National Exhibition of Fine Arts (Spain)

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The National Exhibition of Fine Arts (Spanish: Exposiciones Nacionales de Bellas Artes) was a regular event that took place in Spain from 1856 to 1968; usually in Madrid. These exhibitions were in the form of a competition, established by a Royal Decree from Queen Isabella II in 1853. It was the largest official exhibition of Spanish art.

Contents

It was initially divided into five categories: Painting, Sculpture, Engraving, Architecture, and Decorative Arts. Painting was always considered the most prestigious category, however, and Decorative Arts was only occasional. Although the decree specified that they were to be held biennially, this was not always strictly observed.

Origins and proposals

The process began when it was noted by many critics that Spain was underrepresented in most international exhibitions. There were also widespread feelings that Spanish art had become decadent since the old patronage system, supported by the Catholic church and the aristocracy, had disappeared; due in large part to the continuing Confiscation. Then, in 1851, the Parisian cultural journal, L'Illustration , ran an article on the International Exposition of Fine Arts in Brussels with the headline, "L'Espagne n'existe plus!" (Spain no longer exists). [1]

At that time, the recognized model for art exhibitions was the Paris Salon, with its regulations, juries, formal critiques, public exposure, established hierarchies of prize categories and opportunities for acquisition. In a proposal sent to the Congress of Deputies by the painter, José Galofré y Coma, the need for establishing such an exhibition was strongly argued. His proposition was accepted and forwarded to Agustín Esteban Collantes  [ es ], the Minister of Development. After the questions of organization and funding had been settled, it was presented to the Royal Family for final approval.

The exhibition was maintained in largely the same form until the 1920s, although the frequency became erratic; sometimes every two years, sometimes every three. There were also longer intervals due to political and social disruptions; notably the Spanish Civil War.

The original concepts and criteria slowly became obsolete, and the last exhibition was held in 1968.

Prizes and winners

Christopher Columbus in the Convent of La Rabida, Eduardo Cano, 1856 Eduardo Cano - Cristobal Colon en el convento de la Rabida.jpg
Christopher Columbus in the Convent of La Rábida, Eduardo Cano, 1856
View of the Surroundings of the Monasterio de Piedra, Carlos de Haes, 1858 Carlos de Haes View near Monasterio de Piedra.jpg
View of the Surroundings of the Monasterio de Piedra, Carlos de Haes, 1858
The Last Moments of Fernando IV, the Summoned, Jose Casado del Alisal, 1860 Ultimos momentos del rey Fernando IV de Castilla y Leon.jpg
The Last Moments of Fernando IV, the Summoned, José Casado del Alisal, 1860
The Comuneros, Padilla, Bravo and Maldonado on the Scaffold, Antonio Gisbert, 1860 Comuneros.jpg
The Comuneros, Padilla, Bravo and Maldonado on the Scaffold, Antonio Gisbert, 1860
The First Landing of Christopher Columbus in America, Dioscoro Puebla, 1862 Desembarco de Colon de Dioscoro Puebla.jpg
The First Landing of Christopher Columbus in America, Dióscoro Puebla, 1862
Isabelle the Catholic Dictating her Will and Testament, Eduardo Rosales, 1864 Dona Isabel la Catolica dictando su testamento (Rosales).jpg
Isabelle the Catholic Dictating her Will and Testament, Eduardo Rosales, 1864
The Fusillades of May Third on the Hill of Principe Pio, Vicente Palmaroli, 1871 El tres de mayo de 1808.jpg
The Fusillades of May Third on the Hill of Príncipe Pío, Vicente Palmaroli, 1871
The Education of Prince Don Juan, Salvador Martinez Cubells, 1878 Educacion del principe don Juan 1877 Martinez Cubells.jpg
The Education of Prince Don Juan, Salvador Martínez Cubells, 1878
Othello and Desdemona, Antonio Munoz Degrain, 1881 Oteloydesdemona MunozDegrain.jpg
Othello and Desdemona, Antonio Muñoz Degrain, 1881
Spoliarium, Juan Luna, 1884 Spolarium.jpg
Spoliarium, Juan Luna, 1884
Invasion of the Barbarians, Ulpiano Checa, 1887 Ulpiano Checa La invasion de los barbaros.jpg
Invasion of the Barbarians, Ulpiano Checa, 1887
A Misfortune, Jose Jimenez Aranda, 1890 Una desgracia Jose Jimenez Aranda (version grande).jpg
A Misfortune, José Jiménez Aranda, 1890
Cisneros, Founder of the Hospital of Illescas, Alejandro Ferrant, 1892 Alejandro Ferrant (1892) Cardenal Cisneros. Hospital de la Caridad de Illescas.jpg
Cisneros, Founder of the Hospital of Illescas, Alejandro Ferrant, 1892
And They Still Say that Fish is Expensive!, Joaquin Sorolla, 1895 !Aun dicen que el pescado es caro!.jpg
And They Still Say that Fish is Expensive!, Joaquín Sorolla, 1895
The Charge, Ramon Casas, 1904 Ramon Casas Charge.jpg
The Charge, Ramon Casas, 1904
The Gypsy Muse, Julio Romero de Torres, 1908 La musa gitana 1907 Julio Romero de Torres.jpg
The Gypsy Muse, Julio Romero de Torres, 1908
Fruits, Julia Alcayde y Montoya, 1911 Julia Alcayde y Montoya - Fruits, 1911.jpg
Fruits, Julia Alcayde y Montoya, 1911
Floreal, Jose Pinazo Martinez, 1915 Jose Pinazo Martinez - Floreal, 1915.jpg
Floreal, José Pinazo Martínez, 1915

The prizes awarded were "First Class", "Second Class", "Third Class" and "Honorable Mention". In the painting category, anywhere from 300 to 500 works might be entered. The other categories rarely exceeded 10% of that.

Winners of the First Class medal in the Painting category

After that time, the exhibitions became more sporadic and perfunctory, and information regarding the results is not readily available.

References

  1. Jesús Gutiérrez Burón, Exposiciones nacionales de Bellas Artes, Historia 16, Cuadernos de arte español, 1992, ISBN   978-84-7679-199-8

Further reading