Elisabet Strid (born 25 January 1976) is a Swedish operatic soprano. She has been particularly successful in the operas of Richard Wagner and Richard Strauss, performing at major venues including the Bolshoi Opera, Covent Garden Royal Opera, Royal Opera Copenhagen and the Teatro Real Madrid. [1] [2] [3]
Born in Malmö on 25 January 1976, Elisabet Strid showed interest in music as a child, singing rock and roll songs with her younger brother. She was a successful pupil at the music high school in Malmö where she discovered her interest in Wagner as a member of the school's opera ensemble. She spent some four years as a member of an amateur opera group in the city. When she was 18, she became a pupil of Karin Mang-Habashy who recognized her talent for opera. She went on to study under Mang-Habashy and Ivan Anguélov at the Opera Academy in Stockholm. She was then awarded a scholarship from the Royal Swedish Academy of Music to tour ten cities in the USA with a pianist. [4]
While studying, Strid made her debut in July 2003 at the Vadstena Academy in the title role of Carl Unander-Scharin's opera Byrgitta. [2] She made her official debut in 2005 in the Nordlandsopera in Umeå as Liu in Puccini's Turandot . [4] She later received engagements of the Royal Opera in Stockholm and the Malmö Opera. [1] She is recognized for Wagnerian roles including Venus in Tannhäuser , Sieglinde in Die Walküre , Brünhilde in Siegfried and the leading role in Tristan und Isolde . [5] In 2013, she made her debut in Bayreuth as Freia in Der Ring des Nibelungen . [4]
Strid has performed in the world's major opera houses, including those in Berlin, Stockholm, Copenhagen, Madrid, Moscow, and in London, where she appeared for the first time in 2024. She has also made concert appearances with leading orchestras. [5]
Christina Nilsson, Countess de Casa Miranda, also called Christine Nilsson was a Swedish operatic dramatic coloratura soprano. Possessed of a pure and brilliant voice (B3-F6), first three then two and a half octaves trained in the bel canto technique, and noted for her graceful appearance and stage presence, she enjoyed a twenty-year career as a top-rank international singer before her 1888 retirement. A contemporary of one of the Victorian era's most famous divas, Adelina Patti, the two were often compared by reviewers and audiences, and were sometimes believed to be rivals. Nilsson became a member of the Royal Swedish Academy of Music in 1869.
Märta Birgit Nilsson was a Swedish dramatic soprano. Although she sang a wide repertoire of operatic and vocal works, Nilsson was best known for her performances in the operas of Richard Wagner and Richard Strauss. Her voice was noted for its overwhelming force, bountiful reserves of power, and the gleaming brilliance and clarity in the upper register.
Kerstin Margareta Meyer, CBE was a Swedish mezzo-soprano who enjoyed an international career in opera and concert. A long-time member of the Royal Swedish Opera and Hamburg State Opera, she appeared regularly at the Royal Opera House in London and international opera houses and festivals, including in world premieres such as Alexander Goehr's Arden Must Die and György Ligeti's Le Grand Macabre.
Ingrid Kristine Bjoner Pierpoint was a Norwegian soprano who had an international opera career between 1956 and 1990. She was particularly celebrated for her portrayal of Wagnerian heroines and for her performances in operas by Richard Strauss. In addition to performing in operas, Bjoner was an active concert soloist and recital performer throughout her career.
Blanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which lasted 22 years. Opera News stated, "An ambitious beauty with a velvety, even-grained dramatic mezzo, Thebom was a natural for opera: she commanded the stage with the elegantly disciplined hauteur of an old-school diva, relishing the opportunity to play femmes du monde such as Marina in Boris Godunov, Herodias and Dalila."
Nina Maria Stemme is a Swedish dramatic soprano opera singer.
Katarina Dalayman is a Swedish former soprano who has transitioned into a mezzosoprano. She has received critical acclaim singing major operatic roles by composers such as Wagner, Berg, Shostakovich and Bartók, among others. In a recent interview, she commented that Wagner's music "[has] always been closest to my heart, always, since I started singing".
Eva Johansson is a Danish operatic soprano.
Lena Iréne Sofie Theorin is a Swedish dramatic soprano opera singer.
Erika Sunnegårdh is a Swedish operatic soprano. She lived for many years in New York, where she made a much reported debut at the Metropolitan Opera in 2006.
Kerstin Avemo is a Swedish opera singer with an active international career as a coloratura soprano.
Berit Maria Lindholm was a Swedish dramatic soprano. She was first based at the Royal Swedish Opera and made an international career, performing at the Royal Opera House in London, the Bayreuth Festival and the Vienna State Opera, among many others. She is regarded as one of the greatest Wagner singers of her generation.
Ingela Brimberg is a Swedish dramatic soprano opera singer.
Asmik Grigorian is a Lithuanian operatic soprano of Armenian ancestry.
Ingrid Haubold is a German operatic soprano. After beginning her career in Munich and continuing with German companies, she moved on to major international opera houses, appearing as Isolde in Wagner's Tristan und Isolde at the Teatro Real in Madrid in 1986, as Senta in Der fliegende Holländer at the Savonlinna Opera Festival, and in the title role of Beethoven's Fidelio at the Metropolitan Opera in New York City.
Dorothee Manski was a German-born American operatic soprano and voice teacher. She appeared at the Metropolitan Opera in 335 performances, and took leading roles internationally, such as Wagner's Isolde at the Salzburg Festival.
Irma Lovisa Björck née Krook (1898–1993) was a Swedish mezzo-soprano opera and operetta singer. After training under Thekla Hofer and Gertrud Grubbstrom-Gronberg, with a year at the Royal Swedish Opera School, she made her début in 1925 at the Royal Swedish Opera as Nancy in Friedrich von Flotow's comic opera Martha. She performed regularly at the Royal Theatre until 1949. She was also successful as a concert performer. In 1918, Björck became a member of the Royal Swedish Academy of Music.
Lilly Walleni is the stage name of Sanna Klara Vallentin (1875–1920), a Swedish mezzo-soprano. Thanks to her powerful voice and her dramatic temperament, she is remembered in particular for the Wagner roles she performed in Germany's principal opera houses as well as in Stockholm. From 1911 to 1916, she was engaged by the Court Opera in Hannover where she was honoured with two Lippe awards.
Magna Elvine Lykseth-Skogman, also known as Magna Lykseth-Schjerven, was a Norwegian-born Swedish operatic soprano. After making her début at the Royal Swedish Opera in 1901 as Santuzza in Mascagni's Cavalleria rusticana, she was engaged there until 1918 becoming the company's prima donna. She performed leading roles in a wide range of operas but is remembered in particular for her Wagnerian interpretations, creating Brünnhilde in the Swedish premières of Siegfried and Götterdämmerung, and Isolde in 1909. Considered to be one of the most outstanding Swedish opera singers of her generation, she was awarded the Litteris et Artibus medal in 1907 and became a member of the Royal Swedish Academy of Music in 1912.
Anna Maria Klemming (1864–1889) was a Swedish operatic soprano who made her debut in April 1887 at the Royal Swedish Opera as Mathilde in Rossini's William Tell. Over the next two years, thanks to her clear, high-reaching voice and her attractive Nordic looks, she performed the leading soprano roles in the company's repertoire. She was particularly successful in 1888 as Julia in Gounod's Roméo et Juliette. Her successful career was short, ending abruptly with her untimely death in August 1889.