Egshiglen ymda | |
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Background information | |
Origin | Mongolia |
Genres | Mongolian folk music |
Years active | 1991 – 2022 |
Members | Tumenbayar Migdorj Tumursaihan Yanlav Uuganbaatar Tsend-Ochir Tenuunsaikhan professor Baasandorj Sarangerel Tserevsamba Egshiglen yee |
Egschiglen are a Mongolian folk band, formed in Ulan Bator in 1991. In English, Egschiglen means "Beautiful Melody", and they are one of very few traditional Mongolian bands to have become internationally popular.
From the beginning, Egschiglen set the focus of their artistic work on contemporary music. They systematically explored the sound dimensions of works by classical-modernist Mongolian composers, using traditional instruments from Mongolia and Central Asia, including the morin khuur (a violin with two strings made of horse hair), tobshuur (a lute symbolizing a swan's throat as neck), joochin (a type of hammered dulcimer), bass, percussion and singing techniques like khöömii throat singing. [1]
Their music is characterized by the delicacy and transparency of chamber music, but also by its deeply natural, compelling force. In Egschiglen’s performances, tunes from Shamanist or Buddhist tradition, which are common in Central Asia, impress through their diversity of expression and their intricate arrangements. Their throat singing has been acclaimed as "a way of expressing emotion quite unlike any other.” [2]
The musicians also experiment with balancing acts between diverse cultures: in the course of the years, Egschiglen participated in a number of cooperation projects with musicians from various cultural areas. Furthermore, in a relaxed attitude, they present the latest finds from their adopted home, Franconia: traditional song material from the Altmühl valley, arranged as a Mongolian khöömii / morin khuur crossover, which the band has released on their recent album Gereg.
Members of the band are: Tumenbayar Migdorj, Tumursaihan Yanlav, Uuganbaatar Tsend-Ochir, Amartuwshin Baasandorj, Sarangerel Tserevsamba, who are accompanied for live concerts by the female dancer Ariuanaa Tserendavaa.
Music is an integral part of Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing and morin khuur, the horse-headed fiddle. The music of Mongolia is also rich with varieties related to the various ethnic groups of the country: Oirats, Hotogoid, Tuvans, Darhad, Buryats, Tsaatan, Dariganga, Uzemchins, Barga, Kazakhs and Khalha.
The morin khuur, also known as the horsehead fiddle, is a traditional Mongolian bowed stringed instrument. It is one of the most important musical instruments of the Mongol people, and is considered a symbol of the nation of Mongolia. The morin khuur is one of the Masterpieces of the Oral and Intangible Heritage of Humanity identified by UNESCO.
The igil is a two-stringed Tuvan musical instrument, played by bowing the strings. The neck and lute-shaped sound box are usually made of a solid piece of pine or larch. The top of the sound box may be covered with skin or a thin wooden plate. The strings, and those of the bow, are traditionally made of hair from a horse's tail, but may also be made of nylon. Like the morin khuur of Mongolia, the igil typically features a carved horse's head at the top of the neck above the tuning pegs, and both instruments are known as the horsehead fiddle.
Buryatia is a part of the Russian Federation. One of the country's main instruments is a two-stringed horse-head fiddle called a morin khuur. This is an instrument closely linked to the all-important cult of the horse, belonging to the intangible heritage of all Mongolic peoples. Other elements of Buryat music, such as the use of fourths both in tuning instruments and in songs, and pentatonic scales, reveal similarities to music from Siberia and Eastern Asia. There traditionally was no polyphony, instead voices and instruments performed the same melody in unison but varied in timing and ornamentation.
The music of Kalmykia, a national republic within Russia, has roots in the musical culture of the Oirats. Traditional instruments include the dombra, which is used to accompany dance music. The state folk ensemble Tulpan was formed in 1937 to promote traditional Kalmyk music.
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The long song is one of the central elements of the traditional music of Mongolia. This genre is called "Long song" not only because the songs are long, but also because each syllable of text is extended for a long duration. A four-minute song may only consist of ten words. Certain long songs such as Uvgin shuvuu khoyor, also known as Jargaltain delger take up to three hours to sing at full length, with all thirty-two stanzas. Lyrical themes vary depending on context; they can be philosophical, religious, romantic, or celebratory, and often use horses as a symbol or theme repeated throughout the song. Eastern Mongols typically use a Morin khuur as accompaniment, sometimes with a type of indigenous flute, called limbe. Oirat groups of the Western Mongols traditionally sing long songs unaccompanied or accompanied with the Igil.
Mongol-Tuvan throat singing, the main technique of which is known as khoomei, is a style of singing practiced by people in Tuva and Mongolia. It is noted for including overtone singing. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term hömey / kömey means throat and larynx in different Turkic languages. That could be borrowed from Mongolian khooloi, which means throat as well, driven from Proto-Mongolian word *koɣul-aj.
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