The BehistunInscription is a large rock-relief multilingual inscription carved at Mount Behistun, near the city of Kermanshah in Iran. It was authored by Darius I, the third ruler of the Achaemenid Persian Empire. The inscription was crucial to the decipherment of cuneiform as it includes three versions of the same text written in different cuneiform-based languages: Old Persian, Elamite, and the Babylonian variety of Akkadian. As such, the Behistun Inscription is to cuneiform what the Rosetta Stone is to Egyptian hieroglyphs: the document that proved most crucial in the deciphering of a previously-lost ancient writing system.
Hormizd II was king (shah) of the Sasanian Empire. He ruled for seven years and five months, from 303 to 309. He was a son and successor of Narseh.
Bahram II was the fifth Sasanian King of Kings (shahanshah) of Iran, from 274 to 293. He was the son and successor of Bahram I. Bahram II, while still in his teens, ascended the throne with the aid of the powerful Zoroastrian priest Kartir, just like his father had done.
Narseh, "Great King of Armenia", was the seventh Sasanian King of Kings of Iran from 293 to 303.
Elam was an ancient civilization centered in the far west and southwest of modern-day Iran, stretching from the lowlands of what is now Khuzestan and Ilam Province as well as a small part of southern Iraq. The modern name Elam stems from the Sumerian transliteration elam(a), along with the later Akkadian elamtu, and the Elamite haltamti. Elamite states were among the leading political forces of the Ancient Near East. In classical literature, Elam was also known as Susiana, a name derived from its capital Susa.
Naqsh-e Rostam is an ancient archeological site and necropolis located about 12 km northwest of Persepolis, in Fars Province, Iran. A collection of ancient Iranian rock reliefs are cut into the face of the mountain and the mountain contains the final resting place of four Achaemenid kings notably king Darius the Great and his son, Xerxes. This site is of great significance to the history of Iran and to Iranians, as it contains various archeological sites carved into the rock wall through time for more than a millennium from the Elamites and Achaemenids to Sassanians. It lies a few hundred meters from Naqsh-e Rajab, with a further four Sassanid rock reliefs, three celebrating kings and one a high priest.
Taq-e Bostan is a site with a series of large rock reliefs from the era of the Sassanid Empire of Persia (Iran), carved around the 4th century CE.
Yazılıkaya was a sanctuary of Hattusa, the capital city of the Hittite Empire, today in the Çorum Province, Turkey. Rock reliefs are a prominent aspect of Hittite art, and these are generally regarded as the most important group.
The Burney Relief is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old-Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions.
Kiririsha was a major goddess worshiped in Elam.
Naqsh-e Rajab is an archaeological site just west of Istakhr and about 5 km north of Persepolis in Fars Province, Iran.
Achaemenid architecture includes all architectural achievements of the Achaemenid Persians manifesting in construction of spectacular cities used for governance and inhabitation, temples made for worship and social gatherings, and mausoleums erected in honor of fallen kings. Achaemenid architecture was influenced by Mesopotamian, Assyrian, Egyptian, Elamite, Lydian, Greek and Median architecture. The quintessential feature of Persian architecture was its eclectic nature with foreign elements, yet producing a unique Persian identity seen in the finished product. Achaemenid architecture is academically classified under Persian architecture in terms of its style and design.
Kul-e Farah is an archaeological site and open air sanctuary situated in the Zagros mountain valley of Izeh/Mālamir, in south-western Iran, around 800 meters over sea level. Six Elamite rock reliefs are located in a small gorge marked by a seasonal creek bed on the plain's east side of the valley, near the town of Izeh in Khuzestan.
The tomb of Darius the Great (or Darius I) is one of the four tombs for Achaemenid kings at the historical site of Naqsh-e Rostam, located about 12 kilometres (7.5 mi) northwest of Persepolis in Iran. They are all situated at a considerable height above ground-level.
Sasanian art, or Sassanid art, was produced under the Sasanian Empire which ruled from the 3rd to 7th centuries AD, before the Muslim conquest of Persia was completed around 651. In 224 AD, the last Parthian king was defeated by Ardashir I. The resulting Sasanian dynasty would last for four hundred years, ruling modern Iran, Iraq, and much territory to the east and north of modern Iran. At times the Levant, much of Anatolia and parts of Egypt and Arabia were under its control. It began a new era in Iran and Mesopotamia, which in many ways was built on Achaemenid traditions, including the art of the period. Nevertheless, there were also other influences on art of the period that came from as far as China and the Mediterranean.
A rock relief or rock-cut relief is a relief sculpture carved on solid or "living rock" such as a cliff, rather than a detached piece of stone. They are a category of rock art, and sometimes found as part of, or in conjunction with, rock-cut architecture. However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples. A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs. Rock reliefs have been made in many cultures throughout human history, and were especially important in the art of the ancient Near East. Rock reliefs are generally fairly large, as they need to be in order to have an impact in the open air. Most of those discussed here have figures that are over life-size, and in many the figures are multiples of life-size.
Ahura Mazda and Ardashir I is a rock relief from Sasanian Persia. It is also known as The inscription of Ardashir-e Babakan and Hormozd or Coronation of Ardashir-e Babakan. This relief was carved around 235 which makes it one of the oldest Sasanian rock reliefs. The relief is well-preserved and is mostly unharmed. It is located in the east corner of Naqsh-e Rostam and was carved 2 meters above the ground. The relief has 6.65m width and 2.40m height.
Shapurdukhtak, also known as Shapurdukhtak II, was a Sasanian queen (banbishn) in the late 3rd and early 4th-centuries, who was the wife of the Sasanian king (shah) Narseh. She has been suggested to be the daughter of shah Shapur I, however, this is disputed.
The art of rock relief has been practiced by several civilizations during Iranian Antiquity since the end of the 3rd millennium BC. Iran, with 90 panels known in 2007 and distributed mainly in the provinces of Fars, Kurdistan, and Khuzestan, has the largest Middle Eastern concentration of ancient rock reliefs. This profusion is explained by the abundance of rock material in western Iran. It is also due to the fact that, drawing inspiration from its predecessors both for the choice of themes and for that of the sites, each new empire marks its advent by the realization of new panels and thus makes the art evolve. Although uniquely Iranian, this representative art form is constantly influenced from the outside.
