Elisabeth Noltenius

Last updated
Elisabeth Noltenius
Noltenius elisabeth 1914.jpg
Noltenius in 1914
Born(1888-01-24)24 January 1888
Bremen, Germany
Died22 February 1964(1964-02-22) (aged 76)
Bremen, Germany
NationalityGerman
Known forPainting
Sonnenblumen Noltenius Sonnenblumen.jpg
Sonnenblumen

Elisabeth Noltenius (1888-1964) was a German painter. [1]

Contents

Biography

Noltenius was born on 24 January 1888 in Bremen, Germany. She first studied etching with Hans am Ende and sculpture with Clara Westhoff. In 1911 she went to Munich to attend the Damenakademie (Ladies’ Academy). After the deaths of her brothers, sister, father, and fiancé during the years of the First World War Noltenius settled back in Bremen to support herself and her mother. For a time she had a studio in nearby Meyenburg. [2] She painted landscapes, still lifes, and portraits. [3]

In the interwar years Noltenius traveled to France (Paris specifically), Hungary, Italy, Norway, and Spain. [2] [3]

Noltenius remained in Germany during World War II. She attempted to protect her friend and fellow artist Dora Bromberger from persecution by the Nazis. She organized exhibitions in an attempt to save Bromberger from deportation, but despite her efforts Bromberger was deported and murdered in a concentration camp in 1942. [4] Noltenius' Bremen studio and the most of the artwork in it were destroyed by a bomb in 1944. She built a new studio in Meyenburg in 1949. [2] [3]

Noltenius died on 22 February 1964 in Bremen. Her work is in the Focke Museum and the Kunsthalle Bremen. [2]

Related Research Articles

Hermine Braunsteiner 20th-century Austrian Nazi concentration camp guard

Hermine Braunsteiner Ryan was a German SS Helferin and female camp guard at Ravensbrück and Majdanek concentration camps, and the first Nazi war criminal to be extradited from the United States, to face trial in the then West Germany. Braunsteiner was known to prisoners of Majdanek concentration camp as the "Stomping Mare" and was said to have beaten up prisoners to death, thrown children by their hair onto trucks that took them to their deaths in gas chambers, hanged young prisoners and stomped an old prisoner to death with her jackboots.

Renée Geyer Musical artist

Renée Rebecca Geyer is an Australian singer who has long been regarded as one of the finest exponents of jazz, soul and R&B idioms. She had commercial success as a solo artist in Australia, with "It's a Man's Man's World", "Heading in the Right Direction" and "Stares and Whispers" in the 1970s and "Say I Love You" in the 1980s. Geyer has also been an internationally respected and sought-after backing vocalist, whose session credits include work with Sting, Chaka Khan, Toni Childs and Joe Cocker.

Elisabeth Frink English sculptor and printmaker

Dame Elisabeth Jean Frink was an English sculptor and printmaker. Her Times obituary noted the three essential themes in her work as "the nature of Man; the 'horseness' of horses; and the divine in human form".

Elisabeth Schumacher

Elisabeth Schumacher was a German artist and photographer. She was a member of the Berlin based anti-fascist resistance group that was later called the Red Orchestra by the Abwehr, during the Third Reich. Schumacher trained as an artist, but as her father was Jewish, who died in battlefield during World War I, she was classified as half-Jewish or Mischling, so worked as a graphic artist, before joining the resistance efforts.

Friedrich Noltenius German flying ace

LeutnantFriedrich Theodor Noltenius was a German flying ace during the First World War, with a total of 21 official victories. From July 1914 to July 1917, he served with distinction as an artilleryman. He transferred to the Luftstreitkräfte and became a fighter pilot. After his aerial combat career began with a horrifying incident, Noltenius began shooting down enemy observation balloons and airplanes on 10 August 1918. His battle claims were sometimes unsuccessfully disputed with other pilots, including his commanding officers. Despite the resulting transfers between units, Noltenius continued his success, being credited with his 21st victory on 4 November 1918. Only the war's end a week later barred him from receiving Germany's highest award for valor, the Pour le Mérite.

Rosa Barba is a German-Italian visual artist and filmmaker. Barba is known for using the medium of film and its materiality to create cinematic film installations, sculptures and publications, which inquire into the ambiguous nature of reality, memory, landscape and their role in their mutual constitution and representation. Her engagement with analogue film has been linked to the work of other contemporary practitioners such as Matthew Buckingham, Tacita Dean, Luke Fowler, and Ben Rivers. Barba currently lives and works in Berlin, Germany.

