The Echo Sonata for Two Unfriendly Groups of Instruments is a satirical instrumental work written by Peter Schickele under the pseudonym of P.D.Q. Bach, whom Schickele studies as a "scholar".
The piece is a sextet intended in the baroque style, the two unfriendly groups of instruments being the three woodwinds — flute, oboe and bassoon — and the three brass; trumpet, french horn and trombone. The basic premise is that the woodwinds play the piece straightforwardly, while the brass instruments (who don't like the woodwinds and/or the conductor) do everything possible to pervert the work, including playing their echo atonally/arhythmically, playing in a carnival or ragtime style, ignoring their cue (even when repeated) and then playing "nanny nanny boo-boo" over the subsequent woodwind line, and dramatic ritardandos and rallentandos that cover the other group's parts. This understandably frustrates the woodwinds and the conductor. At the breaking point, the conductor and/or woodwind group pull out guns and point them at the brass section, whose broad, obnoxiously loud line trails off. The woodwinds play their final line, and the brass finally cooperate... until they refuse to play their final note, which is completed by the woodwinds.
The piece appears in two albums, Report From Hoople: P. D. Q. Bach On The Air and Portrait of PDQ Bach . In the former, the presentation of the piece is itself satirical in nature with the piece (recorded on tape) being played too slow, then too fast, and even backwards (Schickele quips while attempting to fix the problem, "This is a heck of a way to start a morning, isn't it?") before the machine playing the tape explodes. The second later album features the piece in its entirety (though the recorded introduction to the piece still pokes fun at the recording and editing process).
A musical ensemble, also known as a music group, musical group, or a band is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo-wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds, and percussion instruments, or the concert band, which uses brass, woodwinds, and percussion. In jazz ensembles or combos, the instruments typically include wind instruments, one or two chordal "comping" instruments, a bass instrument, and a drummer or percussionist. Jazz ensembles may be solely instrumental, or they may consist of a group of instruments accompanying one or more singers. In rock and pop ensembles, usually called rock bands or pop bands, there are usually guitars and keyboards, one or more singers, and a rhythm section made up of a bass guitar and drum kit.
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments:
Peter Schickele was an American composer, musical educator and parodist, best known for comedy albums featuring his music, which he presented as being composed by the fictional P.D.Q. Bach. He also hosted a long-running weekly radio program called Schickele Mix.
The Stoned Guest is a "half-act opera" by Peter Schickele in the satirical persona of P. D. Q. Bach. The title is a play on the "stone guest" character in Don Giovanni by Mozart, as well as the opera The Stone Guest by Alexander Sergeyevich Dargomïzhsky after the play by Pushkin. The work is a parody of classical opera. The opera appears on the 1970 album of the same name.
Orchestration is the study or practice of writing music for an orchestra or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra.
P. D. Q. Bach is a fictional composer created by the American composer and musical satirist Peter Schickele for a five-decade career performing the "discovered" works of the "only forgotten son" of the Bach family. Schickele's music combines parodies of musicological scholarship, the conventions of Baroque and Classical music, and slapstick comedy. The name "P. D. Q." is a parody of the three-part names given to some members of the Bach family that are commonly reduced to initials, such as C. P. E. for Carl Philipp Emanuel Bach; PDQ is an initialism for "pretty damned quick".
Noël is the sixth studio and first Christmas album by Joan Baez, released in November 1966.
The ”Grand Serenade for an Awful Lot of Winds and Percussion” is a piece of music written by Peter Schickele, touted as a composition of the fictional P.D.Q. Bach. It consists of 4 movements, and is intended to be humorous to listen to. The players are instructed to play the piece sloppily, especially the fourth movement. The whole piece is about 10–11 minutes long. It was released on the album Music for an Awful Lot of Winds and Percussion.
The First Suite in E♭ for Military Band, Op. 28, No. 1 is written by the English composer Gustav Holst. It is considered one of the cornerstone masterworks in the concert band repertoire. Officially premiered in 1920 at the Royal Military School of Music, the manuscript was originally completed in 1909. Along with the subsequent Second Suite in F for Military Band, written in 1911 and premiered in 1922, the First Suite convinced many other prominent composers that serious music could be written specifically for band.
