Edgar Mandel

Last updated

Edgar Mandel
Born (1928-08-19) 19 August 1928 (age 96)
OccupationActor
Organizations

Edgar Mandel (born 19 August 1928) is a German stage, film, and television actor who also appeared in audio plays.

Contents

Born in Speyer, he took part in the 1957 world premiere of Bertold Brecht's Die Gesichte der Simone Machard at the Theater Frankfurt, staged by Harry Buckwitz. [1] [2] He was a member of the Theater Dortmund. [3]

Filmography

Films with Mandel have included:

Related Research Articles

<span class="mw-page-title-main">Ruth Berghaus</span> German stage director

Ruth Berghaus was a German choreographer, opera and theatre director, and artistic director.

<span class="mw-page-title-main">Walter Renneisen</span> German actor (born 1940)

Walter Renneisen is a German actor. After engagements at the Schauspiel Bochum, Theater Dortmund and Staatstheater Darmstadt, he has worked freelance. He founded a touring theatre company in 1977.

Schweyk in the Second World War is a play by German dramatist and poet Bertolt Brecht. It was written by Brecht in 1943 while in exile in California, and is a sequel to the 1923 novel The Good Soldier Švejk by Jaroslav Hašek.

Peter Zadek was a German director of theatre, opera and film, a translator and a screenwriter. He is regarded as one of the greatest directors in German-speaking theater.

Carl Weber was a theatre director and a professor of drama at Stanford University. He was Bertolt Brecht's directing assistant and a dramaturg and actor at the Berliner Ensemble theatre company in 1952. After Brecht's death in 1956, Weber remained as a director of the company. He directed in major theatres in Germany, America, Canada and elsewhere since 1957. He produced English translations of German dramatist Heiner Müller.

The Visions of Simone Machard is a play by the German modernist playwright Bertolt Brecht. Written in 1942, the play is the second of three treatments of the Joan of Arc story that Brecht created. The play was jointly written with Lion Feuchtwanger and was completed during their exile in Los Angeles. Set in France in 1940, it portrays Joan as the patron saint of the resistance movement against the Germans. It was first staged in Frankfurt am Main, in 1957.

<span class="mw-page-title-main">Schauspiel Frankfurt</span> Theatre company in Germany

The Schauspiel Frankfurt is the municipal theatre company for plays in Frankfurt, Hesse, Germany. It is part of Städtische Bühnen Frankfurt.

<span class="mw-page-title-main">Teo Otto</span> Swiss stage designer

Teo Otto (1904–1968) was a Swiss stage designer. He trained in Kassel and Paris and in 1926 taught at the Bauhaus in Weimar. In 1928 he became an assistant at the Berlin Staatsoper. Following the Nazis' seizure of power in Germany, he returned to Switzerland where he was resident designer at the Zürich Schauspielhaus for 25 years.

<span class="mw-page-title-main">Bertolt Brecht</span> German poet, playwright, and theatre director (1898–1956)

Eugen Berthold Friedrich Brecht, known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote The Threepenny Opera with Elisabeth Hauptmann & Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic Lehrstücke and became a leading theoretician of epic theatre and the Verfremdungseffekt.

<span class="mw-page-title-main">Opernhaus Dortmund</span> Opera house of Dortmund

Opernhaus Dortmund is the opera house of Dortmund, Germany, operated by the Theater Dortmund organisation. A new opera house opened in 1966, replacing an earlier facility which opened in 1904 and was destroyed during World War II. It was built on the former site of the Old Synagogue, which was demolished by the Nazi local government in the 1930s.

<span class="mw-page-title-main">Jens-Daniel Herzog</span> German theater director

Jens-Daniel Herzog is a German stage director for play and opera, and a theater manager.

<span class="mw-page-title-main">Jens Harzer</span> German actor

Jens Harzer is a German stage, film, and television actor. He began his career at the Munich Kammerspiele, and has been a member of the Thalia Theatre in Hamburg since 2009. He has appeared at the Salzburg Festival regularly since 2000. Harzer received prizes for roles on stage, in film and on television. He has been the bearer of the Iffland-Ring since March 2019.

Jürgen Holtz was a German actor on stage and in film, and an artist and author. On stage he played leading roles in East Berlin, including with the Berliner Ensemble, and from 1983 in the West, in both classics such as Shakespeare and Brecht, whose Galileo he played at age 86, and contemporary theatre, such as the title role in the premiere of Moritz Tassow by Peter Hacks. In film, he played leading roles such as Egon Schultz in Ari Folman's Made in Israel. He received several awards including the Theaterpreis Berlin and the Konrad Wolf Prize.

