Elizabeth Wolff Mayer (1884 – 14 March 1970) [1] was a German-born American translator and editor, closely associated with W. H. Auden, Benjamin Britten, Peter Pears, and other writers and musicians. After emigrating to the United States in the 1940s she used her homes in Long Island and New York City as salons for visiting artists.
Elizabeth Mayer was born in Germany and spent her early life in Munich. Her father had been chaplain to the Grand Duke of Mecklenburg; she studied music and was a skilled pianist. She was married to the psychiatrist, William Mayer, with whom she had two sons and two daughters. [2] She worked as a translator in Germany, and visited D.H. Lawrence in Irschenhausen in 1927, where they discussed translation techniques. [3] The Mayers moved to the United States in 1936 in order to flee Nazi persecution. [4] [5]
Her homes in Long Island and New York City were used as a salon for artists. [6] Between 1939 and 1940, Benjamin Britten and Peter Pears stayed at her Long Island Home. [7] [8] [9] Britten described her as "one of those grand people who have been essential through the ages for the production of art; really sympathetic and enthusiastic, with instinctive good taste". [10] W.H. Auden wrote about "a house in Amityville, Long Island, the home of Dr. William and Elizabeth Mayer, where Benjamin Britten and Peter Pears stayed ... a house which played an important role in the lives of all three of us. It was during this period that Britten wrote his first opera, and I my first libretto". [11]
Mayer died on March 14, 1970. [4]
In collaboration with Marianne Moore she translated Adalbert Stifter's Bergkristall (Rock Crystal 1945). The Philadelphia Inquirer wrote that their translation "reflects the classic perfection of the original." [12] Hannah Arendt also found the translation perfect. [13]
In collaboration with Louise Bogan she translated Ernst Jünger's The Glass Bees (1961), Goethe's Elective Affinities (1963) and The Sorrows of Young Werther and Novella (both in 1 vol., 1971). One reviewer of Elective Affinities found the beginning "promising": by "tak[ing] liberties with the original text, .. [they] thereby win the modern reader's interest", but considered it "colorless, rather than timeless" overall. [14] The New York Times reviewer wrote that the work on Elective Affinities was an "excellent translation--the only readable one I have come across", [15] while The Washington Post reviewer wrote that their translation was his favorite. [16]
With W. H. Auden, she translated Goethe's Italian Journey (1962). [17] Douglas Pringle wrote in the Sydney Morning Herald that this was a "very lively translation." [18] She also translated Hans Graf von Lehndorff's Token of a Covenant: Diary of an East Prussian Surgeon, 1945-47 (1965).
With Peter Pears, Mayer also prepared translations for Benjamin Britten, for inclusion in programs or scores of songs in Italian, German and Russian which he had set to music. [19]
She was the dedicatee and recipient of Auden's poem New Year Letter [20] [21] and the book that included it, The Double Man (1941). In New Year Letter, Auden described her "learned peacefulness"; [20] he regarded her the emotional equivalent of a mother, and was close to her for many years. Near the end of her life he wrote about her (without naming her) in his poem Old People's Home, and in Lines for Elizabeth Mayer, in About the House. [20]
Elizabeth Mayer is the dedicatee of "Hymn To St. Cecilia," Op. 27, as well as the sixth section, titled "Interlude," of Britten's "Les Illuminations," Op. 18, settings of Rimbaud for high voice and string orchestra.
She was a friend and admirer of Dorothy Day, co-founder of the Catholic Worker Movement.
Wystan Hugh Auden was a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes such as "For the Time Being" and "Horae Canonicae".
Edward Benjamin Britten, Baron Britten was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).
Sir Peter Neville Luard Pears was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years.
The Sorrows of Young Werther is a 1774 epistolary novel by Johann Wolfgang Goethe, which appeared as a revised edition in 1787. It was one of the main novels in the Sturm und Drang period in German literature, and influenced the later Romantic movement. Goethe, aged 24 at the time, finished Werther in five and a half weeks of intensive writing in January to March 1774. It instantly placed him among the foremost international literary celebrities and was among the best known of his works.
Adalbert Stifter was an Austrian writer, poet, painter, and pedagogue. He was notable for the vivid natural landscapes depicted in his writing and has long been popular in the German-speaking world, while remaining almost entirely unknown to English readers.
Colin Carhart McPhee was a Canadian-American composer and ethnomusicologist. He is best known for being the first Western composer to make a musicological study of Bali, and developing American gamelan along with fellow composer Lou Harrison. He wrote original music influenced by that of Bali and Java, decades before such compositions that were based on world music became widespread.
Frederick Louis MacNeice was an Irish poet and playwright, and a member of the Auden Group, which also included W. H. Auden, Stephen Spender and Cecil Day-Lewis. MacNeice's body of work was widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style. Never as overtly or simplistically political as some of his contemporaries, he expressed a humane opposition to totalitarianism as well as an acute awareness of his roots.
