Eh, La Bas

Last updated
Eh, La Bas
New Orleans folk music
Language Cajun, French, English

Eh La Bas is a traditional New Orleans song. Originally it was sung with Cajun lyrics but was later given French lyrics and the common title from the French lyrics. There have been numerous versions, including English lyrics that refer to both the Cajun and French versions, and all employ a call and response.

Contents

Lyrics

Original Louisiana Creole lyrics and English translation:

E la ba! (E la ba!)Hey over there! Hey over there!
E la ba! (E la ba!)Hey over there! Hey over there!
E la ba, chèri! (E la ba, chèri!)Hey over there, dear lady! (Hey over there, dear lady!)
Komon sa va? (Komon sa va?)How's it goin'?
Mo chè kouzen, mo chè kouzin,My dear cousin (male), my dear cousin (female),
mo lenme la kizin!I love the kitchen!
Mo manje plen, mo bwa diven,I eat a lot, I drink wine,
e sa pa kout ariyen.and it costs me nothing.
Ye tchwe kochon, ye tchwe lapen,They kill a pig, they kill a rabbit,
e mo manje plen.and I eat a lot.
Ye fe gonmbo, mo manje tro,They make gumbo, I eat too much,
e sa fe mon malad.and that makes me sick

French lyrics and English translation:

Eh la bas (Eh la bas)Hey over there
Eh la bas (Eh la bas)Hey over there
Eh la bas cherie (Eh la bas cherie)Hey over there friend
Comment ça va (Comment ça va)How are you
Mon cher cousin, ma chère cousineMy dear cousin (male), my dear cousin (female)
J’aime la cuisine,I like the kitchen (cooking)
Je mange beaucoup, je bois du vinI eat a lot, I drink wine
Et ça ne me coûte rienAnd it costs me nothing
Je tue un cochon, je tue un lapinI kill a pig, I kill a rabbit
Et je mange beaucoupAnd I eat a lot
Je fais du gumbo, je mange tropI make gumbo, I eat too much
Et ça me rend malade.And that makes me sick
L’autre jour j’ai mangé tropThe other day I ate a lot
Court-bouillon poissonCourt-boillon fish (fish cooked in wine)
Mon conte a vous allant vomisMy story to you goes vomit
Vomis, comme un cochon.Vomit like a pig

English lyrics

English lyrics by Louis Brown and Bob Stevens:

Eh la bas (Eh la bas)
Eh la bas (Eh la bas)
Eh la bas (Eh la bas)
Eh la bas (Eh la bas)
Tra-la-la (Tra-la-la)
Sis-Boom-Bah (Sis-Boom-Bah)
Eh la bas (Eh la bas)
Eh la bas (Eh la bas)
Well, I can't speak French, not in a pinch, so I don't know what it means.
But it sounds real good, like I know it would, like down in New Orleans.
I love to hear that clarinet burn, and hear them trambone[ sic ] glisses,
I'd like to sing French when I take my turn, but that ain't the kinda' band that this is!
Kid Ory sang that Cajun French in a fine ol' Creole way,
but the only Cajun I can say is "Laissez les bons temps rouler!"
So let the good times roll my friends, and let the music play,
Tomorrow may never come to be, so let's live it up today!

Versions

As a traditional song it has no copyright and its origins are uncertain. It has been widely recorded by New Orleans bands since the 1940s:

See also

Related Research Articles

<span class="mw-page-title-main">Cajuns</span> Ethnic group of Louisiana

The Cajuns, also known as Louisiana Acadians, are a Louisiana French ethnicity mainly found in the US state of Louisiana and surrounding Gulf Coast states.

<span class="mw-page-title-main">Kid Ory</span> American jazz trombonist

Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.

<span class="mw-page-title-main">Jimmie Noone</span> American jazz clarinetist and bandleader (1895–1944)

Jimmie Noone was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his Boléro on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s.

<span class="mw-page-title-main">Zydeco</span> Music genre developed in Louisiana, U.S.

Zydeco is a music genre that was created in rural Southwest Louisiana by Afro-Americans of Creole heritage. It blends blues and rhythm and blues with music indigenous to the Louisiana Creoles, such as la la and juré. Musicians use the French accordion and a Creole washboard instrument called the frottoir.

<span class="mw-page-title-main">Mutt Carey</span> American jazz trumpeter (1891–1948)

Thomas "Papa Mutt" Carey was an American jazz trumpeter.

