El Trabuco Venezolano Vol. I | ||||
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Studio album by | ||||
Released | 1977 | |||
Recorded | 1977 | |||
Genre | Jazz band, Latin American music | |||
Length | 39:28 | |||
Label | Integra | |||
Producer | Orlando Montiel | |||
El Trabuco Venezolano chronology | ||||
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El Trabuco Venezolano - Vol. 1 is a vinyl LP by Venezuelan musician Alberto Naranjo, originally released in 1977 and partially reedited in two separate CD albums titled El Trabuco Venezolano 1977 - 1984 Vol. 1 and Vol. 2 released in 1995. It is the first of seven albums (two live albums) of the El Trabuco Venezolano musical project arranged and directed by Naranjo.
# | Song | Composer(s) | Vocal(s) | Solo(s) | Time |
A1 | Yo Soy La Rumba | Marcelino Guerra | C. D. Palacios | Lewis, Silva, Hernández | 5:51 |
A2 | El Tuerto | Alberto Naranjo | C. Rodríguez | R. Velázquez | 4:26 |
A3 | Uno | Mariano Mores Enrique Santos Discépolo | J. Ruiz C. D. Palacios | Silva | 5:00 |
A4 | Compadre Pedro Juan | Luis Alberti | C. Rodríguez | Arias (flugel) | 4:24 |
B5 | Bravo Rumbero | Grupo Mango | J. Ruiz | 5:53 | |
B6 | El Patúo' | Trabuco | Instrumental | J. Velázquez | 1:12 |
B7 | Hasta Que Vuelvas | Felipe Gil Mario Arturo | J. Ruiz | Silva | 5:12 |
B8 | El Hijo del Sonero | Ricardo Quintero | R. Quintero | Ortiz, C. Quintero, Lewis, Silva | 7:30 |
Total time | 39:28 |
Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains.
Guaco is a tropical music band from Venezuela that was formed in Maracaibo by Mario Viloria, Alfonso "Pompo" Aguado, and Fernando Domínguez in 1968. Viloria, the main founder, retired to focus on his college studies; he was the group's main composer for several years. His home was also the main place where practices were held in the group's early years. The name Guaco is attributed a bird named "Guaco" that would fly over Viloria's house every morning. The band began as a gaita zuliana group, and during the 70s diverged from the traditional way of playing the genre by integrating it with elements of salsa music, and adding in violins and electric guitars which were very unusual instruments to be included in a gaita band. Today, the Guaco rhythm continues to evolve through a complex mixture of Gaita, Salsa, Pop music, Jazz, Funk and even Rock and Roll and Vallenato rhythms, concocting a recognizable and unique style that is considered to be a hallmark of the tropical music genre.
Alberto Naranjo [nah-rahn'-ho] was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.
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El Trabuco Venezolano – Vol. II is a vinyl LP by Venezuelan musician Alberto Naranjo, originally released in 1979 and partially reedited in two CD albums titled El Trabuco Venezolano 1977 – 1984 Vol. 1 (1994) and Vol. 2 (1995). It is the second of seven albums of the El Trabuco Venezolano musical project arranged and directed by Naranjo.
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El Trabuco Venezolano - Vol. III is a vinyl LP by Venezuelan musician Alberto Naranjo, originally released in 1981 and partially rereleased in two CD albums titled El Trabuco Venezolano 1977 - 1984 Vol. 1 (1994) and Vol. 2 (1995). It is the third of seven albums of the El Trabuco Venezolano musical project arranged and directed by Naranjo.
El Trabuco Venezolano Vol. IV is a studio vinyl LP by Venezuelan musician Alberto Naranjo, originally released in 1984 and partially reedited in two CDs titled El Trabuco Venezolano 1977 - 1984' Vol. 1 (1994) and Vol. 2 (1995). It is the sixth of seven albums of the El Trabuco Venezolano musical project arranged and directed by Naranjo. The art cover include an article, signed by Humberto Márquez, entitled La flor y nata, which is also used to refer to this LP.
Irakere & Trabuco - En Vivo, Poliedro de Caracas, Mayo 15 '81 is a Vinyl-LP live album released in 1982.
Sin Daños a Terceros is the seventh studio album released on June 2, 1998, by Guatemalan singer-songwriter Ricardo Arjona.
Metiendo Mano! is the debut studio album by Puerto Rican-American trombonist and singer Willie Colón and Panamanian singer-songwriter Rubén Blades, released on October 7, 1977, through Fania Records. The album was produced by Colón and Jerry Masucci and is the second of four collaborative duo albums by Colón and Blades. The record includes the song "Pablo Pueblo", which is considered to be one of the initial forays into "conscious" or "intellectual" salsa and was the theme song to Blades' unsuccessful Panamanian presidential bid in 1994.
Ascención is the fourth album by Latin Rock band Malo, released in 1974.
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25/7 is the seventeenth studio album by Puerto Rican singer Víctor Manuelle, released on March 23, 2018 through Kiyavi Corp. and distributed by Sony Music Latin. The album title alludes to the 25th anniversary of Manuelle's career in music. The album features guest artists such as Gilberto Santa Rosa, Farruko, Bad Bunny, and Yandel, among others.