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Johann Eduard Karsen (10 March 1860, Amsterdam - 31 October 1941, Amsterdam) was a Dutch Post-impressionist painter, known for his moody scenes featuring villages and farmhouses; usually containing a solitary figure. He was associated with the literary movement known as the "Tachtigers" (The Eighties).
He was the son of the Romantic painter, Kaspar Karsen. After a long apprenticeship with his father, he went to study at the Rijksakademie in Amsterdam. There, he became part of an influential group of young artists that included Antoon Derkinderen, Willem Tholen, Jacobus van Looy, Jan Veth, and Jan Toorop.
In 1880, along with Toorop, Dekinderen and Willem Witsen, he became one of the founders of the "Kunstenaarsvereniging Sint Lucas", a society inspired by the Guilds of Saint Luke which represented artists in the Low Countries during the Renaissance. Through Witsen and Albert Verwey, with whom he corresponded frequently, he was introduced into the literary circles of the Tachtigers. He was also a member of Arti et Amicitiae.
The year 1888 was a major milestone in his life. That was when he found himself passionately in love with the sculptor, Saar de Swart. He wrote that he could feel a barrier between them, but was attracted to her as if by "ten magnets". [1] As it turned out, De Swart was a lesbian. She had great sympathy for him, but made it clear that no relationship was possible. He wrote to Willem Kloos (who had also been enamored of her) that it was terrible to suffer such grief and not be a poet. The novelist Frederik van Eeden, who was also a psychiatrist, advised Karsen to visit his friend Witsen in London, as a distraction. [1]
During this time, his feelings changed from love to resentment and, upon returning to Amsterdam, he began to slander her. She retreated to Paris. His friend, Jan Veth, tried to help resolve the quarrel by organizing a "tribunal", but was unsuccessful. Karsen never got over it and avoided all of the people who had become involved in the affair for the rest of his life. [1]
Kaspar, or Kasparus Karsen was a 19th-century painter from the Northern Netherlands who specialised in townscapes.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
Willem Johannes Theodorus Kloos was a nineteenth-century Dutch poet and literary critic. He was one of the prominent figures of the Movement of Eighty and became editor in chief of De Nieuwe Gids after the editorial fracture in 1893. He was nominated for the Nobel Prize in Literature five times.
The Tachtigers ("Eightiers"), otherwise known as the Movement of Eighty, were a radical and influential group of Dutch writers who developed a new approach in 19th-century Dutch literature. They interacted and worked together in Amsterdam from the 1880s. Many of them are still widely read today.
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
The Rijksakademie van beeldende kunsten was founded in 1870 in Amsterdam. It is a classical academy, a place where philosophers, academics and artists meet to test and exchange ideas and knowledge. The school supports visual artists with a two-year curriculum.
De Nieuwe Gids was a Dutch illustrated literary periodical which was published from 1885 to 1943. It played an important role in promoting the literary movement of the 1880s. Its contents covered a wide range of topics, extending to developments in science.
Tjalie Robinson is the main alias of the Indo (Eurasian) intellectual and writer Jan Boon also known as Vincent Mahieu. His father Cornelis Boon, a Royal Netherlands East Indies Army (KNIL) sergeant, was Dutch and his Indo-European mother Fela Robinson was part Scottish and Javanese.
Albert Verwey was a Dutch poet belonging to the "Movement of Eighty". As a translator, staffer, and literary historian he played an important role in the literary life of The Netherlands in the late 19th and early 20th centuries.
Pieter Florentius Nicolaas Jacobus Arntzenius was a Dutch painter, water-colourist, illustrator and printmaker. He is considered a representative of the younger generation of the Hague School.
Willem Arnoldus Witsen was a Dutch painter and photographer associated with the Amsterdam Impressionism movement. Witsen's work, influenced by James McNeill Whistler, often portrayed calm urban landscapes as well as agricultural scenes. He also created portraits and photographs of prominent figures of the Amsterdam art world, as well as other artists, such as French Symbolist poet Paul Verlaine.
Willem Philippe Maria "Wim" Zaal was a Dutch journalist, essayist, translator and literary critic. He was literary editor of Elsevier for years.
Willem Jan Otten is a Dutch prose writer, playwright and poet, who in 2014 won the P. C. Hooft Award for lifetime literary achievement.
Overtoomse Veld is a neighborhood of Amsterdam, Netherlands. It is named for the Overtoomse Sluis, which was an old portage point dating from the 14th century on a major cargo route to and from Amsterdam at the junction of two waterschap areas, Hoogheemraadschap van Rijnland and Hoogheemraadschap van Amstelland.
Henriette Goverdine Anna "Jet" Roland Holst-van der Schalk was a Dutch poet and communist. She was nominated for the Nobel Prize in Literature.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Arti et Amicitiae is a Dutch artist's society founded in 1839, and located on the Rokin in Amsterdam. The Society has played a key role in the Netherlands art scene and in particular in the Amsterdam art schools. It was and is to this day a hub for artists and art lovers in the city of Amsterdam. It is a private institution which supports artists, maintains social networks and offers a pension fund. In recent times it has been one of the venues for the 17th edition of the Sonic Acts Festival.
Jacques Fabrice Herman Perk was an important Dutch poet of the late 19th century. His crown of sonnets Mathilde, published by Willem Kloos, was the first important announcement of a renewal in Dutch poetry brought about by artists that came to be known as the Tachtigers. Perk's lyrical poems about nature, especially his sonnets, were influenced by Percy Bysshe Shelley, and were of great importance to Dutch poetry.
Elizabeth Sara Clasina de Swart, whose chosen name was 'Saar' de Swart, was a sculptor born to the Dutch painter Corstianus Hendrikus de Swart and his wife, Elisabeth Sara IJntema in Arnhem, Netherlands.
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