Agony in the Garden is a 1405-1408 French painting in the international Gothic style, which has been in the Museo del Prado since May 2012. [1] It was produced in Paris on a Baltic oak panel. The artist is unknown, though it could by Colart de Leon (fl. 1377; died before 27 May 1417), who was painter and 'valet de chambre' to Louis I, Duke of Orléans, shown at bottom left and probably the commissioner of the work. [2]
The Museo del Prado, officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.
Juan de Pareja was a Spanish painter of multiracial descent. Born in Antequera, he is best known as a member of the household and workshop of painter Diego Velázquez, who enslaved Pareja until 1654. Pareja's 1661 painting The Calling of Saint Matthew is currently on display at the Museo del Prado in Madrid.
Luis Paret y Alcázar was a Spanish painter of the late-Baroque or Rococo period.
José Claudio Antolinez was a Spanish painter of the Baroque period.
Francisco Camilo was a Spanish painter, the son of an Italian immigrant who had settled in Madrid. When his father died, his mother remarried, and Camilo became the stepson of the painter Pedro de las Cuevas.
Antonio de Pereda y Salgado was a Spanish Baroque-era painter, best known for his still lifes.
The Colossus, is known in Spanish as El Coloso and also El Gigante, El Pánico and La Tormenta. It is a painting traditionally attributed to Francisco de Goya that shows a giant in the centre of the canvas walking towards the left hand side of the picture. Mountains obscure his legs up to his thighs and clouds surround his body; the giant appears to be adopting an aggressive posture as he is holding one of his fists up at shoulder height. A dark valley containing a crowd of people and herds of cattle fleeing in all directions occupies the lower third of the painting.
Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis is a 1634 portrait by Diego Velázquez, now in the Prado Museum. Doña Antonia and her son Luis are shown standing, captured in an elegant melancholy. The woman uses the chair to support herself, to emphasize her social status in the Court, where she had the right to sit. According to different studies of the canvas, it is believed that the child's figure could have been added afterwards.
Francisco Caro was a Spanish Baroque painter.
Luis Mariano de Larra y Wetoret was a Spanish writer, son of journalist Mariano José de Larra. Noted as the librettist of numerous zarzuelas such as El Toro y el Tigre,Un embuste y una boda,Todo con raptos,El cuello de la camisa, con el Sr. Suricalday amongst others, his most famous work is undoubtedly El barberillo de Lavapiés (1874), set to music by Francisco Asenjo Barbieri.
Colart de Laon was a French painter.
Christ Among the Doctors is a painting in oils on canvas by Paolo Veronese, now in the Museo del Prado in Madrid. Its dating has been the subject of debate – the date 1548 appears on a book held by a figure seated on the stairs in the foreground, but in 1976 Diana Gisolfi Pechukas posited 1565 as the earliest possible date for the painting's production.
Landscape with Sea and Mountain is an oil-on-canvas painting by Flemish painter Joos de Momper. It was painted in the early 1620s, and is now in the Museum of Prado in Madrid.
Excursion in the Countryside of Infanta Isabel Clara Eugenia is an oil on canvas painting by Flemish artists Jan Brueghel the Elder and Joos de Momper. It was painted in the first quarter of the 17th century, and is housed at the Museum of Prado, in Madrid.
The Infanta Isabel Clara Eugenia in the Mariemont Park is a large oil on canvas painting by Flemish artists Jan Brueghel the Elder and Joos de Momper. It was painted in the first quarter of the 17th century. The painting is kept in the Museum of Prado in Madrid.
A Farm is an oil on panel painting by Flemish painter Joos de Momper.
Landscape is an oil on panel painting by Flemish painter Joos de Momper.
Landscape with Skater is an oil on canvas painting by Flemish artist Joos de Momper. The painting is today considered a collaboration between the latter and Jan Brueghel the Elder. It was painted between 1615 and 1625. The painting is kept in the Museum of Prado in Madrid.
Guillermo Ducker was a Dutch miniaturist active mainly in Madrid, Spain between 1795 and 1830. He is known to have painted for Spain's royal family as well as for Madrid's high society, until at least 1813, when he painted a miniature of Joaquina Téllez Girón, Marchioness of Santa Cruz.
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