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The Poetry Project at St. Mark's Church was founded in 1966 at St. Mark's Church in-the-Bowery in the East Village of Manhattan by, among others, the poet and translator Paul Blackburn. [1] It has been a crucial venue for new and experimental poetry for more than five decades.
The Project offers a number of reading series, writing workshops, a quarterly newsletter, a website, and audio and document archives, and the church has been the site of memorial readings for poets Paul Blackburn, Allen Ginsberg, W.H. Auden, Frank O'Hara, Ted Berrigan, and others.
The Project is staffed completely by poets. Artistic Directors and coordinators of the project have included Joel Oppenheimer, Anne Waldman, Bernadette Mayer, Bob Holman. Ron Padgett, Eileen Myles, Patricia Spears Jones, Jessica Hagedorn, Ed Friedman – whose term from 1986 to 2003 was the longest [2] – Anselm Berrigan, Stacy Szymaszek, Simone White, Kyle Dacuyan, and the incumbent director Nicole Wallace.
The Poetry Project's archive was acquired by the Library of Congress in 2007, and the library is still in the process of cataloguing and digitizing the wealth of material. [3] The archive contains around 40,000 hours of audio and visual recordings, as well as ephemera including posters, correspondence, financial information, and other material. [3] As of 2024, 419 recordings have been digitized and are available to listen to, open-access, on the Library's website. [4] The Library has also digitized Bernadette Mayer's notebooks from her tenure as director of the project. [5]
Prior to the formal establishment of the Poetry Project, St Mark's Church was already a venue for cultural events. In January 1966, the 'Poetry Committee', a group of organising poets composed of Paul Blackburn, Carol Bergé, Carol Rubinstein, Allen Planz, Jerome Rothenberg, Paul Plummer, and Diane Wakowski, was established there. [6] Their idea was to use the church as a new venue for reading series which had previously occurred at Les Deux Mégots. [7]
In May 1966, the Reverend Michael Allen, the priest of St Mark's, decided to accept a federal grant of almost $200,000 from the Office of Juvenile Delinquency and Youth Development. [6] The Poetry Project was established using this money, along with corresponding film and theatre programs, though these did not last beyond 1966. [8] The grant was administered jointly by Michael Allen and Harry Silverstein at the New School, and was technically to be used for 'creative arts for alienated youth' and the socialisation of juvenile delinquents. Joel Oppenheimer was appointed as the first director of the Poetry Project, a role he held until 1968, when Anne Waldman took over. [9]
The Poetry Project hosted (and continues to host) workshops and readings. Notable events include Bernadette Mayer's workshops between 1971 and 1974, during which she and her students co-created the 'Experiments', a seminal work in the canon of Language writing, [10] and an incident where the poet Kenneth Koch was shot at during a poetry reading by fellow poet and anarchist Allen Van Newkirk. [11] The Poetry Project was a key community hub for the so-called 'second generation' of the New York School of poets. [12]
The Poetry Project's first publication was The Genre of Silence, published in 1966 by Joel Oppenheimer. [13] The publication was required by the terms of the federal grant which funded the Project in its early years. At the time, Oppenheimer noted that the money would be better spent supporting The World, which was already extant. [13]
The World was a little magazine published from the winter of 1966 onward, and was heavily attached to the Poetry Project. [14] Writing from The World was published in The World Anthology of 1969, [15] and Out of This World: An Anthology of the St. Mark's Poetry Project 1966-1991. [16]
Unnatural Acts was a magazine produced from Bernadette Mayer's workshops between 1971 and 1974. Unnatural Acts contained poems with no attribution and was a kind of 'group project' by the workshop participants and Mayer. [17]
The Poetry Project Newsletter is currently the main publishing output of the project. It has been published since 1972, and publishes poems, criticism, reviews, interviews and essays. [18]
The Recluse was an annual literary magazine that ran from 2014 to 2022 and was published by the Poetry Project. [19]
House Party is an online digital publication by the Poetry Project. Footnotes publishes material, current and archival, from workshops held at the Project. [20] Neighbird is another digital publication of poetry from the Project. [21]
From 1977 until 1978, the New York City public-access television show Public Access Poetry (PAP) [22] showed readings at the project featuring poets such as Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch, Alice Notley, Jim Brodey, and more. [23] [24]
On the show, performers and poets gave half-hour readings.[ citation needed ] In 2011, after launching a successful Kickstarter campaign, The Poetry Project was able to restore, preserve and digitize all of the remaining film. [25] In April 2011 with the Anthology Film Archives they presented screenings of highlights of the PAP films. [22]
Anne Waldman is an American poet. Since the 1960s, Waldman has been an active member of the Outriders Poetry Project experimental poetry community as a writer, performer, collaborator, professor, editor, scholar, and cultural/political activist. She has also been connected to the Beat Generation poets.
