Egschiglen are a Mongolianfolk band, formed in Ulan Bator in 1991. In English, Egschiglen means "Beautiful Melody", and they are one of very few traditional Mongolian bands to have become internationally popular.
From the beginning, Egschiglen set the focus of their artistic work on contemporary music. They systematically explored the sound dimensions of works by classical-modernist Mongolian composers, using traditional instruments from Mongolia and Central Asia, including the morin khuur (a violin with two strings made of horse hair), tobshuur (a lute symbolizing a swan's throat as neck), joochin (a type of hammered dulcimer), bass, percussion and singing techniques like khöömii throat singing.
Their music is characterized by the delicacy and transparency of chamber music, but also by its deeply natural, compelling force. In Egschiglen’s performances, tunes from Shamanist or Buddhist tradition, which are common in Central Asia, impress through their diversity of expression and their intricate arrangements.
The musicians also experiment with balancing acts between diverse cultures: in the course of the years, Egschiglen participated in a number of cooperation projects with musicians from various cultural areas. Furthermore, in a relaxed attitude, they present the latest finds from their adopted home, Franconia: traditional song material from the Altmühl valley, arranged as a Mongolian khöömii / morin khuur crossover, which the band has released on their recent album Gereg.
Members of the band are: Tumenbayar Migdorj, Tumursaihan Yanlav, Uuganbaatar Tsend-Ochir, Amartuwshin Baasandorj, Sarangerel Tserevsamba, who are accompanied for live concerts by the female dancer Ariuanaa Tserendavaa.
Kyrgyz music is nomadic and rural, and is closely related to Turkmen and Kazakh folk forms. Kyrgyz folk music is characterized by the use of long, sustained pitches, with Russian elements also prominent.
Music is an integral part of Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing and morin khuur, the horse-headed fiddle. The music of Mongolia is also rich with varieties related to the various ethnic groups of the country: Oirats, Hotogoid, Tuvans, Darhad, Buryats, Tsaatan, Dariganga, Uzemchins, Barga, Kazakhs and Khalha.
The morin khuur, also known as the horsehead fiddle, is a traditional Mongolian bowed stringed instrument. It is one of the most important musical instruments of the Mongol people, and is considered a symbol of the nation of Mongolia. The morin khuur is one of the Masterpieces of the Oral and Intangible Heritage of Humanity identified by UNESCO.
The igil is a two-stringed Tuvan musical instrument, played by bowing the strings. The neck and lute-shaped sound box are usually made of a solid piece of pine or larch. The top of the sound box may be covered with skin or a thin wooden plate. The strings, and those of the bow, are traditionally made of hair from a horse's tail, but may also be made of nylon. Like the morin khuur of Mongolia, the igil typically features a carved horse's head at the top of the neck above the tuning pegs, and both instruments are known as the horsehead fiddle.
Buryatia is a part of the Russian Federation. One of the country's main instruments is a two-stringed horse-head fiddle called a morin khuur. This is an instrument closely linked to the all-important cult of the horse, belonging to the intangible heritage of all Mongolic peoples. Other elements of Buryat music, such as the use of fourths both in tuning instruments and in songs, and pentatonic scales, reveal similarities to music from Siberia and Eastern Asia. There traditionally was no polyphony, instead voices and instruments performed the same melody in unison but varied in timing and ornamentation.
The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.
The music of Kalmykia, a national republic within Russia, has roots in the musical culture of the Oirats. Traditional instruments include the dombra, which is used to accompany dance music. The state folk ensemble Tulpan was formed in 1937 to promote traditional Kalmyk music.
Yat-Kha is a band from Tuva, led by vocalist/guitarist Albert Kuvezin. Their music is a mixture of Tuvan traditional music and rock, featuring Kuvezin's distinctive kargyraa throat singing style, the kanzat kargyraa.
The long song is one of the central elements of the traditional music of Mongolia. This genre is called "Long song" not only because the songs are long, but also because each syllable of text is extended for a long duration. A four-minute song may only consist of ten words. Certain long songs such as Uvgin shuvuu khoyor, also known as Jargaltain delger take up to 3 hours to sing at full length, with all 32 stanzas. Lyrical themes vary depending on context; they can be philosophical, religious, romantic, or celebratory, and often use horses as a symbol or theme repeated throughout the song. Eastern Mongols typically use a Morin khuur as accompaniment, sometimes with a type of indigenous flute, called limbe. Oirat groups of the Western Mongols traditionally sing long songs unaccompanied or accompanied with the Igil.
Mongol-Tuvan throat singing, the main technique of which is known as khoomei, is a style of singing practiced by people in Tuva and Mongolia. It is noted for including overtone singing. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term hömey / kömey means throat and larynx in different Turkic languages. That could be borrowed from Mongolian khooloi, which means throat as well, driven from Proto-Mongolian word *koɣul-aj.
Namgar is a 4-piece music group that performs traditional Buryat and Mongolian music.
Hanggai is an Inner Mongolian folk music group based in Beijing who specialize in a blend of Mongolian folk music and more modern styles such as punk rock. Their songs incorporate traditional folk lyrics as well as original compositions, and are sung in Mongolian and Mandarin.
Altan Urag is a Mongolian folk rock band. Formed in 2002, the band's musical style combines traditional Mongolian and contemporary influences. They're considered to be the pioneers of mongolian folk-rock.
Altai Khairkhan is an overtone singing ensemble from Mongolia founded in 2002 by Childeegiin Palamjav, Sambuugiin Pürevjav and Ejeegiin Toivgoo.
Tengger Cavalry was a heavy metal band originated from Inner Mongolia and Beijing and formerly based in New York state and Texas. They combine elements of the traditional music of Central Asia and music of Mongolia with heavy metal into a kind of folk metal that Billboard and CNN refer to as nomadic folk metal.
Myagmarsürengiin Dorjdagva ; 1986) is a long-song singer from Mongolia and an independent long-song researcher. In 2007-2021, he served as a researcher at the International Institute for the Study of Nomadic Civilizations (IISNC), an international institution established upon the initiative and support of UNESCO in 1998.
The Hu is a Mongolian folk metal band formed in 2016. Incorporating traditional Mongolian instrumentation, including the morin khuur, the tovshuur, and throat singing, the band calls their style of music "hunnu rock", a term inspired by the Xiongnu, an ancient tribal confederation of uncertain origins, known as Hünnü in Mongolia. Some of the band's lyrics include old Mongolian war cries and poetry in the Mongolian language.
Nine Treasures is a folk metal group with members mostly from the autonomous region of Inner Mongolia. Founded in 2010, the group combines traditional Mongolian music with heavy metal, notably using traditional instruments and overtone singing techniques.
The Gereg is the debut album by the Hu, released on September 13, 2019. The album takes its name from the diplomatic passport carried by Mongolian nobles and officials during the 13th century.
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