Egyptian Revival decorative arts

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Coin cabinet; by Francois-Honore-Georges Jacob-Desmalter; 1809-1819; mahogany (probably Swietenia mahagoni), with applied and inlaid silver; 90.2 x 50.2 x 37.5 cm; Metropolitan Museum of Art (New York City) Coin cabinet MET DP103176.jpg
Coin cabinet; by François-Honoré-Georges Jacob-Desmalter; 1809–1819; mahogany (probably Swietenia mahagoni), with applied and inlaid silver; 90.2 x 50.2 x 37.5 cm; Metropolitan Museum of Art (New York City)

Egyptian revival decorative arts is a style in Western art, mainly of the early nineteenth century, in which Egyptian motifs were applied to a wide variety of decorative arts objects.

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Enthusiasm for the artistic style of Ancient Egypt is generally attributed to the excitement over Napoleon's conquest of Egypt and, in Britain, to Admiral Nelson's defeat of Napoleon at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt. Publication of the expedition's work, the Description de l'Égypte , began in 1809 and came out in a series though 1826, inspiring everything from sofas with Sphinxes for legs, to tea sets painted with the pyramids. It was the popularity of the style that was new, Egyptianizing works of art had appeared in scattered European settings from the time of the Renaissance.

The Egyptian Gallery, a private room in the Duchess Street home of connoisseur Thomas Hope to display his Egyptian antiquities, and illustrated in engravings from his meticulous line drawings in his book, Household Furniture and Interior Decoration (1807), were a prime source for the Regency style in British furnishings. The book inspired a generation of fashionable English homeowners to install parlor suites featuring chairs, tables and sofas in shapes that evoked the objects depicted on Egyptian tomb paintings. [1] [2]

Later discoveries prompted further revivals, with the discovery of Tutankhamun's tomb creating an especially large revival in the 1920s. This revival in particular had a sizable influence on the Art Deco movement. [3]

See also

Sources

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References

  1. Thomas Hope: Regency Designer, A Curatorial Interpretation of the Egyptian Room at Duchess Street [ permanent dead link ]
  2. When London and Paris Looked to the Nile for Inspiration, Wendy Moonan, July 11, 2008, New York Times
  3. Bixby, Allison (27 May 2020). "Eternally Chic: Erté and the Egyptian Revival of the 1920s". The Met Store. Metropolitan Museum of Art. Retrieved 20 July 2021.
  4. Sund, July (2019). Exotic: A Fetish for the Foreign. Phaidon. p. 212. ISBN   978-0-7148-7637-5.
  5. Muriel Barbier. "Egyptian vase and pedestal". louvre.fr. Retrieved 12 March 2021.