Related Research Articles
The Black Prince is a Restoration era stage play, a historical tragedy written by Roger Boyle, 1st Earl of Orrery. It premiered on stage in 1667 and was first published in 1669. The play relied on influences from contemporaneous French theatre, and contributed to the evolution of the subgenre of heroic drama; yet it also looked back to the Caroline era to assimilate masque-like dramatic effects.
Henry The Second, King Of England; With The Death Of Rosamond is a 1692 historical play often attributed to William Mountfort but possibly written by John Bancroft. It was first staged at the Theatre Royal, Drury Lane by the United Company. The prologue and epilogue were written by John Dryden. Some incidental music was composed by Henry Purcell.
The Squire of Alsatia is a 1688 comedy play by the English writer Thomas Shadwell. Alsatia was a nickname for the Whitefriars area of London, deriving from Alsace in northeastern France. A restoration comedy, it was performed at the Drury Lane Theatre by the United Company following on from John Crowne's Darius, King of Persia. One of the best-remembered roles, that of the shrewish Mrs. Termagant was first performed by Elizabeth Boutell. It was revived numerous times during the eighteenth century.
The Successful Strangers is a 1690 tragicomedy by the English writer William Mountfort.
The Treacherous Brothers is a 1690 tragedy by the English writer George Powell.
Sir Courtly Nice: Or, It Cannot Be is a 1685 comedy play by the English writer John Crowne. Rehearsals by the United Company were underway when the death of Charles II in February led to the closure of all theatres as a mark of respect. The play was eventually staged on 9 May at the Theatre Royal, Drury Lane. It is the tradition of the Restoration Comedy. A popular hit it became a stock part of the repertoire for more than a century, with Colley Cibber and Anne Oldfield appearing in a celebrated 1709 revival.
The Marriage-Hater Matched is a comedy play by the English writer Thomas D'Urfey. It was first staged by the United Company at the Theatre Royal, Drury Lane in January 1692. The original cast included John Bowman as Brainless, William Mountfort as Sir Philip Freewit, Samuel Sandford as Limber, John Hodgson as Darewell, Anthony Leigh as Myn Here Van Grin, George Bright as Bias, Thomas Doggett as Solon, William Bowen as Callow, Colley Cibber as Splutter, Elizabeth Barry as Lady Subtle, Katherine Corey as Lady Bumfiddle, Anne Bracegirdle as Phoebe, Charlotte Butler as La Pupsey and Abigail Lawson as Margery.
Alphonso, King of Naples is a 1690 tragedy by the English writer George Powell.
Don Sebastian, King Of Portugal is a 1689 tragedy by the English writer John Dryden. It is based on the reign of Sebastian of Portugal leading up to his defeat and death at the Battle of Alcácer Quibir in 1578. An Elizabethan play The Battle of Alcazar also portrays the events.
The Wives Excuse also The Wives Excuse; Or, Cuckolds Make Themselves is a 1691 comedy play by the Anglo-Irish writer Thomas Southerne. The title is sometimes written more grammatically as The Wives' Excuse.
John Hodgson was an English stage actor of the late seventeenth century. He joined the United Company in 1688 and his first recorded appearance was in The Treacherous Brothers at Drury Lane in 1690. In 1695 he was one of several actors who broke away to join Thomas Betterton's new company at Lincoln's Inn Fields. His name is sometimes written as Hudson. He was married to the singer Mary Hodgson.
The Massacre of Paris is a 1689 tragedy by the English writer Nathaniel Lee. It was first staged by the United Company at the Theatre Royal, Drury Lane. It is based around the 1572 St. Bartholomew's Day massacre which led the killing of many Huguenots during the French Wars of Religion. The events had previously been portrayed in Christopher Marlowe's Elizabethan play The Massacre at Paris.
The Fortune Hunters; Or, Two Fools Well Met is 1689 comedy play by James Carlile. It was originally staged by the United Company at the Theatre Royal, Drury Lane in London.
Bury Fair is a 1689 comedy play by the English writer Thomas Shadwell. It is part of the tradition of Restoration Comedy that flourished during the era. It was first staged by the United Company at the Theatre Royal, Drury Lane in London.
The Man of Newmarket is a 1678 comedy play by the English writer Edward Howard. It was first staged at the Theatre Royal, Drury Lane by the King's Company.
Love Triumphant; Or, Nature Will Prevail is a 1694 tragicomedy by the English writer John Dryden. It was Dryden's final stage play.
The Loyal Brother; Or, The Persian Prince is a 1682 tragedy by the Irish writer Thomas Southerne. It was first performed by the King's Company at the Theatre Royal, Drury Lane in London. The prologue was written by John Dryden. It was Southerne's first play and was written in the context of the recent Exclusion Crisis and the Popish Plot from a Tory viewpoint. Two characters are thinly-disguised versions of contemporary figures, the heroic Tachmas is James, Duke of York and the villain is the Whig politician the Earl of Shaftesbury. It was staged at a time when the growing Tory Reaction had swung power away from the Whigs trying to exclude the Catholic York from the throne.
Cleomenes, the Spartan Hero or Cleomenes, The Spartan Heroe: A Tragedy is a 1692 tragedy by the English writer John Dryden. It was first staged at the Theatre Royal, Drury Lane by the United Company. It portrays the reign of Cleomenes, the King of Sparta, inspired by Plutarch's history of the period. Dryden's version is strongly Jacobite in drawing parallels from his overthrow to the recent Glorious Revolution in England. Because of this it was temporarily banned by the authority of Queen Mary.
Distress'd Innocence; Or, The Princess Of Persia is a 1690 tragedy by the English writer Elkanah Settle. It was first performed by the United Company at the Theatre Royal, Drury Lane in London. Incidental music was composed for the play by Henry Purcell.
Bussy D'Ambois; Or, The Husbands Revenge is a 1691 tragedy by the English writer Thomas D'Urfey. It was first staged by the United Company at the Theatre Royal, Drury Lane in London. It is inspired by the earlier play of the same title by George Chapman, based on the real Louis de Bussy d'Amboise.