Report from Hoople: P. D. Q. Bach on the Air was released on Vanguard Records in 1967. It is set up as a radio broadcast of the music of P. D. Q. Bach with Professor Peter Schickele as the DJ.
Portrait of P. D. Q. Bach was released in 1977 on Vanguard Records. The album features mostly the work of Peter Schickele writing as P. D. Q. Bach, with one contribution under his own name.
Music for an Awful Lot of Winds and Percussion was released in 1992 by Telarc Records. The album contains one piece by Professor Peter Schickele writing under his own name and several pieces by him as P. D. Q. Bach.
Black Forest Bluegrass is a recording of the music of Peter Schickele under his comic pseudonym of P. D. Q. Bach, featuring the composer and "a bluegrass band with a Baroque orchestra, a wind octet with toys, a commercial with a snake — this album has it all!" The album was released on Vanguard Records in 1979.
A Little Nightmare Music is an opera in "one irrevocable act" by Peter Schickele under the pseudonym he uses for parodies and comical works P. D. Q. Bach. The title of the work refers to the English translation of Mozart's famous Eine kleine Nachtmusik. The opera is described as being "based on a dream he had December 4, 1791, the night that Wolfgang Amadeus Mozart died and Antonio Salieri didn't." The opera was "newly exhumed" at Carnegie Hall on December 27, 1982. It was later recorded with the premiere cast and released on CD by Vanguard Records in 1983. The album also includes two other works by P. D. Q. Bach: an octet and a parody of Handel's Water Music and Music for the Royal Fireworks, Royal Firewater Musick.
WTWP Classical Talkity-Talk Radio was released in 1991 by Telarc Records. The album contains the "last hour of the broadcast from station WTWP in Hoople on May 5, 1991, the 184th anniversary of the death of P. D. Q. Bach." The station name WTWP means "Wall to Wall Pachelbel" in which some unusual instruments play his Canon in D.
The Wurst of P. D. Q. Bach is a collection of works by Peter Schickele under his comic pseudonym of P. D. Q. Bach originally recorded on the Vanguard Records label by the composer. It includes "lowlights" from four different Vanguard albums: Peter Schickele Presents an Evening with P. D. Q. Bach (1807–1742)?, An Hysteric Return: P.D.Q. Bach at Carnegie Hall, Report from Hoople: P. D. Q. Bach on the Air, and P. D. Q. Bach's half-act opera The Stoned Guest. Wurst is the German word for sausage, with the album cover photograph set in a sausage shop.
The New York Philharmonic concert of April 6, 1962, is widely regarded as one of the most controversial in the orchestra's history. Featuring a performance by Glenn Gould of the First Piano Concerto of Johannes Brahms, conducted by its music director, Leonard Bernstein, the concert became famous because of Bernstein's remarks from the podium prior to the concerto. Before Gould performed, Bernstein disassociated himself from the interpretation that was to come, describing it as "unorthodox" and departing from Brahms' original tempi. Gould, for his part, claimed publicly to be in favor of Bernstein's remarks.
Pervertimento for Bagpipes, Bicycle and Balloons is a satirical work authored by Peter Schickele under the pseudonym P.D.Q. Bach, whose works and life Schickele purported to study. It is a concerto featuring the aforementioned bagpipes, bicycle and balloons as solo musical instruments accompanied by a string orchestra.
The whirly tube, corrugaphone, or bloogle resonator, also sold as Free-Ka in the 1960s-1970s, is an experimental musical instrument which consists of a corrugated (ribbed) plastic tube or hose, open at both ends and possibly wider at one end (bell), the thinner of which is rotated in a circle to play. It may be a few feet long and about a few inches wide. The faster the toy is swung, the higher the pitch of the note it produces, and it produces discrete notes roughly belonging to the harmonic series, like a valveless brass instrument generates different modes of vibration. However, the first and the second modes, corresponding to the fundamental and the second harmonics, are reported as being difficult to excite. To be played in concert the length of the tube must be trimmed to tune it.