Elizabeth Parker McLachlan (born 1938) is an American photographer, professor, writer and editor. She specialises in the Bury Bible, and the depiction of liturgical vessels such as censers, and the myrophores (Myrrhbearers) in medieval manuscript art. [1] [2] [3] She is a professor emerita of art history at Rutgers University, New Jersey, USA. [4] [5]
McLachlan completed her PhD at the Courtauld Institute of Art in 1965. [6] Her thesis, titled The scriptorium of Bury St. Edmunds in the twelfth century, was published by Garland of New York. [6] An important contribution of Parker's thesis was to demonstrate, using codicology and art historical analysis, that the Life of St Edmund was a composite text. [7]
Photographs taken by McLachlan are held at the Courtauld's Conway Library of art and architecture, and are currently being digitised. [8]
McLachlan taught at the Rutgers University Art Department Summer Programme in Paris. [9] She is honorary associate of the Research Group on Manuscript Evidence. [10] McLachlan was a member of the advisory board of the Garland Library of Medieval Literature, serving as art advisor. [11] [12]
She was editor for and contributor to Medieval England: an Encyclopedia (1998). [13] [14]
McLachlan was an early member of the Medieval Feminist Newsletter, now the Society for Medieval Feminist Scholarship. [15]
Elizabeth Parker McLachlan was married to the historian of education James McLachlan, who died in 2015. [4]
The Comacine masters were early medieval Lombard stonemasons working in a region of excellent building stone who gave to Lombardy its preeminence in the stone architecture that preceded Romanesque style.
An archivolt is an ornamental moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself. Most commonly archivolts are found as a feature of the arches of church portals. The mouldings and sculptures on these archivolts are used to convey a theological story or depict religious figures and ideologies of the church in order to represent the gateway between the holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and the churches they were designed for.
The Warburg Institute is a research institution associated with the University of London in central London, England. A member of the School of Advanced Study, its focus is the study of cultural history and the role of images in culture – cross-disciplinary and global. It is concerned with the histories of art and science, and their relationship with superstition, magic, and popular beliefs.
Master Hugo was a Romanesque lay artist and the earliest recorded professional artist in England.
The Cloisters Cross, is a complex 12th-century ivory Romanesque altar cross or processional cross. It is named after The Cloisters, part of the Metropolitan Museum of Art in New York, which acquired it in 1963.
The decade of the 1230s in art involved some significant events.
George Zarnecki, CBE, FBA, FSA was a Polish Professor of the History of Art. He was a scholar of Medieval art and English Romanesque sculpture, an area of study in which he did pioneering research. From 1961 to 1974 he was a deputy director of the Courtauld Institute of Art, University of London.
The Gesta Pontificum Anglorum, originally known as De Gestis Pontificum Anglorum and sometimes anglicized as The History or The Chronicle of the English Bishops, is an ecclesiastical history of England written by William of Malmesbury in the early 12th century. It covers the period from the arrival of St Augustine in AD 597 until the time it was written. Work on it was begun before Matilda's death in 1118 and the first version of the work was completed in about 1125. William drew upon extensive research, first-hand experience and a number of sources to produce the work. It is unusual for a medieval work of history, even compared to William's other works, in that its contents are so logically structured. The History of the English Bishops is one of the most important sources regarding the ecclesiastical history of England for the period after the death of Bede.
Alixe Bovey FSA is a Canadian medieval art historian and Dean and Deputy Director at the Courtauld Institute of Art, a college of the University of London. Her research has been chiefly concerned with pictorial narratives and their cultural and literary context. She has also written on medieval monsters.
David William ParkFSA is a professor at the Courtauld Institute of Art, University of London, where he is Director of the Conservation of Wall Painting Department. Park is a graduate of Manchester University and Corpus Christi College, Cambridge University and has been a Fellow of the Society of Antiquaries of London since 1986.
Claus Michael Kauffmann, FBA was an English art historian who was Director of the Courtauld Institute, London, from 1985–95. He was succeeded by Eric Fernie. Kauffmann was a Fellow of the British Academy.
Mabel of Bury St. Edmunds (13th-century) was an English embroiderer of immense skill.
Outstanding theses from the Courtauld Institute of Art is a book series published by Garland of New York between 1984 and 1986 that reprinted outstanding PhD theses from the Courtauld Institute of Art that would otherwise have remained unpublished. The series was one of three major thesis series published by Garland, the others being Outstanding Dissertations in the Fine Arts and Outstanding Theses in the Fine Arts from British Universities.
Derek Howard Turner was an English museum curator and art historian who specialised in liturgical studies and illuminated manuscripts. He worked at the British Museum and the British Library from 1956 until his death, focusing on exhibitions, scholarship, and loans.
The Bury Bible is a giant illustrated Bible written at Bury St Edmunds in Suffolk, England between 1121 and 1148, and illuminated by an artist known as Master Hugo. Since 1575 it has been in the Parker Library of Corpus Christi College, Cambridge, with the shelf-mark Cambridge CCCC M 2.
Edward B. Garrison (1900–1981) was an American art historian who specialised in medieval Italian painting, publishing landmark books on the subject. He compiled a large collection of photographs to illustrate his books, which he donated to the Courtauld Institute of Art in London.
Jeffrey K. West FSA is a British specialist in historical buildings and artefacts with a concentration on ecclesiastical buildings.
Deborah Kahn is an American art historian, author, and academic, specializing in European Medieval art and architecture. She is an eminent figure in the study of Canterbury Cathedral collection. Kahn has acted as a consultant on sculpture and conservation to Canterbury Cathedral and Lincoln Cathedral. She became Visiting Assistant Professor, Department of Art History at Columbia University from 1986 to 1987. She went on to work at Princeton University, from 1989 to 1991; before joining Boston University in 1996, where she is currently Associate Professor, in the department of art history. She is the author of two books, as well as numerous articles and conference papers.
Otto Fein (1906–1966) was a bookbinder and photographer who worked at the Kulturwissenschaftliche Bibliothek Warburg in Germany and later in the United Kingdom after the original library migrated to London in 1933. Fein sometimes used the name Hugo Otto Fein, for example in publications in which his images featured, such as the Warburg Institute Publications. He died in 1966; his death was registered in Havering, London.
Malcolm Thurlby, teaches art and architectural history at York University, Toronto. His research interests focus on Romanesque and Gothic architecture and sculpture in Europe and 19th and early 20th century architecture in Canada.
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