1532 and 1534 and it was based on Ovid's Metamorphoses, a narrative poem consisting of 15 books that was written in Latin around 8 C.E. The episode of Gigantomachy depicts Jupiter defeating the Giants with his lightning. According to other versions of the myth, Jupiter resisted the Giants' assault thanks to the intervention of Pan or of the asses of Silenus and Bacchus. Nevertheless, in the 16th century in Italy it was uncommon to hear Latin. Texts were changed in structure and substance when transferred to Vulgate, so it should be understood that Giulio Romano had used the vernacular translation of the Metamorphoses for his Gigantomachy in the Palazzo del Te. The subject was very popular in the fine arts of the Cinquecento, once for sure because of its inherent possibilities for effective aesthetic design, on the other hand because this myth was important for the self-image of a patron of that time expressing religious, moral, political ideas.
The Palazzo Gerolamo Grimaldi also known as the palazzo della Meridiana is a building located in the salita di San Francesco at number 4 in the historical centre of Genoa, included on 13 July 2006 in the list of the forty-two palaces inscribed in the Rolli di Genova that became World Heritage by UNESCO on that date.
The Villa del Principe, Palazzo del Principe, or Palace of Andrea Doria in Fassolo is one of the main historical suburban villas of Genoa, Italy. It was built in the 16th century in an area that it is now located in the city center, but at the time of the construction of the villa was just outside of the city walls towards Capo di Faro and the Lanterna.
