Elizabeth Edwards | |
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| Born | Elizabeth Jane Mary Edwards February 24, 1952 |
| Occupation | Historian |
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| Academic work | |
| Discipline | Anthropology |
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| Notable works | The Camera as Historian |
| Website | Elizabeth Edwards publications on Academia.edu |
Elizabeth Edwards, FBA (born 24 February 1952) is a British visual and historical anthropologist.
Born on 24 February 1952, Elizabeth Jane Mary Edwards [1] is Professor Emerita of Photographic History at De Montfort University, Curator Emerita at Pitt Rivers Museum, University of Oxford, Research Associate at the Institute of Social and Cultural Anthropology, University of Oxford, and Honorary Professor in the Department of Anthropology at University College London. In 2017 she was appointed the Andrew W. Mellon Visiting Professor at the V&A Research Institute, London. [2] Her focus of research is the relationship between photography, history and anthropology, and includes investigations of photography and historical imagination, the social practices of photography, and the materiality of photographs. [3] [4]
Edwards was previously the Director of the Photographic History Research Centre (PHRC) at De Montfort University, and was the Curator of Photographs at Pitt Rivers Museum and lecturer in visual anthropology at the University of Oxford, [5] and professor at the University of the Arts London. [3] She was featured as one of the major writers on photography of all time in 'Fifty Key Writers on Photography'. [6]
In 2015 Edwards was elected to Fellow of the British Academy. [7] She was given a Lifetime Achievement Award by the Society for Visual Anthropology (American Anthropological Association) in 2014. [6] Edwards is a Fellow of the Royal Anthropological Institute, and was its vice-president between 2009 and 2012. [6] She is also a past Chair of the Museum Ethnographers Group. [4] In 2020, Edwards was given the J Dudley Johnston Award of the Royal Photographic Society.
Visual anthropology is a subfield of social anthropology that is concerned, in part, with the study and production of ethnographic photography, film and, since the mid-1990s, new media. More recently it has been used by historians of science and visual culture. Although sometimes wrongly conflated with ethnographic film, visual anthropology encompasses much more, including the anthropological study of all visual representations such as dance and other kinds of performance, museums and archiving, all visual arts, and the production and reception of mass media. Histories and analyses of representations from many cultures are part of visual anthropology: research topics include sandpaintings, tattoos, sculptures and reliefs, cave paintings, scrimshaw, jewelry, hieroglyphics, paintings and photographs. Also within the province of the subfield are studies of human vision, properties of media, the relationship of visual form and function, and applied, collaborative uses of visual representations.
Richard Buchta(Austrian German pronunciation: [ˈrɪçart ˈbuxtɐ], 19 January 1845 – 29 July 1894) was an Austrian explorer in East Africa, travel writer, painter and photographer. Born in Radlow, Galicia, Austrian Empire, he traveled widely, first to Germany, France, the Balkans, and Turkey, Egypt and the Sudan. Upon his return to Germany and later to Austria, he published several books on the geography, ethnic groups and political conditions of the historic Sudan in the 1870s and 1880s. His historical photographs, taken mainly in southern Sudan, are regarded as the earliest photographs of ethnic people living along the White Nile and beyond.
The Royal Photographic Society of Great Britain, commonly known as the Royal Photographic Society (RPS), is one of the world's oldest photographic societies. It was founded in London, England, in 1853 as the Photographic Society of London with the objective of promoting the art and science of photography, and in 1853 received royal patronage from Queen Victoria and Prince Albert.
Beaumont Newhall was an American curator, art historian, writer, photographer, and the second director of the George Eastman Museum. His book The History of Photography remains one of the most significant accounts in the field and has become a classic photographic history textbook. Newhall was the recipient of numerous awards and accolades for his accomplishments in the study of photo history.
Helmut Erich Robert Kuno Gernsheim was a historian of photography, a collector and a photographer.
John Collier Jr. was an American anthropologist and an early leader in the fields of visual anthropology and applied anthropology. His emphasis on analysis and use of still photographs in ethnography led him to significant contributions in other subfields of anthropology, especially the applied anthropology of education. His book, Visual Anthropology: Photography as a Research Method (1967) is one of the earliest textbooks in the field. His photographs are archived at the Maxwell Museum of Anthropology at the University of New Mexico in Albuquerque.
Ariella Aïsha Azoulay is an author, art curator, filmmaker, and theorist of photography and visual culture. She is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University and an independent curator of Archives and Exhibitions.
Val Williams is a British curator and author who has become an authority on British photography. She is the Professor of the History and Culture of Photography at the London College of Communication, part of the University of the Arts London, and was formerly the Curator of Exhibitions and Collections at the Hasselblad Center.
