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The electric harp is an instrument based on its acoustic original. There are both solid-body and hollow body electro-acoustic models available. True electric harps have a solid body versus a hollow body electro-acoustic harp, which can be played either acoustically or electronically. A true electric solid-body harp cannot be played acoustically since it has no hollow soundbox, and must be amplified when played.
Alan Stivell writes in his book Telenn, la harpe bretonne of his first dreams of electric harps going back to the late 1950s. He designed and had made a solid body (after different electric-acoustic harps) electric harp at the turn of the 1970s–80s, about the same time as Rudiger Oppermann. Alan Stivell later (early 80s) had a meeting with Joel Garnier who decided to create a model. Alan Stivell went on independently to design and have different single models been made with Leo Goas-Straajer (before the Camac–Alan Stivell last experiment). The first such commercially manufactured instrument was made by Camac, also helped later by the request of jazz-pop harpist Deborah Henson-Conant. [1] The result looked like a light framed Celtic-style harp, but each string had a crystal (Piezo) pickup at its base. They can be plugged into various amplification systems, and players are able to use effects pedals similarly to electric guitar players. Another part of Henson-Conant's request was that she should be able to move around the stage with the harp, and thus the smaller electric harps usually include a system to strap the harp to one's body.
Solid-body electric harps are usually lever harps, though solid body pedal harps have also been built. Since the cost of a pedal harp is so high, it is more economical for a harpist to purchase an electro-acoustic model of pedal harp, as it can also be played without amplification.
An electro-acoustic harp looks nearly identical to a regular acoustic harp, whether lever or pedal. It has piezo pickups at the base of each string, and some also contain a separate microphone inside the soundbox, enabling the harpist to mix the signals from both kinds of pickups to produce special effects. Often such harps include an onboard preamplifier. One of the most famous electro-acoustic pedal harp models is Camac's "Big Blue", finished in a striking electric blue colour.
In the late 20th century instrument builder and American musician Robert Grawi created an electric double harp-lute based on the West African kora but strung and tuned differently. The gravikord is a light ergonomically designed instrument made of modern materials mostly stainless steel tubing. It was created to enable easier playing of complex African cross rhythms on an African derived modern electro-acoustic harp. It is a double harp that has 24 strings evenly divided in two ranks arrayed on a free standing "Vee" shaped bridge made of synthetic material including an integral piezo-electric sensor.
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock and heavy-metal guitar-playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.
The harp is a stringed musical instrument that has individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments.
In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.
An electric piano is a musical instrument that has a piano-style musical keyboard, where sound is produced by means of mechanical hammers striking metal strings or reeds or wire tines, which leads to vibrations which are then converted into electrical signals by pickups. The pickups are connected to an instrument amplifier and loudspeaker to reinforce the sound sufficiently for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company, and the Wurlitzer Company.
The acoustic bass guitar is a bass instrument with a hollow wooden body similar to, though usually larger than, a steel-string acoustic guitar. Like the traditional electric bass guitar and the double bass, the acoustic bass guitar commonly has four strings, which are normally tuned E-A-D-G, an octave below the lowest four strings of the 6-string guitar.
An electric violin is a violin equipped with an electronic output of its sound. The term most properly refers to an instrument intentionally made to be electrified with built-in pickups, usually with a solid body. It can also refer to a violin fitted with an electric pickup of some type, although "amplified violin" or "electro-acoustic violin" are more accurate then.
A semi-acoustic guitar, also known as a hollow-body electric guitar, is a type of electric guitar designed to be played with a guitar amplifier featuring a fully or partly hollow body and at least one electromagnetic pickup. First created in the 1930s, they became popular in jazz and blues, where they remain widely used, and the early period of rock & roll, though they were later largely supplanted by solid-body electric guitars in rock.
The electric cello is a type of cello that relies on electronic amplification to produce sound. An acoustic cello can be fitted with a bridge or body mounted contact pickup providing an electric signal, or a built-in pickup can be installed. A few pickups work by other principles like magnetic coil guitar type needing steel strings to work, or by an unusual pickup system employing the string itself as a linear pickup element, thus avoiding any modification of tone-producing parts on an acoustic cello.
A lamellophone is a member of the family of musical instruments that makes its sound by a thin vibrating plate called a lamella or tongue, which is fixed at one end and has the other end free. When the musician depresses the free end of a plate with a finger or fingernail, and then allows the finger to slip off, the released plate vibrates. An instrument may have a single tongue or a series of multiple tongues.
An archtop guitar is a hollow acoustic or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players.
The electric upright bass (EUB) is an instrument that can perform the musical function of a double bass. It requires only a minimal or 'skeleton' body to produce sound because it uses a pickup and electronic amplifier and loudspeaker. Therefore, a large resonating structure is not required to project the sound into the air. This minimal body greatly reduces the bulk and weight of the instrument. EUBs must always be connected to an amplifier and speaker cabinet to produce an adequate audible sound. The EUB retains enough of the features of the double bass so that double bass players are able to perform on it.
Deborah Henson-Conant is an American harpist and composer. Nicknamed "the Hip Harpist", she is known for her flamboyant stage presence and her innovation with electric harps.
The electric mandolin is an instrument tuned and played as the mandolin and amplified in similar fashion to an electric guitar. As with electric guitars, electric mandolins take many forms. Most common is a carved-top eight-string instrument fitted with an electric pickup in similar fashion to many archtop semi-acoustic guitars. Solid body mandolins are common in 4-, 5-, and 8-string forms. Acoustic electric mandolins also exist in many forms.
A solid-body musical instrument is a string instrument such as a guitar, bass or violin built without its normal sound box and relying on an electromagnetic pickup system to directly detect the vibrations of the strings; these instruments are usually plugged into an instrument amplifier and loudspeaker to be heard. Solid-body instruments are preferred in situations where acoustic feedback may otherwise be a problem and are inherently both less expensive to build and more rugged than acoustic electric instruments.
An acoustic-electric guitar is an acoustic guitar fitted with a microphone, or a magnetic or piezoelectric pickup. They are used in a variety of music genres where the sound of an acoustic guitar is desired but more volume is required, especially during live performances. The design is distinct from a semi-acoustic guitar, which is an electric guitar with the addition of sound chambers within the guitar body.
An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. While the original, general term for this stringed instrument is guitar, the retronym 'acoustic guitar' – often used to indicate the steel stringed model – distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.
The pedal harp is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves.
Rüdiger Oppermann is a German harpist and experimental musician. He specializes in the Celtic harp, which he began playing in 1973. His instrument, a custom-made clàrsach, has 38 gold-plated bronze strings and a special mechanism that allows him to bend notes in a manner akin to blues musicians; a style that he often adopts in his improvisations. He has also developed electro-acoustic instruments.
Classical electric guitars, also known as nylon-string electric guitars, represent a unique fusion of traditional classical guitar design and modern electric guitar technology. These instruments combine the rich and warm tonal qualities of nylon-stringed classical guitars with the versatility and amplified sound capabilities of electric guitars. By integrating nylon strings with onboard electronics, pickups, and preamp systems, classical electric guitars offer musicians a wide range of sonic possibilities for various musical genres and performance settings.
A hybrid guitar is an electric guitar with the ability to produce a signal with the tonal quality of an acoustic guitar in addition to a typical electric signal from a magnetic pickup, allowing a wide tonal pallette. The signal from the two-pickup systems can be blended on board, or fed separately to two different effect and amplification lines.