El gran teatro (Spanish: "The Great Theatre" or "The Grand Theatre") is a 1979 novel by Argentine writer Manuel Mujica Lainez, part of his Buenos Aires series.
The Colón is, emblematically and par excellence, The Great Theatre, a giant and impossibly splendiferous jewellery box built, in an improbable bygone age, for a glitteringly self-assured class of leaders (or, alternatively, disgusting show-offs) to show itself off.
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The Teatro Colón is a historic opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world.
Hariclea Darclée was a celebrated Romanian operatic spinto soprano of Greek descent who had a three-decade-long career.
San Nicolás is one of the neighbourhoods of Buenos Aires, Argentina, sharing most of the city and national government Neighborhood of Buenos Aires with neighboring Montserrat and home to much of the financial sector. It is referred usually as El Centro, and the part east of the 9 de Julio Avenue is known as Microcentro.
Avenida Corrientes is one of the principal thoroughfares of the Argentine capital of Buenos Aires. The street is intimately tied to the tango and the porteño sense of identity. Like the parallel avenues Santa Fe, Córdoba, and San Juan, it takes its name from one of the Provinces of Argentina.
Gran Teatro de La Habana is a theater in Havana, Cuba, home to the Cuban National Ballet. It was designed by the Belgian architect Paul Belau and built by Purdy and Henderson, Engineers in 1914 at the site of the former Teatro Tacón. Its construction was paid for by the Galician immigrants of Havana to serve as a community-social center. Located in the Paseo del Prado, its facilities include theatres, a concert hall, conference rooms, a video screening room, as well as an art gallery, a choral center and several rehearsal halls for dance companies. It hosts the International Ballet Festival of Havana every two years since 1960.
Sergio Renán was an Argentine actor, film director, and screenwriter.
The Teatro Nacional Cervantes in Buenos Aires is the national stage and comedy theatre of Argentina.
The Avenida Theatre is a theatre in Buenos Aires, Argentina.
The Buenos Aires Philharmonic is an Argentine orchestra based in Buenos Aires. Founded in 1946, it is based in the renowned Teatro Colón, and is considered one of the most prestigious orchestras in its nation and Latin America, and has received several honours in 60 years of history. Their local counterparts in the national aegis are the Argentine National Symphony Orchestra and the Teatro Colón Orchestra. The orchestra's current Music Director is Mexican Enrique Diemecke.
Nicole Nau is a German dancer of Tango Argentino and Argentine folklore living in Argentina and Germany.
Manuel L. Posadas (1860-1916) was a leading Afro-Argentine musician from the late nineteenth and early twentieth century.
Punto Obelisco is a zone around the Obelisk of Buenos Aires and the Plaza de la República. It is a project held by the city's government in order to enrich the surroundings of the monument and to make it the center of entertainment in the city. A zone combining the theatres avenue and the lights of LED signs taking inspiration from Times Square in New York City, the Shibuya Crossing in Tokyo and Piccadilly Circus in London and runs through Avenida 9 de Julio between Rivadavia Avenue and Córdoba Avenue. It also includes a ticket sales stand.
Griselda Gambaro is an Argentine writer, whose novels, plays, short stories, story tales, essays and novels for teenagers often concern the political violence in her home country that would develop into the Dirty War. One recurring theme is the desaparecidos and the attempts to recover their bodies and memorialize them. Her novel Ganarse la muerte was banned by the government because of the obvious political message.
Buenos Aires is one of the world's capitals of theatre. The Teatro Colón is a national landmark for opera and classical performances; built at the end of the 19th century, its acoustics are considered the best in the world, and has undergone a major refurbishment in order to preserve its outstanding sound characteristics, the French-romantic style, the Golden Room, and the museum at the entrance. With its theatre scene of national and international caliber, Corrientes Avenue is synonymous with the art. It is thought of as the street that never sleeps, and sometimes referred to as the Broadway of Buenos Aires. Many careers in acting, music, and film have begun in its many theaters. The Teatro General San Martín is one of the most prestigious, along Corrientes Avenue, and the Teatro Nacional Cervantes functions as the national stage theater of Argentina. The Teatro Argentino de La Plata, El Círculo in Rosario, Independencia in Mendoza, and Libertador in Córdoba are also prominent. Griselda Gambaro, Copi, Roberto Cossa, Marco Denevi, Carlos Gorostiza, Alberto Vaccarezza and Mauricio Kartun are a few of the more prominent Argentine playwrights. Julio Bocca, Jorge Donn, José Neglia, and Norma Fontenla are some of the great ballet dancers of the modern era.
Colon Theater Ballet is a ballet company based in Buenos Aires, Argentina. The company is attached to the Colon Theater, which is also home to the Buenos Aires Philharmonic orchestra and the Colon Theater Opera company. It was established in 1925 and is the oldest ballet company in South America.
Susana Agüero was an Argentine ballet dancer who also danced in musicals and shows. She took a number of leading roles and worked for six years in France.
Lida Martinoli (1914–1991) was an Argentine dancer, choreographer, and theatre performer in Buenos Aires. Born in Rosario, Santa Fe in 1914, she was the daughter of the artists Fanny Montiano and Carlos Martinoli. She studied ballet at La Scala in Milan before returning to Buenos Aires in 1932. She joined the corps de ballet of the Teatro Colón, where she danced until 1956. At the Teatro Colón, she served as prima ballerina during the 1940s, dancing the choreographies of Vaslav Nijinsky and Margarita Wallmann and starring in her version of The Nutcracker with Michael Borovski and Maria Ruvanova. In 1953, as prima ballerina for Teatro Colón, she performed at Carnegie Hall in her North American debut. When she retired from dancing, Martinoli began to choreograph, and is known for her kitschy and outlandish dances - the choreography for "La Leprosa" required the actor to stick ham to themselves that fell off during the dance, imitating the symptoms of leprosy. She died in Santa Fe in 1991. Screenwriters Kado Kostzer and Afredo Rodriguez Arias wrote the play "Familie d'Artistes" about Lida and the Martinoli family in 1989, which was staged at the Teatro Maipo in Buenos Aires in 1991.
María Ruanova was an Argentine dancer, choreographer, teacher and ballet master, known for her performances at the Teatro Colón and internationally. She is considered the first Argentina-grown ballet dancer to gain international fame.
Cecilio Madanes was a Ukrainian theater director, set designer, and producer. He was one of the leading figures in Argentine theatre from 1950 through 1960. Madanes founded the Teatro Caminito.
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