A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment, and often employed for rituals and rites. Masks have been used since antiquity for both ceremonial and practical purposes, as well as in the performing arts and for entertainment. They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body.
A gope board is a wooden ritual object made in the Papuan Gulf of New Guinea. Each board represents the spirit of an ancestral hero that can protect clans from evil spirits and death.
A lavalava, sometime written as lava-lava, also known as an 'ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples. It consists of a single rectangular cloth worn similarly to a wraparound skirt or kilt. The term lavalava is both singular and plural in the Samoan language.
Cordyline fruticosa is an evergreen flowering plant in the family Asparagaceae. The plant is of great cultural importance to the traditional animistic religions of Austronesian and Papuan peoples of the Pacific Islands, New Zealand, Island Southeast Asia, and Papua New Guinea. It is also cultivated for food, traditional medicine, and as an ornamental for its variously colored leaves. It is identified by a wide variety of common names, including ti plant, palm lily, cabbage palm.
Tapa cloth is a barkcloth made in the islands of the Pacific Ocean, primarily in Tonga, Samoa and Fiji, but as far afield as Niue, Cook Islands, Futuna, Solomon Islands, Java, New Zealand, Vanuatu, Papua New Guinea and Hawaii. In French Polynesia it has nearly disappeared, except for some villages in the Marquesas.
The culture of Papua New Guinea is many-sided and complex. It is estimated that more than 7000 different cultural groups exist in Papua New Guinea, and most groups have their own language. Because of this diversity, in which they take pride, many different styles of cultural expression have emerged; each group has created its own expressive forms in art, dance, weaponry, costumes, singing, music, architecture and much more. To unify the nation, the language Tok Pisin, once called Neo-Melanesian has evolved as the lingua franca — the medium through which diverse language groups are able to communicate with one another in Parliament, in the news media, and elsewhere. People typically live in villages or dispersed hamlets which rely on the subsistence farming of yams and taro. The principal livestock in traditional Papua New Guinea is the oceanic pig.
The Baga are a West African ethnic group who live in the southern swampy lands of Guinea Atlantic coastline. Traditionally animist through the pre-colonial times, they converted to Islam during the mid-eighteenth century under the influence of Muslim Mandé missionaries. Some continue to practice their traditional rituals.
The Asmat are an ethnic group of New Guinea, residing in the province of South Papua, Indonesia. The Asmat inhabit a region on the island's southwestern coast bordering the Arafura Sea, with lands totaling approximately 18,000 km2 (7,336 mi2) and consisting of mangrove, tidal swamp, freshwater swamp, and lowland rainforest.
Ni-Vanuatu is a large group of closely related Melanesian ethnic groups native to the island country of Vanuatu. As such, Ni-Vanuatu are a mixed ethnolinguistic group with a shared ethnogenesis that speak a multitude of languages.
The Baining people are among the earliest continuously located inhabitants of the Gazelle Peninsula of East New Britain, Papua New Guinea; they currently live in the Baining Mountains, from which they take their name. The Baining are thought to have been driven to this area in comparatively recent times by the Tolai tribes who migrated to the coastal areas. The Baining migration inland may also have been influenced by major volcanic activity taking place over the centuries around the present day town of Rabaul on the north-east coast.
The Musée du Quai Branly – Jacques Chirac, located in Paris, France, is a museum designed by French architect Jean Nouvel to feature the indigenous art and cultures of Africa, Asia, Oceania, and the Americas. The museum collection comprises more than a million objects, of which 3,500 are on display at any given time, in both permanent and temporary thematic exhibits. A selection of objects from the museum is also displayed in the Pavillon des Sessions of the Louvre.
Oceanic art or Oceanian art comprises the creative works made by the native people of the Pacific Islands and Australia, including areas as far apart as Hawaii and Easter Island. Specifically it comprises the works of the two groups of people who settled the area, though during two different periods. They would in time however, come to interact and together reach even more remote islands. The area is often broken down into four separate regions: Micronesia, Melanesia, Polynesia and Australia. Australia, along with interior Melanesia (Papua), are populated by descendants of the first waves of human migrations into the region by Australo-Melanesians. Micronesia, Island Melanesia, and Polynesia, on the other hand, are descendants of later Austronesian voyagers who intermixed with native Australo-Melanesians; mostly via the Neolithic Lapita culture. All of the regions in later times would be greatly affected by western influence and colonization. In more recent times, the people of Oceania have found a greater appreciation of their region's artistic heritage.
Papua New Guinean art has a long rich diverse tradition. In particular, it is world-famous for carved wooden sculpture: masks, canoes and story-boards. Papua New Guinea also has a wide variety of clay, stone, bone, animal and natural die art. Many of the best collections of these are held in overseas museums.
The Marind or Marind-Anim are an ethnic group of New Guinea, residing in the province of South Papua, Indonesia.
Kulap figurines of limestone or chalk were made in Melanesia. The small funerary sculptures from New Ireland were associated with death rituals. They are typical in the hilly Punam region of the New Ireland province in Papua New Guinea of the Bismarck Archipelago. They were believed to contain the soul of the deceased person whom they were meant to represent, and would be ritually smashed once their usefulness or the period of mourning was over. In more recent years, some have been sold in their intact forms to Westerners, particularly to German administrators.
A tatanua is a type of traditional mask made by the natives in the province of New Ireland, Papua New Guinea. The masks are made of wood and other natural materials and used in funeral ceremonies called malagan.
Oceanian culture encompasses the collective and diverse customs and traditions of art, architecture, music, literature, lifestyle, philosophy, politics and religion that have been practiced and maintained by the many ethnic groups of the geographical region of Oceania since prehistory. Cultures of Oceania reflect not only that of the region's indigenous peoples, but also the cultures brought by European colonisation and the United States, particularly through mass culture such as cinema and TV. Oceania is commonly divided into four geographic sub-regions, characterized by shared cultural, religious, linguistic, and ethnic traits: Australasia, Melanesia, Micronesia, and Polynesia. Most Oceanian countries are multi-party representative parliamentary democracies, and tourism is a large source of income for the Pacific Islands nations.
The Papua New Guinea National Museum and Art Gallery (NMAG) is a museum and art gallery in Waigani, Port Moresby, Papua New Guinea. It is the national museum of Papua New Guinea.
Pisuwe is a dagger from the island of New Guinea. Ndam pisuwe or Ndam emak pisuwe are those that are made with human femur bone and Pi pisuwe are for those that are made with Cassowary bone. Prior to the colonization of the Dutch in the 1950s, these daggers are carried by the Asmat people and they are used only in ritual killings. These daggers are usually embellished with Cassowary feathers at the pommel and decorated with carved in artworks depicting humans and animals. Papuan men would wear this dagger as part of their traditional attire during customary ceremonies by girding it on the side of their waist.
Awa, also known as the Awa Society, the Society of Masks, is an African mask and initiatory society of the Dogon people of Mali which is made up of circumcised men, and whose role is both ritual and political within Dogon society. The Awa Society takes an important role in Dogon religious affairs, and regularly preside over funereally rites and the dama ceremony—a ritual ceremony that marks the end of bereavement in Dogon country. This Society is one of the important aspect of Dogon religious life—which is primarily based on the worship of the single omnipotent, omniscient and omnipresent Creator God Amma and the veneration of the ancestors. Although it is only one aspect of Dogon's religious sects, it is perhaps more well known than the others partly due to Dogon mask–dance culture which attracts huge tourism, and their masks highly sought after, and in fact, one of the first to be sought after by art collectors in the west.