Heather Mary Harper was a Northern Irish operatic soprano. She was active internationally in both opera and concert. She performed roles such as Helena in Benjamin Britten's A Midsummer Night's Dream at the Royal Opera House, Elsa in Wagner's Lohengrin at the Bayreuth Festival, and the Countess in Mozart's The Marriage of Figaro at the Metropolitan Opera. She became known internationally when she stepped in for the world premiere of Britten's War Requiem in 1962, and remained associated with the composer's work, but also sang other premieres.
A Midsummer Night's Dream, Op. 64, is an opera with music by Benjamin Britten and set to a libretto adapted by the composer and Peter Pears from William Shakespeare's play, A Midsummer Night's Dream. It was premiered on 11 June 1960 at the Aldeburgh Festival, conducted by the composer and with set and costume designs by Carl Toms. Stylistically, the work is typical of Britten, with a highly individual sound-world – not strikingly dissonant or atonal, but replete with subtly atmospheric harmonies and tone painting. The role of Oberon was composed for the countertenor Alfred Deller. Atypically for Britten, the opera did not include a leading role for his partner Pears, who instead was given the comic drag role of Flute/Thisbe.
Elective Affinities, also translated under the title Kindred by Choice, is the third novel by Johann Wolfgang von Goethe, published in 1809. Situated around the city of Weimar, the book relates the story of Eduard and Charlotte, an aristocratic couple enjoying an idyllic but somewhat mundane life on a secluded estate; although it is the second marriage for both, their relationship deteriorates after they invite Eduard's friend Captain Otto and Charlotte's orphaned niece, Ottilie, to live with them in their mansion. The invitation to Ottilie and the Captain is described as an "experiment", as it indeed is. The house and its surrounding gardens are described as "a chemical retort in which the human elements are brought together for the reader to observe the resulting reaction." As if in a chemical reaction, each of the spouses experiences a strong new attraction, which is reciprocated: Charlotte, who represents reason, to the sensible and energetic Captain Otto; the impulsive and passionate Eduard to the adolescent and charming Ottilie. The conflict between passion and reason leads to chaos and ultimately to a tragic end.
Blanchland is a village in Northumberland, England, on the County Durham boundary. The population of the civil parish at the 2011 census was 135.
Sinfonia da Requiem, Op. 20, for orchestra is a symphony written by Benjamin Britten in 1940 at the age of 26. It was one of several works commissioned from different composers by the Japanese government to mark Emperor Jimmu's 2600th anniversary of the founding of the Japanese Empire. The Japanese government rejected the Sinfonia for its use of Latin titles from the Catholic Requiem for its three movements and for its somber overall character, but it was received positively at its world premiere in New York on 29 March 1941 under John Barbirolli. A performance in Boston under Serge Koussevitzky led to the commission of the opera Peter Grimes from the Koussevitzky Music Foundations.
Hymn to St Cecilia, Op. 27 is a choral piece by Benjamin Britten (1913–1976), a setting of a poem by W. H. Auden written between 1940 and 1942. Auden's original title was "Three Songs for St. Cecilia's Day", and he later published the poem as "Anthem for St. Cecilia’s Day ".
"Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten. The second version was first published in 1938 and was titled "Funeral Blues" in Auden's 1940 Another Time. The poem experienced renewed popularity after being read in the film Four Weddings and a Funeral (1994), which also led to increased attention on Auden's other work. It has since been cited as one of the most popular modern poems in the United Kingdom.
This is a bibliography of books, plays, films, and libretti written, edited, or translated by the Anglo-American poet W. H. Auden (1907–1973). See the main entry for a list of biographical and critical studies and external links.
Rock Crystal is a novella by Austrian writer Adalbert Stifter, about two children who become lost in a snowstorm in the Alps on Christmas Eve. It influenced Thomas Mann.
Sophie Adele Wyss was a Swiss soprano who made her career as a concert singer and broadcaster in the UK. She was noted for her performances of French works, many of them new to Britain, for giving the world premieres of Benjamin Britten's orchestral song cycles Our Hunting Fathers (1936) and Les Illuminations (1940), and for encouraging other composers to set English and French texts. Among those who wrote for her were Lennox Berkeley, Arnold Cooke, Roberto Gerhard, Elizabeth Maconchy, Peter Racine Fricker, Alan Rawsthorne and Mátyás Seiber.
Our Hunting Fathers, Op. 8, is an orchestral song-cycle by Benjamin Britten, first performed in 1936. Its text, assembled and partly written by W. H. Auden, with a pacifist slant, puzzled audiences at the premiere, and the work has never achieved the popularity of the composer's later orchestral song-cycles, Les Illuminations, the Serenade for Tenor, Horn and Strings and the Nocturne.
Elective Affinities is a 1974 East German drama film directed by Siegfried Kühn. It follows the dynamics which follow when a couple invite two other people. The film is based on Johann Wolfgang von Goethe's 1809 novel Elective Affinities. It was released by the DEFA film studio on 27 August 1974.
David Luke (1921–2005) was a scholar of German literature at Christ Church, Oxford.
Extracts from 'Letters from a Life: Selected Letters and Diaries of Benjamin Britten 1923-45'. To Enid Slater, from Amityville, Long Island, N.Y., 7 November 1939
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