<span class="mw-page-title-main">Jenny Gröllmann</span> German actress (1947–2006)

Jenny Gröllmann was a German actress, best known for her work on films I Was Nineteen (1968), Peas at 5:30 (2004) and her recurring role on the show Polizeiruf 110. She won an Ernst Zinna Prize of the city of Berlin in 1974.

Alfred Kirchner is a German actor, theatre director and theatre manager who is based in Berlin. He worked at theatres such as Theater Bremen, Schauspielhaus Bochum, the Burgtheater in Vienna and the Staatliche Schauspielbühnen Berlin, before turning to freelance work. He has staged productions in Europe and North America, including several world premieres of both drama and opera. He directed the premiere of Martin Walser's Ein Kinderspiel in Stuttgart in 1971, the U.S. premiere of Henze's We Come to the River at the Santa Fe Opera in 1984, and the premiere of Hans Zender's Stephen Climax at the Oper Frankfurt in 1986. In 1994, he staged Wagner's Der Ring des Nibelungen at the Bayreuth Festival.

<span class="mw-page-title-main">Peter Palitzsch</span> German theatre director and theatre manager

Peter Palitzsch was a German theatre director. He worked with Bertolt Brecht in his Berliner Ensemble from the beginning in 1949, and was in demand internationally as a representative of Brecht's ideas. He was a theatre manager at the Staatstheater Stuttgart and the Schauspiel Frankfurt. Many of his productions were invited to the Berliner Theatertreffen festival. He worked internationally from 1980.

<span class="mw-page-title-main">Hainer Hill</span> German scenic designer

Hainer Hill was a German scenic designer, costume designer, painter, graphic artist and theatre photographer who was based in Berlin and worked internationally. After studying painting in Frankfurt, he worked at the Oper Frankfurt, assisting Caspar Neher. Together they moved to Brecht's Berliner Ensemble where Hill created an iconic stage for Mutter Courage and took hundreds of scene photographs now archived at the Akademie der Künste. When the Berlin Wall was erected, Hill, who lived in the West and had worked in the East, began to work freelance, including at the Royal Opera House. In 1966 he became director of scenery (Ausstattunggsleiter) at Opernhaus Dortmund, and there he created the stage for the world premiere of Eli by Walter Steffens, which was followed by 45 other productions. Hill is best remembered for his focus on light projection.

<span class="mw-page-title-main">Claus Guth</span> German theatre director (born 1964)

Claus Guth is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's Cronaca del luogo at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for Daphne by Richard Strauss in 2010, and for Debussy's Pelléas et Mélisande, both at the Oper Frankfurt.

<span class="mw-page-title-main">Rosemarie Fendel</span> German actress (1927–2013)

Rosemarie Fendel (1927–2013) was a German actress who worked on the stage, in film, and in television. She was also a voice actress, and was the voice of notable actresses for German dubs of their work, including Elizabeth Taylor, Jeanne Moreau, and Annie Giradot. She won numerous awards for her work in film and television, and also directed and wrote a few screen productions herself. Her daughter is German actress, Suzanne von Borsody.

Tilmann Köhler is a German theatre stage director who has worked with the ensembles of the Deutsches Nationaltheater Weimar and the Staatsschauspiel Dresden. His broad repertoire includes classical plays and world premiered. Several of his productions have been invited to international festivals. Köhler turned to also staging operas in 2013, beginning with Handel's Teseo at the Oper Frankfurt, where he returned to direct Martin's Le Vin herbé, Mozart's Le nozze di Figaro and Zemlinsky's Der Traumgörge.

References

  1. Jacobi, Johannes (14 March 1957). "Zur Brecht-Uraufführung in Frankfurt: "Die Gesichte der Simone Machard"". Die Zeit (in German). Hamburg. Retrieved 16 August 2019.
  2. "Brecht-/ Le Visioni di Simone Machard" (PDF). Il Dramma (in Italian). March 1957. Retrieved 16 August 2019.
  3. "Festschrift / 5O jahre / Wir (be)leben die kultur" (PDF). Theater- und Konzertfreunde Dortmund (in German). Hamburg. 2014. p. 49. Retrieved 16 August 2019.
  4. Wie eine Träne im Ozean Deutsches Filmhaus
  5. Revolution in Frankfurt tvspielfilm.de/