Haiti is the eighty-fifth most populous country in the world, with an estimated population of 11,123,178 as of July 2018. However the last census done in Haiti was in 2003, and the population recorded was 8,812,245. According to population DNA tests, approximately 80% of the population of Haiti is Afro-Haitian. Within Black Haitian DNA the composition is approximately 95% African, 5% European or mixed European. This is evidenced in DNA ancestry read outs where the average Haitian consistently tests at nearly 100 percent SSA DNA. The remaining population of Haiti is primarily composed of Mulattoes, Europeans, Asians, and Arabs. Hispanic residents in Haiti are mostly Cuban and Dominican. About two-thirds of Haitian people live in rural areas.
The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.
African diaspora religions, also described as Afro-American religions, are a number of related beliefs that developed in the Americas in various nations of the Caribbean, Latin America and the Southern United States. They derive from traditional African religions with some influence from other religious traditions, notably Christianity and Islam.
Afro-Caribbean people or African Caribbean are Caribbean people who trace their full or partial ancestry to Africa. The majority of the modern Afro-Caribbean people descend from the Africans taken as slaves to colonial Caribbean via the trans-Atlantic slave trade between the 15th and 19th centuries to work primarily on various sugar plantations and in domestic households. Other names for the ethnic group include Black Caribbean, Afro or Black West Indian or Afro or Black Antillean. The term Afro-Caribbean was not coined by Caribbean people themselves but was first used by European Americans in the late 1960s.
Bois Caïman was the site of the first major meeting of enslaved blacks during which the first major slave insurrection of the Haitian Revolution was planned.
Homosexuality in Haitian Vodou is religiously acceptable and homosexuals are allowed to participate in all religious activities. However, in West African countries with major conservative Christian and Islamic views on LGBTQ people, the attitudes towards them may be less tolerant if not openly hostile and these influences are reflected in African diaspora religions following Atlantic slave trade which includes Haitian Vodou.
Rara is a form of festival music that originated in Haiti that is used for street processions, typically during Easter Week. The music centers on a set of cylindrical bamboo trumpets called vaksin, but also features drums, maracas, güiras or güiros, and metal bells, as well as alsos which are made from recycled metal, often coffee cans. The vaksin perform repeating patterns in hocket and often strike their instruments rhythmically with a stick while blowing into them. In the modern day, standard trumpets and saxophones may also be used. The genre though predominantly Afro-based has some Taino Amerindian elements to it such as the use of güiros and maracas.
The Arará people form an Afro-Cuban ethnoreligious group descended from the Dahomey kingdom of West Africa, and retaining an identity, religion, and culture separate from those of other Afro-Cuban peoples. Although, historically, the Arará people have been staunch defenders of their separate heritage and religion, this distinct identity - while it still persists - has, over time, become increasingly blurred and harder to maintain.
A manbo is a priestess in the Haitian Vodou religion. Haitian Vodou's conceptions of priesthood stem from the religious traditions of enslaved people from Dahomey, in what is today Benin. For instance, the term manbo derives from the Fon word nanbo. Like their West African counterparts, Haitian manbos are female leaders in Vodou temples who perform healing work and guide others during complex rituals. This form of female leadership is prevalent in urban centers such as Port-au-Prince. Typically, there is no hierarchy among manbos and oungans. These priestesses and priests serve as the heads of autonomous religious groups and exert their authority over the devotees or spiritual servants in their hounfo (temples).
Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.
Christianity is the most widely professed religion in the Dominican Republic. Historically, Catholicism dominated the religious practices of the country, and as the official religion of the state it receives financial support from the government. About 60% of Dominicans identify themselves as Catholic.
Haiti is a majority Christian country. For much of its history and up to the present day, Haiti has been prevailingly a Christian country, primarily Roman Catholic, although in practice often profoundly modified and influenced through syncretism. A common syncretic religion is Vodou, which combined the Yoruba religion of enslaved Africans with Catholicism and some Native American strands; it shows similarities, and shares many deity-saints, with Cuban Santería and Brazilian Candomblé. The constitution of Haiti establishes the freedom of religion and does not establish a state religion, although the Catholic Church receives some preferential treatment.
Haiti is a majority Christian country. Figures in 2020 suggest that 93% of the population belong to a Christian denomination.
Christian-Vodou can be seen as a syncretism of different cultures and religions. Primarily focused on Haitian Vodou and Catholic Christianity, the two have been merging together in a way since around the 18th century, when a majority of Haiti was part of the Atlantic slave trade.
Marie Thérèse Alourdes Macena Champagne Lovinski (1933–2020), also known by the name Mama Lola, was a Haitian-born manbo (priestess) in the African diasporic religion of Haitian Vodou. She had lived in the United States since 1963.
Karen McCarthy Brown was an anthropologist specializing in the anthropology of religion. She is best known for her groundbreaking book Mama Lola: A Vodou Priestess in Brooklyn, which made great strides in destigmatizing Haitian Vodou. Until her retirement in 2009 due to illness, McCarthy Brown was a Professor of Anthropology at Drew University. At Drew University, McCarthy Brown was the first woman in the Theological School to receive tenure and to achieve the rank of full professor.
Afro-Haitians or Black Haitians are Haitians who trace their full or partial ancestry to Sub-Saharan Africa. They form the largest racial group in Haiti and together with other Afro-Caribbean groups, the largest racial group in the region.
The religion of Haitian Vodou has been present in Cuba since at least the 18th century. It was transmitted to the island by Haitian migrants, the numbers of whom grew rapidly in the early 20th century, and is primarily practised by their descendants. It is distributed primarily in eastern parts of the island, especially in Oriente. In Cuba, some practitioners of Haitian Vodou have also become involved in the related Afro-Cuban religion of Santería.
Voodoo in popular culture encompasses various representations of practices associated with different forms of voodoo, including Haitian Vodou and Louisiana Voodoo, and other elements attributed to African diaspora religions, with such representations often deviating substantially from any actual voodoo practices or beliefs. Tropes regarding voodoo appear most often in supernatural fantasy or horror films, with common themes including the activity of witch doctors, the summoning or control of dark spirits, use of voodoo dolls to inflict pain on people remotely, and the creation of zombies.
The Bizango are secret societies active in Haiti. Many of their practices are associated with Haitian Vodou.
