| Elixir | ||||
|---|---|---|---|---|
 | ||||
| Live album by Hal Russell's Chemical Feast | ||||
| Released | 2001 | |||
| Recorded | March 5, 1979 at Elixir Gallery, Chicago | |||
| Genre | Jazz | |||
| Length | 69:54 | |||
| Label | Atavistic ALP203CD | |||
| Producer | John Corbett | |||
| Hal Russell chronology | ||||
| ||||
Elixir is a live album by American avant-garde jazz composer, bandleader, and multi-instrumentalist Hal Russell's Chemical Feast recorded in Chicago in 1979 and released posthumously on the Atavistic label in 2001. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
The Allmusic review awarded the album 4 stars stating "This CD possesses historical value as a rare document of the non-AACM Chicago avant-garde scene prior to its 1990s resurgence but the real reason to get it is that it just plain smokes". [2] On All About Jazz Derek Taylor noted "The recording isn’t going to win any laurels for clean fidelity, but its very existence precludes any finger waving at its shortcomings. Russell’s discography is sparse enough as it currently stands. The prospect of future releases like this one is made all the more appealing considering he’s no longer with us and the source of the reservoir is his own personal stash". [3]
All compositions by Hal Russell except as indicated
John Zorn is an American composer, conductor, saxophonist, arranger and producer who "deliberately resists category". His avant-garde and experimental approaches to composition and improvisation are inclusive of jazz, rock, Jewish music, hardcore, classical, contemporary, surf, metal, soundtrack, ambient, and world music. Rolling Stone noted that "[alt]hough Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".
Hal Russell was an American free jazz composer, band leader and multi-instrumentalist who performed mainly on saxophone and drums but occasionally on trumpet or vibraphone. Russell's fiery music was marked by significant humor, not unlike much of Dutch drummer Han Bennink's output. His music was so accessible that People magazine hailed The Finnish Swiss Tour on ECM as one of its top 5 albums of the year. Russell set the table for the free improv and free jazz scene which exploded later in the 1990s in Chicago.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Fort Yawuh is a jazz album by American pianist and composer Keith Jarrett. Originally released in 1973 by Impulse! Records, it marks the beginning of the label’s relationship with Jarrett. Recorded live at the Village Vanguard on February 24, 1973 by Jarrett's "American Quartet": Dewey Redman on tenor saxophone, Charlie Haden on acoustic bass, Paul Motian on drums, plus percussionist Danny Johnson. The title of the album is an anagram of "Fourth Way," a reference to George Gurdjieff's fourth path of self-awareness.
Fanfare for the Warriors is a 1973 album by the Art Ensemble of Chicago first released on the Atlantic label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye along with AACM leader Muhal Richard Abrams.
Poem for Malcolm is a jazz album by Archie Shepp. Recorded in Paris in August 1969 only two days after Yasmina, a Black Woman, it again features musicians from the Art Ensemble of Chicago. This time, the tone is resolutely set to avant garde and free jazz, with a political edge in the all but explicit tribute to Malcolm X. The Allmusic review by Scott Yanow states: "This LP from the English Affinity LP is a mixed bag. Best is 'Rain Forrest' on which tenor saxophonist Archie Shepp, in a collaboration with trombonist Grachan Moncur III, pianist Vince Benedetti, bassist Malachi Favors, and drummer Philly Joe Jones, perform some stirring free jazz; the interplay between Shepp and Jones is particularly exciting. On a four-and-a-half minute 'Oleo,' Shepp "battles" some bebop with fellow tenor Hank Mobley, but the other two tracks, a workout for the leader's erratic soprano on 'Mamarose,' and his emotional recitation on 'Poem for Malcolm,' are much less interesting, making this a less than essential release despite 'Rain Forrest'." It was originally issued on CD by Affinity mastered from a vinyl source and later reissued by Charly from the original master tapes.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
NRG Ensemble was an American free jazz ensemble founded in the late 1970s by saxophonist/multi-instrumentalist Hal Russell.
Evolution is the debut album led by the American trombonist Grachan Moncur III, recorded in 1963 and released on the Blue Note label. Featuring alto saxophonist Jackie McLean, trumpeter Lee Morgan, vibraphonist Bobby Hutcherson, bassist Bob Cranshaw and drummer Tony Williams, Evolution is considered a significant contribution to the jazz avant-garde. Two McLean albums also recorded for Blue Note in 1963 featured Moncur and his compositions, and explored the same "inside/outside" musical approach.
The In Between is an album by American jazz saxophonist Booker Ervin recorded in 1968 and released on the Blue Note label.
Science Fiction is an album by the American avant-garde jazz saxophonist and composer Ornette Coleman, recorded in September and October of 1971 and released on Columbia Records in February 1972.
The Hal Russell Story is the final album by the Hal Russell NRG Ensemble, recorded in Switzerland in July 1992 and released on ECM the following year—Russell's final recording before his death, five weeks later.
Naked Colours is a live album by American avant-garde jazz composer, bandleader, and multi-instrumentalist Hal Russell and pianist Joel Futterman recorded in 1991 and released on the Silkheart label in 1994.
Albert's Lullaby is the first solo album by American avant-garde bassist, jazz composer, bandleader, producer; Michael Staron which in essence documented his trio collaboration with American avant-garde jazz composer, bandleader, and multi-instrumentalist Hal Russell recorded in 1991 and 1992 and released posthumously on the part of Mr. Russell on the Southport label in 2000.
Hal on Earth is an album by American avant-garde jazz composer, bandleader, and multi-instrumentalist Hal Russell recorded in 1989 which was originally released on cassette and released on CD on the Abduction label in 1995.
Conserving NRG is an album by American avant-garde jazz composer, bandleader, and multi-instrumentalist Hal Russell recorded in 1984 and released on the Principally Jazz label.
Generation is an album by American avant-garde jazz composer, bandleader, and multi-instrumentalist Hal Russell's NRG Ensemble with Charles Tyler, recorded in 1982 and originally released on the Nessa label. It was reissued in 2014 with two bonus tracks previously unreleased from an early audition recording made when the band was a pre-Sandstrom quartet.
Eftsoons is an album by American avant-garde jazz composer, bandleader, and multi-instrumentalist Hal Russell with Mars Williams recorded in 1981 and originally released on the Nessa label.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
On the Edge of Tomorrow is the second album by saxophonist Steve Coleman recorded in 1986 and released on the JMT label.