Photography & Culture is a quarterly peer-reviewed academic journal, published by Taylor & Francis. It was founded in 2008 by Val Williams and was initially published triannually by Berg Publishers and then by Bloomsbury Publishing until 2015. Photography & Culture’s editors-in-chief are Erina Duganne, Sarah Parsons, Gil Pasternak, and Yunchang Yang.
Christina Riggs is a British-American historian, academic, and former museum curator. She specializes in the history of archaeology, history of photography, and ancient Egyptian art, and her recent work has concentrated on the history, politics, and contemporary legacy of the 1922 discovery of Tutankahmun's tomb. Since 2019, she has been Professor of the History of Visual Culture at Durham University. She is also a former Fellow of All Souls College, Oxford. The author of several academic books, Riggs also writes on ancient Egyptian themes for a wider audience. Her most recent books include Ancient Egyptian Magic: A Hands-On Guide and Treasured: How Tutankhamun Shaped a Century.
Minna Keene, née Töneböne, was a German-born, self-taught Canadian pictorial portrait photographer, considered "hugely successful".
Kim Timby is a photography historian based in Paris who teaches at the École du Louvre and works as a curator for a private collection specialising in international nineteenth-century photography. From her research and teaching, Timby writes on the cultural history of photography as a technology.
Martha Langford is a Canadian art historian. She is a Distinguished University Research Professor of art history at Concordia University and the Research Chair and Director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art. She was the founding director of the Canadian Museum of Contemporary Photography and served as its director and chief curator from 1985 until 1994. She is an elected Fellow of the Royal Society of Canada.
Leonard Halford Dudley Buxton, known as L. H. Dudley Buxton, was a British anthropologist. He was educated at Radley College and at Exeter College, Oxford, and he was Reader in Physical Anthropology at the University of Oxford between 1928 and 1939. He conducted field work in Sudan, India, Malta, the United States, China and Mesopotamia, and in 1913 he excavated Lapithos in Cyprus under the direction of professor John Myres and Cyprus Museum curator Menelaos Markides. During his extensive travels he documented his work through photography; the pictures are currently in the Pitt Rivers Museum. In the 1930s he carried research in Oxford with anthropologist Beatrice Blackwood. He collected textiles that are currently in the Pitt Rivers Museum in Oxford, the Bankfield Museum in Halifax and the British Museum. From 1914 to 1918 he served with the Queen's Own Cameron Highlanders in France and in the Intelligence Corps. He died on 5 March 1939.
Nancy Marie Mithlo is a Chiricahua Apache curator, writer, and professor. Mithlo has worked as the chair of American Indian Studies at the Autry National Center Institute and as a professor of gender studies and American Indian Studies at the University of California, Los Angeles. She is the author and editor of several books about Native Americans and Indigenous art. Her exhibitions have been shown concurrently with the Venice Biennale.
Roger Taylor, MVO born 1940, is a curator, photographic historian, and educator specialising in nineteenth century British photography and its social and cultural history. He is Professor Emeritus of Photographic History at De Montfort University.
Howard Morphy is a British anthropologist who has conducted extensive fieldwork in northern Australia, mainly among the Yolngu people. He was founding director of the Research School of Humanities and the Arts at the Australian National University and is currently a distinguished professor of anthropology.
Jonathan Green is an American writer, historian of photography, curator, teacher, museum administrator, photographer, filmmaker and the founding Project Director of the Wexner Center for the Arts. A recognized authority on the history of American photography, Green’s books Camera Work: A Critical Anthology (1973) and American Photography: A Critical History 1945–1980 (1984) are two notable commentaries and frequently referenced and republished accounts in the field of photography. At the same time Green’s acquisitions, exhibitions and publications consistently drew from the edges of established photographic practice rather than from its traditional center. He supported acquisitions by socially activist artists like Adrian Piper and graffiti artist Furtura 2000, and hosted exhibitions on Rape, AIDS, new feminist art, and the work of photographer, choreographer and dancer Arnie Zane, the Diana camera images of Nancy Rexroth, the Polaroids and imitation biplanes of folk artist Leslie Payne, and the digital photographic work of Mexican photographer Pedro Meyer. This alternative focus help prime Green and the competition jury to choose an unconventional, deconstructive architect, Peter Eisenman, previously known primarily as a teacher and theorist, as the architect for the Wexner Center for the Arts. Green has held professorial and directorial positions at Massachusetts Institute of Technology, Ohio State University, and University of California, Riverside.
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