Elizabeth Anderton (born 28 May 1938 in London) is a retired British ballet dancer and director. After graduating from the Sadler's Wells School, in 1955 she joined the Sadler's Wells Opera Ballet. From 1957 to 1974 she worked at the Royal Ballet, becoming soloist in 1958 and principal in 1961. In 1976 she became involved with London Festival Ballet, first as teacher and guest dancer and later as assistant artistic director (1979–83 and 1984–90). She returned to the Royal Ballet in the 1990s. [1]
Anderton's roles include Cranko's Sweeney Todd (1959), Ashton's The Two Pigeons (1961), Tudor's Knight Errant (1968), and Nureyev's Romeo and Juliet (1977). [1] She also played the Queen in the 1988 TV Movie Natalya Makarova's Swan Lake. [2]
Dame Ninette de Valois was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russes, later establishing the Royal Ballet, one of the foremost ballet companies of the 20th century and one of the leading ballet companies in the world. She also established the Royal Ballet School and the touring company which became the Birmingham Royal Ballet. She is widely regarded as one of the most influential figures in the history of ballet and as the "godmother" of English and Irish ballet.
Sir Frederick William Mallandaine Ashton was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
Birmingham Royal Ballet (BRB) is one of the five major ballet companies of the United Kingdom, alongside The Royal Ballet, the English National Ballet, Northern Ballet and Scottish Ballet. Founded as the Sadler's Wells Theatre Ballet, the company was established in 1946 as a sister company to the earlier Sadler's Wells company, which moved to the Royal Opera House that same year, subsequently becoming known as The Royal Ballet.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet and the Birmingham Royal Ballet.
Lilian Mary Baylis CH was an English theatrical producer and manager. She managed the Old Vic and Sadler's Wells theatres in London and ran an opera company, which became the English National Opera (ENO); a theatre company, which evolved into the English National Theatre; and a ballet company, which eventually became The Royal Ballet.
John Cyril Cranko was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet.
Rowena Othlie Jackson is a New Zealand former prima ballerina.
Dame Gillian Barbara Lynne was an English ballerina, dancer, choreographer, actress, and theatre-television director, noted for her theatre choreography associated with two of the longest-running shows in Broadway history, Cats and The Phantom of the Opera. At age 87, she was made a DBE in the 2014 New Year Honours List.
Sir Peter Wright CBE is a British ballet teacher, choreographer, director and former professional dancer. He worked as a choreographer and as the artistic director of Birmingham Royal Ballet, a classical ballet company based in Birmingham, England. On retiring from the company in 1995, he was bestowed the honorary title of Director Laureate of the company.
Dame Margaret van Praagh was a British ballet dancer, choreographer, teacher, repetiteur, producer, advocate and director, who spent much of her later career in Australia.
Dame Beryl Elizabeth Grey was a British ballet dancer.
Maina Gielgud is a British former ballet dancer and a veteran ballet administrator. She was artistic director of The Australian Ballet from 1983 to 1996. She had a twenty-year career as a dancer in Europe and the United Kingdom. Gielgud directed the Royal Danish Ballet between 1997 and 1999. Until 2005, she held the artistic associate position at the Houston Ballet. She is a daughter of Lewis Gielgud and actress Zita Gordon and niece of actor John Gielgud.
Galina Samsova was a Russian ballet dancer and company director.
British ballet is most recognised for two leading methods, those of the Royal Ballet School and the Royal Academy of Dance. The identifying characteristic of British ballet is the focus on clean, precise technique and purity of line that is free of exaggeration and mannerisms. The training of dancers in Britain is noted for its slow progression, with a great deal of attention paid to basic technique. British ballet methods operate on the principle that establishing correct technique and strength slowly makes it much easier for the student to adapt to more difficult vocabulary and techniques later on.
John Field was an English ballet dancer, choreographer, director and teacher. He was a renowned member of the Vic-Wells Ballet and Sadler's Wells Theatre Ballet and was also artistic director of the La Scala Theatre Ballet.
Beryl May Jessie Toye,, known professionally as Wendy Toye, was a British dancer, stage and film director and actress.
Les Patineurs is a ballet choreographed by Frederick Ashton to music composed by Giacomo Meyerbeer and arranged by Constant Lambert. With scenery and costumes designed by William Chappell, it was first presented by the Vic-Wells Ballet at the Sadler's Wells Theatre, London, on 16 February 1937. It has been called "a paradigm of an Ashton ballet, perfectly crafted with a complex structure beneath the effervescent surface."
Gerd Larsen born Gerd Elly was a Norwegian ballerina who performed frequently with England's Royal Ballet, in a career lasting over fifty years up until her seventy-fifth birthday. In her later years, she was known for her mime roles.
Ursula Moreton was a British ballerina and teacher, director of the Royal Ballet School from 1952 to 1968.