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Juan del Encina was a composer, poet, and playwright, often called the founder, along with Gil Vicente, of Iberian drama. His birth name was Juan de Fermoselle. He spelled his name Enzina, but this is not a significant difference; it is two spellings of the same sound, in a time when "correct spelling" as we know it barely existed.
The Toledo School of Translators is the group of scholars who worked together in the city of Toledo during the 12th and 13th centuries, to translate many of the philosophical and scientific works from Classical Arabic.
Miguel Asín Palacios was a Spanish scholar of Islamic studies and the Arabic language, and a Roman Catholic priest. He is primarily known for suggesting Muslim sources for ideas and motifs present in Dante's Divine Comedy, which he discusses in his book La Escatología musulmana en la Divina Comedia (1919). He wrote on medieval Islam, extensively on al-Ghazali. A major book El Islam cristianizado (1931) presents a study of Sufism through the works of Muhyiddin ibn 'Arabi of Murcia in Andalusia. Asín also published other comparative articles regarding certain Islamic influences on Christianity and on mysticism in Spain.
José María Sánchez-Verdú is a Spanish composer.
Emilio García Gómez, 1st Count of Alixares was a Spanish Arabist, literary historian and critic, whose talent as a poet enriched his many translations from Arabic.
Luce López-Baralt is a prominent Puerto Rican scholar and essayist and a professor of Spanish and Comparative Literature at the University of Puerto Rico.
Julián Ribera y Tarragó was a Spanish Arabist and academic.
Atrium Musicae was an early music ensemble from Madrid, Spain, founded in 1964 by Gregorio Paniagua, a Spanish monk.
The Cancionero de Palacio, or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs.
Capella de Ministrers is an early music group formed in 1987 in Valencia, Spain by Carles Magraner. Valencian music is prominent in its repertoire.
Juan Arañés was a Spanish baroque composer. His tonos and villancicos follow the style of those preserved in the Cancionero of Kraków.
Felipe Maíllo Salgado. Philologist, historian and Spanish Novelist. Professor of Arabic and Islamic Studies at Salamanca University, accredited as Professor by the Spanish University Council in 2008. Awarded the "María de Maeztu" prize to research excellence by Salamanca University, in 2010.
Omar Metioui is a Moroccan classical musician.
The Ibn Báya Ensemble is a Spanish-Moroccan early music ensemble formed in 1994.
Abu-al-Hasan Ali ben Abdallah al-Nuymari as-Shushtari or Al-Sustari was an Andalusian Sufi shaykh, philosopher, jurist, and poet. He is best known by posterity for his poetry, which was designed to be sung in songs employing simple monorhymes to praise God with everyday musical idiom, which won wide recognition beyond the hundreds of disciples in his own Shushtariyya brotherhood.
The Libros del saber de astronomía del rey Alfonso X de Castilla, "Books of wisdom of astronomy of King Alfonso X of Castile", is a series of books of the medieval period, composed during the reign of Alfonso X of Castile. They describe the celestial bodies and the astronomical instruments existing at the time. The collection is a group of treatises on astronomical instruments, like the celestial sphere, the spherical and plane astrolabe, saphea, and universal plate for all latitudes, for uranography or star cartography that can be used for casting horoscopes. The purpose of the rest of the instruments, the quadrant of the type called vetus, sundial, clepsydras, is to determine the time, which was also needed to cast the horoscope. The king looked for separate works for the construction and use of each device.
Montserrat Torrent i Serra is a Spanish organist.
Rāyāt al-mubarrizīn wa-ghāyāt al-mumayyazīn is a thirteenth-century anthology of Arabic Andalucian poetry by Ibn Said al-Maghribi. It is, in the words of Louis Crompton, 'perhaps the most important' of the various medieval Andalucian poetry anthologies. 'His aim in compiling the collection seems to have been to show that poetry produced in the West was as good as anything the East had to offer '. It survives today in only one manuscript.
The Cancionero de Segovia or Cancionero Musical de Segovia (CMS), also known as Cancionero of the Segovia Cathedral, is a manuscript containing Renaissance music from the end of the 15th century and beginning of the 16th century. It contains a wide repertoire of works by mainly Spanish, French and Franco-Flemish composers. It is kept at the Segovia Cathedral Archives.