Paul Blackburn was an American poet. He influenced contemporary literature through his poetry, translations and the encouragement and support he offered to fellow poets.
Bernadette Mayer was an American poet, writer, and visual artist associated with both the Language poets and the New York School.
Ted Berrigan was an American poet.
Bob Holman is an American poet and poetry activist, most closely identified with the oral tradition, the spoken word, and poetry slam. As a promoter of poetry in many media, Holman has spent the last four decades working variously as an author, editor, publisher, performer, emcee of live events, director of theatrical productions, producer of films and television programs, record label executive, university professor, and archivist. He was described by Henry Louis Gates Jr. in The New Yorker as "the postmodern promoter who has done more to bring poetry to cafes and bars than anyone since Ferlinghetti."
Alice Notley is an American poet. Notley came to prominence as a member of the second generation of the New York School of poetry—although she has always denied being involved with the New York School or any specific movement in general. Notley's early work laid both formal and theoretical groundwork for several generations of poets; she is considered a pioneering voice on topics like motherhood and domestic life.
Ron Padgett is an American poet, essayist, fiction writer, translator, and a member of the New York School. Great Balls of Fire, Padgett's first full-length collection of poems, was published in 1969. He won a 2009 Shelley Memorial Award. In 2018, he won the Frost Medal from the Poetry Society of America.
Joseph Ceravolo was an American poet associated with the second generation of the New York School. For years Ceravolo’s work was out of print, but the 2013 publication of his Collected Poems has made his work accessible again. His popularity has been limited to the community of writers. As Charles North writes “[Ceravolo’s] importance to American poetry over the past 30 years is still largely a secret.”
From the Other Side of the Century: A New American Poetry, 1960–1990 is a poetry anthology published in 1994. It was edited by American poet and publisher Douglas Messerli – under his own imprint Sun & Moon Press – and includes poets from both the U.S. and Canada.
William Craig Berkson was an American poet, critic, and teacher who was active in the art and literary worlds from his early twenties on.
Nationality words link to articles with information on the nation's poetry or literature.
Joe Cardarelli (1944–1994) was a poet, painter, graduate of the Johns Hopkins Writing Seminars, and teacher of writing at the Maryland Institute College of Art for 27 years. Cardarelli pushed generations of MICA artists to incorporate writing into their creative repertoire, and regularly collaborated with his faculty colleagues on projects and performances. He is noted for establishing poetry series such as the Black Mountain poets, St. Valentine’s Day Poetry Marathon, and the Spectrum of Poetic Fire at MICA. In its 25th year, the Spectrum of Poetic Fire reading series still brings quality poets to MICA’s campus for readings during the academic year.
Kristin Prevallet is an American poet, essayist, and teacher. Her poetic work incorporates conceptual writing and trance, and her performances are rooted in feminist performance art and spoken word. Everywhere Here and in Brooklyn, I, Afterlife: Essay in Mourning Time, and Trance Poetics are among her poetic books.
Lewis Warsh was an American poet, visual artist, professor, prose writer, editor, and publisher. He was a principal member of the second generation of the New York School poets,; however, he has said that “no two people write alike, even if they’re associated with a so-called ‘school’ .” Professor of English at Long Island University and founding director (2007–2013) of their MFA program in creative writing, Warsh lived in Manhattan with his wife, playwright-teacher Katt Lissard, whom he married in 2001.
Edward Charles "Ned" O'Gorman was an American poet and educator.
Jim Cohn is a poet, poetry activist, and spoken word artist in the United States. He was born in Highland Park, Illinois, in 1953. Early poetics and musical influences include Bob Dylan, the subject of a now lost audiotaped for a class project completed in his senior year at Shaker Heights High School, where he also co-captained the varsity football team. He received a BA from the University of Colorado at Boulder in English (1976) and a Certificate of Poetics (1980) from the Jack Kerouac School of Disembodied Poetics at Naropa University where he was a teaching assistant to Allen Ginsberg. He received his M.S. Ed. in English and Deaf Education from the University of Rochester and the National Technical Institute for the Deaf (NTID) in 1986. For over two decades, he worked in the field of disability services, taking a siddha approach as a model of Disability Services and Studies practice and scholarship. He believed that the social sciences should be redefined thematically within the United States into a form of American Karmic Studies.
Barbara Barg was a poet, writer, and musician.
George Schneeman was an American painter who lived in Tuscany, Italy, and New York City.
The No Mountains Poetry Project was a unique and popular interdisciplinary program of workshops, live readings, recordings, and letterpress broadsides located in Evanston, Illinois during the 1970s. Its objectives were to bring poets and writers together with academic and non-academic audiences in non-traditional settings, to encourage poetry-as-performance, and to collaborate with the book and poster arts.
Dick Gallup was an American poet associated with the New York School.
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