The music of Louisiana can be divided into three general regions: rural south Louisiana, home to Creole Zydeco and Old French, New Orleans, and north Louisiana. The region in and around Greater New Orleans has a unique musical heritage tied to Dixieland jazz, blues, and Afro-Caribbean rhythms. The music of the northern portion of the state starting at Baton Rouge and reaching Shreveport has similarities to that of the rest of the US South.

Crescent Records was an American independent record label that produced jazz recordings from 1944 to 1946. It was founded by Nesuhi Ertegun to record a band that was assembled to perform on CBS Radio's 1944 variety series The Orson Welles Almanac. Only one group, Kid Ory's Creole Jazz Band, was released on the Crescent label, which was distributed by Hollywood's Jazz Man Record Shop. Although only eight discs were released, Crescent Records was involved in the international revival of traditional jazz in the 1940s.

<span class="mw-page-title-main">BeauSoleil</span> Cajun band

BeauSoleil is a Cajun band from Louisiana, United States.

<span class="mw-page-title-main">Clifton Chenier</span> American zydeco musician (1925–1987)

Clifton Chenier, was an American musician known as a pioneer of zydeco, a style of music that arose from Creole music, with R&B, blues, and Cajun influences. He sang and played the accordion. Chenier won a Grammy Award in 1983.

Swamp pop is a music genre indigenous to the Acadiana region of south Louisiana and an adjoining section of southeast Texas. Created in the 1950s by young Cajuns and Creoles, it combines New Orleans–style rhythm and blues, country and western, and traditional French Louisiana musical influences. Although a fairly obscure genre, swamp pop maintains a large audience in its south Louisiana and southeast Texas homeland, and it has acquired a small but passionate cult following in the United Kingdom, and Northern Europe

<span class="mw-page-title-main">Music history of the United States (1900–1940)</span>

Music in the United States underwent many shifts and developments from 1900 to 1940. The country survived both World War I and the Great Depression before entering World War II in December 1941. Americans endured great loss and hardship but found hope and encouragement in music. The genres and styles present during this period were Native American music, blues and gospel, jazz, swing, Cajun and Creole music, and country. The United States also took inspiration from other cultures and parts of the world for her own music. The music of each region differed as much as the people did. The time also produced many notable singers and musicians, including jazz figure Louis Armstrong, blues and jazz singer Mamie Smith, and country singer Jimmie Rodgers.

Lawrence Duhé, also known as Lawrence Duhe, was an early jazz clarinetist and bandleader.

<span class="mw-page-title-main">Louisiana Creole people</span> Ethnic group of Louisiana, USA

Louisiana Creoles are a Louisiana French ethnic group descended from the inhabitants of colonial Louisiana before it became a part of the United States during the period of both French and Spanish rule. They share cultural ties such as the traditional use of the French, Spanish, and Creole languages and predominant practice of Catholicism.

<span class="mw-page-title-main">Lost Bayou Ramblers</span> Cajun music band from Louisiana

Lost Bayou Ramblers is a Cajun music band from Pilette, Louisiana.

<span class="mw-page-title-main">Creole music</span>

The term Creole music is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.

<span class="mw-page-title-main">Louis Nelson (trombonist)</span> American jazz musician

Louis Hall Nelson was an American jazz trombonist.

<span class="mw-page-title-main">Ed Garland</span> American jazz musician (1895–1980)

Edward Bertram Garland was a New Orleans jazz string bass player. He was commonly known as Ed Garland, and sometimes Montudie Garland.

<span class="mw-page-title-main">Warren Storm</span> American drummer and singer (1937–2021)

Warren Storm was an American drummer and vocalist, known as a pioneer of the musical genre swamp pop; a combination of rhythm and blues, country and western, and Cajun music and black Creole music.

<span class="mw-page-title-main">Bud Scott</span> American jazz musician

Arthur Budd Scott was an American jazz guitarist, banjoist and singer. He was one of the earliest musicians associated with the New Orleans jazz scene. As a violinist he performed with James Reese Europe's Clef Club Orchestra at a historic 1912 concert at Carnegie Hall, and the following year worked with Europe's ensemble on the first jazz recordings on the Victor label.

<span class="mw-page-title-main">Minor Hall</span> American jazz musician

Minor Hall, better known as Ram Hall, was an American jazz drummer active on the New Orleans jazz scene. He was the younger brother of Tubby Hall.

References

  1. "Acadiana Records: Discographie détaillée - Mermaids of the Canary Islands". MONOLA: the music of New Orleans and Louisiana. Retrieved 2019-11-16.
  2. "Preservation Hall Jazz Band". youtube.com. 30 December 2010. Retrieved 18 June 2018.