El Cambio | ||||
---|---|---|---|---|
Studio album by Miguel de la Bastide | ||||
Released | 1998 | |||
Genre | Flamenco | |||
Length | 48:23 | |||
Label | La Bastide Productions | |||
Miguel de la Bastide chronology | ||||
|
El Cambio is the debut studio album by Miguel de la Bastide. It was recorded at La Bastide Productions and mastered by George Graves at Lacquer Channel [1] in Toronto Canada in 1998. The track "Calle Torrecillo del Leal" was mixed by Jesse Cook at his recording studio, which was stated in the liner notes and also in an article in "20th Century Guitar Magazine". [2]
Miguel de la Bastide is a Trinidad-born Flamenco composer and virtuoso guitarist who first appeared on the scene in 1996 on the CD compilation Flamenco: Fire and Grace under the record label Narada Productions that placed him alongside some of Spain's most prominent guitarists, including Paco de Lucía, Tomatito and Rafael Riqueni to name a few. Since then, he has appeared on numerous other Flamenco and Nuevo Flamenco compilations. He is the only guitarist from Trinidad and Tobago that has had success recording in the flamenco genre and is also a recipient of the Chalmers Award and Toronto Arts Council Award.
Jesse Arnaud Cook is a Canadian guitarist, composer, and producer. Widely considered one of the most influential figures in nuevo flamenco music, he incorporates elements of flamenco rumba, jazz and many forms of world music into his work. He is a Juno Award winner, Acoustic Guitar Player's Choice Award silver winner in the Flamenco Category, and a three-time winner of the Canadian Smooth Jazz award for Guitarist of the Year. He has recorded on the EMI, E1 Music and Narada labels and has sold over 1.5 million records worldwide.
The album contains four re-recorded tracks that were previously released under the Narada Productions label onto various Flamenco and Nuevo Flamenco compilations. "Morir Soñando" was previously recorded in 1996 as "Morí Soñando" and was one of his first contributions to the compilation Flamenco: Fire and Grace . [3] The other was "Viajeros", which was originally titled "Viajero". "Calle Torrecillo del Leal" was originally titled "Torrecillo del Leal" on the compilation Gypsy Passion in 1997. [4] "A Mi Carmen" was originally titled "Mi Carmen" on the compilation Gypsy Soul in 1998. [5]
Narada is a record label formed in 1983 as an independent New-age music label and distributed by MCA. A fully owned subsidiary of Universal Music Group and distributed by Capitol Music Group's Blue Note Records, the label evolved through an expansion of formats to include world music, jazz, Celtic music, new flamenco, acoustic guitar, and piano genre releases.
Flamenco, in its strictest sense, is a professionalized art-form based on the various folkloric music traditions of southern Spain in the autonomous communities of Andalusia, Extremadura and Murcia. In a wider sense, it refers to these musical traditions and more modern musical styles which have themselves been deeply influenced by and become blurred with the development of flamenco over the past two centuries. It includes cante (singing), toque, baile (dance), jaleo, palmas (handclapping) and pitos.
Flamenco: Fire and Grace is the first flamenco collection from Narada Productions featuring some of flamenco's most prominent performers showcasing both instrumental and vocal. Its liner notes contains a romantic description of flamenco by Brook Zen and brief biographies of each performer as they appear in sequence.
Two tracks from the album were later included in Narada compilations: "Candela" was his contribution to Gypsy Fire in early 2000 [6] and a shortened version of the title track, renamed "El Cambio (edit)" on Viva Flamenco! in the later part of 2000, which was the highly anticipated sequel to "Flamenco: Fire and Grace". [7]
Viva Flamenco! is the second and highly anticipated sequel to "Flamenco: Fire and Grace" – flamenco collection from Narada Productions. Its liner notes contain brief biographies with pictures of each performer as they appear in sequence.
A flamenco guitar is a guitar similar to a classical guitar but with thinner tops and less internal bracing. It is used in toque, the guitar-playing part of the art of flamenco.
Carmen Amaya was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain.
José Fernández Torres, known as Tomatito, is a Spanish flamenco guitarist. Having started his career accompanying famed flamenco singer Camarón de la Isla, he has made a number of collaborative albums and six solo albums, two of which have won Latin Grammy Awards.
