Ed Friedman (born January 12, 1950) is an American poet and playwright.
Friedman was born in Los Angeles, California, and studied literature at the University of California at San Diego. [1] He moved to New York City in 1971 [2] and soon after enrolled in one of Bernadette Mayer's workshops at the Poetry Project at St. Mark's Church-in-the-Bowery. From this came the magazine Unnatural Acts, with collaborative contents presented anonymously, which Mayer and Friedman put out from 1972 to 1973. [1]
Friedman then "invented performance poetry" when he began to oversee the Project's Monday night readings series during the period 1974 to 1976. He became the Artistic Director of the Poetry Project in 1987 and served in that capacity until 2003, the longest term of any AD for the Project. [1] [3]
Friedman has given readings and performances at the Museum of Modern Art, The Kitchen, and The Public Theater, among other venues. [4] He has collaborated with visual artist Robert Kushner – whose hat designs worn by models descending a spiral staircase were accompanied by Friedman's poetry, published in The New York Hat Line (1979), and who designed the settings for Friedman's 1982 play The White Snake [1] – and Kim MacConnel – on several projects about learning a new language (Lingomats, 1980) and an illustrated phrasebook (La Frontera, 1983). [1] – He also collaborated with composer Peter Gordon on the play with music Chinoiserie, presented at The Kitchen in 1978. [5] [1]
Two of Friedman's projects from 1979 are significant to his work. The Telephone Book consists of transcripts of Friedman's phone calls throughout a number of weeks, and Space Stations – which has not been published in its entirety, follows up on William S. Burroughs by dividing a journal's pages into three columns and recording Firedman's attention shifts while he is writing. Space Stations provided the material for much of Friedman's published poetry from 1982 to 2001. [1]
Jerome Rothenberg has said of Friedman that he is "a powerful & never disappointing poet/chronicler, at the top of his form & ready to take his place among the makers & movers of our time," [3] and Ed Sanders has said, "You can count on Ed Friedman ... to take you on a fine ride." [2]
Paul Blackburn was an American poet. He influenced contemporary literature through his poetry, translations and the encouragement and support he offered to fellow poets.
Bernadette Mayer was an American poet, writer, and visual artist associated with both the Language poets and the New York School.
Charles North is an American poet, essayist and teacher. Described by the poet James Schuyler as “the most stimulating poet of his generation,” he has received two National Endowment for the Arts Creative Writing Fellowships, a Foundation for Contemporary Arts Grants to Artists award (2008), four Fund for Poetry awards, and a Poets Foundation award.
Mei-mei Berssenbrugge is a contemporary poet. Winner of two American Book Awards, her work is often associated with the Language School, the poetry of the New York School, phenomenology, and visual art. She is married to the painter Richard Tuttle, with whom she has frequently collaborated.
Helen Adam was a Scottish poet, collagist and photographer who was part of a literary movement contemporaneous to the Beat Generation that occurred in San Francisco during the 1950s and 1960s. Though often associated with the Beat poets, she would more accurately be considered one of the predecessors of the Beat Generation.
The Poetry Project at St. Mark's Church was founded in 1966 at St. Mark's Church in-the-Bowery in the East Village of Manhattan by, among others, the poet and translator Paul Blackburn. It has been a crucial venue for new and experimental poetry for more than five decades.
Mark Pawlak is a Polish-American poet and educator.
Jack Warren Anderson was an American poet, dance critic, and dance historian. He is well known for his numerous reviews of dance performances in The New York Times and Dance Magazine as well as for his scholarly studies in dance history and for eleven volumes of poetry.
Joan Larkin is an American poet and playwright. She was active in the small press lesbian feminist publishing explosion in the 1970s, co-founding the independent publishing company Out & Out Books. She is now in her fourth decade of teaching writing. The science fiction writer Donald Moffitt was her brother.
Jeffrey Cyphers Wright is an American lyric poet, writer and publisher. Wright graduated from West Virginia University before coming to New York. Beginning in 1976, Wright studied with Ted Berrigan and Alice Notley at St. Mark's Church in-the-Bowery. He also studied with Allen Ginsberg at Brooklyn College and received an MFA in poetry from there.
Lewis Warsh was an American poet, visual artist, professor, prose writer, editor, and publisher. He was a principal member of the second generation of the New York School poets,; however, he has said that “no two people write alike, even if they’re associated with a so-called ‘school’ .” Professor of English at Long Island University and founding director (2007–2013) of their MFA program in creative writing, Warsh lived in Manhattan with his wife, playwright-teacher Katt Lissard, whom he married in 2001.
Paul Randolph Violi was an American poet born in Brooklyn, New York. He is the author of eleven books of poetry, including Splurge, Fracas, The Curious Builder, Likewise, and most recently Overnight. Violi was managing editor of The Architectural Forum from 1972–1974, worked on free-lance projects at Universal Limited Art Editions and as chairman of the Associate Council Poetry Committee, he organized a series of readings at the Museum of Modern Art from 1974 to 1983. He also co-founded Swollen Magpie Press, which produced poetry chapbooks, anthologies, and a magazine called New York Times. His art book collaborations with Dale Devereux Barker, most recently Envoy; Life is Completely Interesting, have been acquired by major collections. The expanded text of their first collaboration, Selected Accidents, Pointless Anecdotes, a collection of non-fiction prose, was published by Hanging Loose Press in 2002.
Joanna Furhman is an American poet and professor. She is the author of six collections of poems and her poems have appeared in literary magazines and journals, as well as in anthologies. Fuhrman is a member of the Alice James Books Cooperative Board, and poetry editor for Boog City, a community newspaper for the Lower East Side in New York.
Brenda Coultas is an American poet.
Rochelle Bass Owens is an American poet and playwright.
Robert Hershon was an American poet and the author of thirteen books.
Sharon Mesmer is a Polish-American poet, fiction writer, essayist and professor of creative writing. Her poetry collections are Annoying Diabetic Bitch, The Virgin Formica, Vertigo Seeks Affinities, Half Angel, Half Lunch and Crossing Second Avenue. Her fiction collections are Ma Vie à Yonago, In Ordinary Time and The Empty Quarter. She teaches in the undergraduate and graduate programs of New York University and The New School. She has lived in Brooklyn, New York since 1988 and is a distant relative of Franz Anton Mesmer, proponent of animal magnetism and Otto Messmer, the American animator best known for creating Felix the Cat.
Sandra María Esteves is a Latina poet and graphic artist. She was born and raised in the Bronx, New York, and is one of the founders of the Nuyorican poetry movement. She has published collections of poetry and has conducted literary programs at New York City Board of Education, the Caribbean Cultural Center, and El Museo del Barrio. Esteves has served as the executive director of the African Caribbean Poetry Theater. She is the author of Bluestown Mockinbird Mambo and Yerba Buena. She lives in the Bronx.
Paul Goodman described himself as a man of letters but foremost a poet. He published several poetry collections in his life, including The Lordly Hudson (1962), Hawkweed (1967), North Percy (1968), and Homespun of Oatmeal Gray (1970). His Collected Poems (1973) were published posthumously.
Michael Friedman was an American author, poet, editor, publisher, lawyer, and teacher. His most recent work, the fiction novel series Martian Dawn & Other Novels (2015) was recognized by Editor-in-Chief Lorin Stein of the Paris Review. The collection includes his first novel Martian Dawn, originally published in 2006 by Turtle Point Press, Are We Done Here? and On My Way To See You. Friedman is the author of poetry books Species (2000), and Distinctive Belt (1985), as well as poetry chapbooks Celluloid City (2003), Arts & Letters (1996), Cameo (1994), and Special Capacity (1992).