Edith Balas

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Edith Balas
Born(1929-06-20)June 20, 1929
DiedNovember 16, 2024(2024-11-16) (aged 95)
CitizenshipAmerican
Education University of Bucharest, M.A. (1952)
Alma mater University of Pittsburgh, Ph.D. (1973)
OccupationProfessor of Art History
Years active1977–present
Employer Carnegie Mellon University
Spouse Egon Balas

Edith Balas (born June 20, 1929) is a Romanian-born American Professor of Art History, College of Humanities & Social Sciences at Carnegie Mellon University in Pittsburgh, Pennsylvania.

Contents

Biography

Balas was born in 1929 in Cluj (present-day Romania); she was a Holocaust survivor. She was the widow of the late mathematician Egon Balas, who was a fellow professor at Carnegie Mellon. [1]

Balas' main areas of interest were modern art (1890-1960), painting and sculpture, and the art of the Italian Renaissance. [2] [3] [4] [5] In 2003, she curated an exhibition at the Frick Art Museum, [6] and several in Pittsburgh, Paris, New York and Budapest. She began teaching at Carnegie Mellon University in 1977, where she was also an adjunct professor of History of Art and Architecture at the University of Pittsburgh.

Balas was also a Holocaust survivor, having been sent to the Nazi death camp Auschwitz. In Bird in Flight: Memoir of a Survivor and Scholar, Balas tells her story of facing grim situations and becoming what she describes as a “professional survivor.” Balas named her memoir “Bird in Flight” after Constantin Brâncuși’s famous sculpture of the same name. “I consider it emblematic of my life,” she said. [7]

After the war, her husband was imprisoned by the communist authorities for three years, during which Balas raised their two daughters. She received an M.A. in philosophy from the University of Bucharest in 1952. [8] She then emigrated to the United States with her husband, and received an M.A. in the History of Arts from Pittsburgh University in 1970 and a Ph.D. in 1973.

Works

See also

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References

  1. "Edith Balas". Holocaust Center of Pittsburgh . Archived from the original on 8 October 2017. Retrieved 8 October 2017.
  2. Beck, James (July 1998). "Review: Michelangelo's Medici Chapel: A New Interpretation. Edith Balas". Renaissance Quarterly. 51 (2): 620–621. doi:10.2307/2901595. JSTOR   2901595. S2CID   192089735.
  3. Emison, Patricia (June 2005). "Review: Michelangelo's Double Self-Portraits by Edith Balas". Renaissance Quarterly. 58 (2): 600–602. doi:10.1353/ren.2008.0719. S2CID   162049348.
  4. Feinstein, Steve (2003). "The Holocaust in the Painting of Valentin Lustig (review)". Shofar: An Interdisciplinary Journal of Jewish Studies. 21 (3): 190–192. doi:10.1353/sho.2003.0013. S2CID   170695806.
  5. Thomas, Mary. "Art Reviews: Painter goes deep into both Holocaust history and his own story". Pittsburgh Post-Gazette. Archived from the original on 10 October 2017. Retrieved 9 October 2017.
  6. Thomas, Mary. "Art Review: Frick exhibits explore two artists' sense of loss". Pittsburgh Post-Gazette. Archived from the original on 10 October 2017. Retrieved 9 October 2017.
  7. (CMU), Carnegie Mellon University. "March 22: CMU's Edith Balas Pens Memoir Depicting Life as a Survivor and Scholar - Carnegie Mellon University - CMU". www.cmu.edu. Archived from the original on 8 October 2017. Retrieved 8 October 2017.
  8. University, Carnegie Mellon. "Edith Balas - Center for the Arts in Society - Carnegie Mellon University". www.cmu.edu. Archived from the original on 27 March 2019. Retrieved 8 October 2017.