José Monge Cruz, better known by his stage name Camarón de la Isla, was a Spanish flamenco romani singer. Considered one of the all-time greatest flamenco singers, he was noted for his collaborations with Paco de Lucía and Tomatito, and the three of them were of major importance to the revival of flamenco in the second half of the 20th century.
María Dolores Flores Ruiz better known as Lola Flores was a Spanish singer, dancer, actress. She was born at number 45, Sol Street, in the “barrio de San Miguel”, quarter of Jerez de la Frontera. Lola Flores was the eldest of three children, born to Pedro Flores Pinto (1897-1973) from La Palma del Condado (Huelva) and Rosario Ruiz Rodriguez from Sanlúcar de Barrameda (Cádiz). Lola Flores was not a gypsy, although her maternal grandfather, Manuel, who was a street vendor was half-gypsy, and her husband Antonio González el Pescaílla, a gypsy guitarist from Barcelona.
Santa Cruz de la Palma is a city and a municipality in the eastern part of the island of La Palma in the province of Santa Cruz de Tenerife of the Canary Islands. It is situated on the east coast. Santa Cruz de la Palma is the second largest city and is the capital of the island. It is located along an old lava flow coming out from the Caldereta, a volcano located just south of the city.
El amor brujo is a ballet composed in 1914–15 by Manuel de Falla to a libretto by Gregorio Martínez Sierra. In 1916, Falla arranged a rendition of the work for sextet and small orchestra and the following year he made a concert version, also for small orchestra. Later, he fashioned a piano suite from it and finally, a second ballet version (1925) that features expanded orchestration, elimination of the narration, small cuts and plot changes, and a different order to the numbers.
Antonio Cruz García, known as Antonio Mairena (1909–1983), was a Spanish musician, who tried to rescue a type of flamenco, which he considered to be pure or authentic. He rescued or recreated a high number of songs that had been almost lost, and also published several books and articles to divulge his views on flamenco and flamenco history. He considered himself as heir to the art of Manuel Torre, the most classic flamenco singer from Jerez, and also acknowledged the influence of other masters like Tomás Pavón or Joaquín el de la Paula.
Juana la Macarrona was a famous Spanish flamenco dancer (bailaora). Born as Juana Vargas de las Heras in the barrio Santiago at Jerez de la Frontera in Andalusia, she later added the name La Macarrona. Her Gitano parents started her on her dancing career, which lasted well into the twentieth century.
The cante flamenco, meaning "flamenco singing", is one of the three main components of flamenco, along with toque and baile (dance). Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form - but in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora.
Mario Escudero Valero Jiménez Valverde was one of a handful of Spanish flamenco guitar virtuosos who helped spread flamenco beyond their homeland when they migrated to the United States in the early 1950s. After completing his obligatory military service in Spain, he toured with the best known companies at the time. Eventually, his lifetime childhood friend, Juan Antonio Aguero, married Carmen Amaya, and Mario married her sister Maria, with whom he had a son. He soon travelled to the US as first soloist.
Olé is the ninth studio album by Spanish duo Azúcar Moreno, released on Sony International in 1998.
Willie & Lobo was a musical duo composed of Willie Royal (violin) and Wolfgang "Lobo" Fink (guitar). Their music, characterised as New Flamenco and World Music, is a blend of Gypsy, Latin, Celtic, Flamenco, Middle Eastern, Rock, Jazz, Cuban Swing, Tango and Salsa.
Siento is the second studio album by Miguel de la Bastide. It was recorded and mastered at La Bastide Productions in Toronto Canada in 2003.
The discography of Spanish flamenco guitarist Paco de Lucía:
Lágrimas Negras is a 2003 album by Cuban pianist, bandleader, composer and arranger Bebo Valdés and Spanish flamenco singer Diego el Cigala. Lágrimas Negras is a fusion of Cuban rhythms and flamenco vocals, produced by Spanish composer, producer and guitarist Javier Limón and book editor, screenwriter, film director and producer Fernando Trueba and released by Calle 54 Records and BMG Music Spain.
The 15th Annual Latin Grammy Awards was held on November 20, 2014 at the MGM Grand Garden Arena in Paradise. This was the first time that Latin Grammys has been held at this location. The main telecast was broadcast on Univision at 8:00PM EST.
Clara Obligado Marcó del Pont is an Argentine-Spanish writer.