Comparison of Nazism and Stalinism Comparative analysis of Nazism and Stalinism

Some authors have carried out comparisons of Nazism and Stalinism. They have considered the similarities and differences between the two ideologies and political systems, the relationship between the two regimes, and why both came to prominence simultaneously. During the 20th century, the comparison of Nazism and Stalinism was made on totalitarianism, ideology, and personality cult. Both regimes were seen in contrast to the liberal-democratic Western world, emphasizing the similarities between the two.

Ida York Abelman, (1910–2002), was an American artist and muralist in the 1930s. Abelman was known as a Social Realist. She was born Ida York and lived her early life in New York City. At the age of 19 she married Larry Abelman, also an artist.

Andrea Geyer is a German and American multi-disciplinary artist who lives and works in New York City. With a particular focus on those who identify or at some point were identified as women, her works use photography, performance, video, drawing and painting to activate the lingering potential of specific events, sites, or biographies. Geyer focus on the themes of gender, class, national identity and how they are constantly negotiated and reinterpreted against a frequent backdrop of cultural meanings and memories. Geyer has exhibited at institutions such as the San Francisco Museum of Modern Art (SFMOMA), MOMA, and The Whitney Museum.

Emmy Worringer (1878–1961) was a German artist and cofounder of the Gereonsklub, an avant-garde artists' association in Cologne in the years immediately preceding World War I.

Ida Kerkovius (1879–1970) was a Baltic German painter and weaver from Latvia.

Alma Siedhoff-Buscher

Alma Siedhoff-Buscher, born Alma Buscher, was a German designer. She trained at the Reimann School in Berlin, the Unterrichtsanstalt des Kunstgewerbemuseums Berlin and the Bauhaus.

Katia Granoff (1895–1989) was a French art dealer and writer of Russian émigré origins.

Dora Bromberger

Dora Bromberger (1881–1942) was German artist who worked primarily with watercolor and oils, painting expressionist landscapes.

Milly Steger German sculptor

Milly Steger was a German sculptor.

Margarete Scheel was a German artist, specializing in sculpture and ceramics.

Elizabeth McCausland

Elizabeth McCausland (1899–1965) was an American art critic, historian and writer.

Sophie Küppers

Sophie Lissitzky-Küppers (1891–1978), born Sophie Schneider, was a German art historian, patron of the avant-garde, author, and art collector.

Elsa Björkman-Goldschmidt

Elsa Andrea Elisabeth Björkman-Goldschmidt (1888–1982) was a Swedish artist and writer who was active in Sweden and Austria. After attending Stockholm's Art Academy, she worked as an engraver and etcher. In 1916, while assisting the Red Cross in Russia, she met her future husband, the Austrian surgeon Waldemar Goldschmidt. They married in Vienna where she was involved with Save the Children and started working as a correspondent for the Swedish press. In 1938, anti-Semitism forced the couple to move to Sweden where she published a number of books about her life in Vienna.

Elisabeth Treskow (1898–1992) was a German goldsmith and jewellery designer, one of the earliest professional women in the field. After serving an apprenticeship under Karl Rothmüller in Munich, in 1923 she worked with the bookbinder Frida Schoy in the artists' colony in the Margarethenhöhe district of Essen. Around 1930, she rediscovered the Etruscan art of granulation and went on to win several first prizes in Germany as well as a Gold Medal at the 1937 Paris World Fair. Her work is in the collections of museums in Germany and abroad, including London's Victoria & Albert Museum and Cologne's Museum für Angewandte Kunst.

References

  1. "Noltenius, Elisabeth". Deutsche Biographie (in German). Retrieved 21 May 2021.
  2. 1 2 3 4 "Noltenius, Elisabeth (1888 – 1964)". Bremer Frauenmuseum e.V. (in German). 2017-03-22. Retrieved 21 May 2021.
  3. 1 2 3 Geyer, Andrea. "Revolt, They Said - N". andrea geyer projects. Retrieved 21 May 2021.
  4. Geyer, Andrea. "Revolt, They Said - B". andrea geyer projects. Retrieved 21 May 2021.

Further reading

Elisabeth Noltenius - Sehnsucht nach dem vollen ganzen Leben: Katalog der Ausstellung vom 20. Oktober 2013 bis 12. Januar 2014 im Overbeck-Museum, Bremen-Vegesack ISBN 3837810410