Report from Hoople: P. D. Q. Bach on the Air

Last updated
Report from Hoople:
P.D.Q. Bach on the Air
Report from Hoople.jpg
Studio album by
Released1967
Genre Classical
Comedy
Length49:51
Label Vanguard Records
P. D. Q. Bach chronology
An Hysteric Return: P.D.Q. Bach at Carnegie Hall
(1966)
Report from Hoople:
P.D.Q. Bach on the Air

(1967)
The Stoned Guest
(1970)

Report from Hoople: P. D. Q. Bach on the Air was released on Vanguard Records in 1967. It is set up as a radio broadcast of the music of P. D. Q. Bach with Professor Peter Schickele as the DJ.

Contents

In addition to P. D. Q. Bach music, the record includes New Horizons in Music Appreciation, a piece in which Schickele and Robert Dennis do a play-by-play on a performance of the first movement of Beethoven's Fifth Symphony as if it were a baseball game.

On the back cover, Schickele thanks "members of his graduate seminar in Accidental Originality" including future famous composer Philip Glass.

Performers

Radio Log

Bright and Early Show

Track 1 (8:12)

Track 2 (11:53)

Track 3 (5:04)

Dull and Late Show

Track 4 (9:27)

Track 5 (7:22)

Track 6 (7:53)

Sources

Related Research Articles

Peter Schickele American composer, musical educator, and parodist

Peter Schickele is an American composer, musical educator, and parodist, best known for comedy albums featuring his music, but which he presents as being composed by the fictional P. D. Q. Bach. He also hosted a long-running weekly radio program called Schickele Mix.

A scherzo, in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work.

P. D. Q. Bach Fictitious composer

P. D. Q. Bach is a fictional composer invented by the American musical satirist Peter Schickele, who developed a five-decade-long career performing the "discovered" works of the "only forgotten son" of the Bach family. Schickele's music combines parodies of musicological scholarship, the conventions of Baroque and Classical music, and slapstick comedy. The name "P. D. Q." is a parody of the three-part names given to some members of the Bach family that are commonly reduced to initials, such as C. P. E., for Carl Philipp Emanuel Bach; PDQ is an initialism for "pretty damned quick".

Sinfonia concertante is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century.

C minor Musical scale and key signature

C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major.

D minor Tonality

D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.

Piano Sonata No. 6 (Beethoven)

Ludwig van Beethoven's Piano Sonata No. 6 in F major, Op. 10, No. 2, was dedicated to the Countess Anne Margarete von Browne, and written from 1796 to 1798.

The Symphony No. 99 in E major, Hoboken I/99, is the seventh of the twelve London symphonies written by Joseph Haydn. The symphony was written in 1793 in Vienna in anticipation for his second trip to London. The work was premiered on 10 February 1794 at the Hanover Square Rooms in London, with Haydn directing the orchestra seated at a fortepiano. This concert series featuring Haydn's compositions was organized by his colleague and friend Johann Peter Salomon.

The Concerto for Horn and Hardart is a work of Peter Schickele composing under the pseudonym P. D. Q. Bach. The work is a parody of the classical double concerto but where one instrument, the hardart, uses different devices, such as plucked strings, blown whistles and popped balloons, to produce each note in its range. The name "hardart" and the name of the concerto is a play on the name of proprietors Horn & Hardart, who pioneered the North American use of the automat. Like the automat, the hardart had small windows in the front where the musician had to insert coins to remove implements needed to strike or otherwise play the devices that produced the notes. The composer Philip Glass, a classmate of Schickele's, helped build the actual instrument; Glass and the others tasked with building the hardart made it a transposing instrument without telling Schickele. Although a parody, the work is a well-written example of a classical concerto and could stand as a serious piece of music with a few changes.

The Septet in E-flat major for clarinet, horn, bassoon, violin, viola, cello, and double bass, Op. 20, by Ludwig van Beethoven, was sketched out in 1799, completed, and first performed in 1800 and published in 1802. The score contains the notation: "Der Kaiserin Maria Theresia gewidmet", or translated, "Dedicated to the Empress Maria Theresa."

The six String Quartets, Op. 76, by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.

"The Three Bs" is a term derived from an expression coined by Peter Cornelius in 1854, which added Hector Berlioz as the third B to occupy the heights already occupied by Johann Sebastian Bach and Ludwig van Beethoven. Later in the century, conductor Hans von Bülow substituted Johannes Brahms for Berlioz. The phrase is generally used in discussions of classical music to refer to the supposed primacy of Bach, Beethoven, and Brahms in the field.

<i>Black Forest Bluegrass</i> 1979 studio album by P. D. Q. Bach

Black Forest Bluegrass is a recording of the music of Peter Schickele under his comic pseudonym of P. D. Q. Bach, featuring the composer and "a bluegrass band with a Baroque orchestra, a wind octet with toys, a commercial with a snake — this album has it all!" The album was released on Vanguard Records in 1979.

<i>Music You Cant Get Out of Your Head</i> 1982 studio album by P. D. Q. Bach

Music You Can't Get Out of Your Head is recording of the music by Peter Schickele writing as P. D. Q. Bach. The album describes itself as "P.D.Q. Bach’s answer to Haydn’s "Farewell" Symphony" and includes "all the music from The Civilian Barber that's been discovered." The album was released on Vanguard Records in 1982.

<i>1712 Overture and Other Musical Assaults</i> 1989 studio album by P. D. Q. Bach

1712 Overture and Other Musical Assaults is a classical music album released in 1989 by Telarc Records. The album contains works by P. D. Q. Bach, the alter ego of Professor Peter Schickele. It is scored for "really big orchestra and some not-quite so big ensembles, plus unique on-location introductions, spoken on the very historical spots where the actual history happened".

<i>WTWP Classical Talkity-Talk Radio</i> 1991 studio album by P. D. Q. Bach

WTWP Classical Talkity-Talk Radio was released in 1991 by Telarc Records. The album contains the "last hour of the broadcast from station WTWP in Hoople on May 5, 1991, the 184th anniversary of the death of P. D. Q. Bach." The station name WTWP means "Wall to Wall Pachelbel" in which some unusual instruments play his Canon in D.

<i>The Wurst of P. D. Q. Bach</i> 1971 compilation album by P. D. Q. Bach

The Wurst of P. D. Q. Bach is a collection of works by Peter Schickele under his comic pseudonym of P. D. Q. Bach originally recorded on the Vanguard Records label by the composer. It includes "lowlights" from four different Vanguard albums: An Evening with P. D. Q. Bach (1807–1742)?, An Hysteric Return: P.D.Q. Bach at Carnegie Hall, Report from Hoople: P. D. Q. Bach on the Air, and P. D. Q. Bach's half-act opera The Stoned Guest. Wurst is the German word for sausage, with the album cover photograph set in a sausage shop.

P.D.Q. Bach in Houston: We Have a Problem! is a live performance celebrating 40 years of P. D. Q. Bach. This performance features Professor Peter Schickele with Orchestra X conducted by Peter Jacoby. It includes never-before-recorded performances of "Trumpet Involuntary" movement of Iphigenia in Brooklyn, and also the rounds Odden und Enden.

Peter Van de Graaff is an American singer and radio personality. He is best known as the host of the Beethoven Satellite Network (BSN) overnight classical music service, which is carried over approximately 150 radio stations across the USA.