Elizabeth Presa

Last updated

Elizabeth Presa (born 1956) is an Australian visual artist and academic based in Melbourne.

Contents

Working with sculpture her work uses a range of materials and processes, including sericulture, apiculture and casting. Some of her installations use plaster as a forensic tool to examine traces of the psyche, biological life and the environment. [1] She is an academic, an author and has also worked as a curator and gallery director. [2] [1]

Presa is the mother of Australian contemporary artist Anastasia Klose with whom she occasionally collaborates. [1]

Academic career

Presa studied at the Victorian College of the Arts of the University of Melbourne, graduating with a Diploma of Sculpture in 1977. She studied at the Phillip Institute, Post Graduate Sculpture, 1980, University of Melbourne; 1978, 83–85. She has a Masters in Critical Theory and Comparative Literature and a PhD in Critical Theory and Comparative Literature both undertaken at Monash University. [2]

She tutored in art philosophy at Riverina College of Advanced Education during 1980–81, and as part of the Sculpture department of the Melbourne Centre for Adult Education from 1984 to 1985, and following this in the Sculpture department of the Victoria College Prahran. [3]

From 1993 she taught in the School of Art at the Victorian College of the Arts, in 2003 she was appointed Head of the interdisciplinary Victorian College of the Arts Centre for Ideas, where she focussed on interdisciplinary curriculum and research design in the visual and performing arts. [2] Additionally, she has been a visiting artist and guest lecturer at a number of international universities and has undertaken multiple international artist residencies. A notable fellowship Presa undertook was entitled "Interior Castle: St Teresa of Avila, architectures of space", at the Five College's Women's Research Centre, Mt Holyoke, Massachusetts. [2]

Curation

Presa was Director of Wagga Wagga Regional Gallery in 1978–79. [3]

Her work as curator has involved three iterations of 'Do It' with Hans Ulrich Obrist, including a project with the Central Academy of Fine Arts, Beijing.

Her work on a series of beehive projects titled ‘Apian Utopias: Small Architecture for Bees’ involves projects and exhibitions in Tokyo, the US, Beijing, New Zealand and Australia. [2] Her ongoing interest is in the interrelationship between philosophy and art. [2]

Selected exhibitions

Selected shows include

Selected reviews

Selected works

Related Research Articles

<span class="mw-page-title-main">Louise Bourgeois</span> French-American artist (1911–2010)

Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the abstract expressionists and her work has much in common with Surrealism and feminist art, she was not formally affiliated with a particular artistic movement.

<span class="mw-page-title-main">Emily Kame Kngwarreye</span> Aboriginal Australian artist (1910–1996)

Emily Kame Kngwarreye was an Aboriginal Australian artist from the Utopia community in the Northern Territory. After only starting painting as a septuagenarian, Kngwarreye became one of the most prominent and successful artists in the history of Indigenous Australian art. She was a founding member of the Utopia Women's Batik Group and is known for her precise and detailed works.

<span class="mw-page-title-main">Kiki Smith</span> German-born American artist

Kiki Smith is a German-born American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism, and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State.

<span class="mw-page-title-main">Elizabeth Catlett</span> American artist and sculptor (1915–2012)

Elizabeth Catlett, born as Alice Elizabeth Catlett, also known as Elizabeth Catlett Mora was an American and Mexican sculptor and graphic artist best known for her depictions of the Black-American experience in the 20th century, which often focused on the female experience. She was born and raised in Washington, D.C., to parents working in education, and was the grandchild of formerly enslaved people. It was difficult for a black woman at this time to pursue a career as a working artist. Catlett devoted much of her career to teaching. However, a fellowship awarded to her in 1946 allowed her to travel to Mexico City, where she settled and worked with the Taller de Gráfica Popular for twenty years and became head of the sculpture department for the Escuela Nacional de Artes Plásticas. In the 1950s, her main means of artistic expression shifted from print to sculpture, though she never gave up the former.

Wangechi Mutu is a Kenyan American visual artist, known primarily for her painting, sculpture, film, and performance work. Born in Kenya, Mutu now splits her time between her studio there in Nairobi and her studio in Brooklyn, New York, where she has lived and worked for over 20 years. Mutu's work has directed the female body as subject through collage painting, immersive installation, and live and video performance while exploring questions of self-image, gender constructs, cultural trauma, and environmental destruction and notions of beauty and power.

<span class="mw-page-title-main">Patricia Piccinini</span> Australian artist (born 1965)

Patricia Piccinini is an Australian artist who works in a variety of media, including painting, video, sound, installation, digital prints, and sculpture. Her works focus on "unexpected consequences", conveying concerns surrounding bio-ethics and help visualize future dystopias. In 2003, Piccinini represented Australia at the 50th Venice Biennale with a hyperrealist sculpture of her distinctive anthropomorphic animals. In 2016 The Art Newspaper named Piccinini with her "grotesque-cum-cute, hyper-real genetics fantasies in silicone" the most popular contemporary artist in the world after a show in Rio de Janeiro attracted over 444,000 visitors. Natasha Bieniek's portrait of Piccinini was a finalist for the 2022 Archibald Prize.

Minnie Pwerle was an Australian Aboriginal artist. She came from Utopia, Northern Territory, a cattle station in the Sandover area of Central Australia 300 kilometres (190 mi) northeast of Alice Springs.

<span class="mw-page-title-main">Angela Singer</span> New Zealand artist and animal rights activist (born 1966)

Angela Singer is an artist of British and New Zealand nationality who lives in Wellington, New Zealand. An animal rights activist, she addresses the way in which people exploit animals and the environment through the repurposing and remodelling of vintage taxidermy, a process she calls "de-taxidermy". Since the 1990s her work has been exhibited both in New Zealand and internationally.

<span class="mw-page-title-main">Mirka Mora</span> Australian artist (1928–2018)

Mirka Madeleine Mora was a French-born Australian visual artist and cultural figure who contributed significantly to the development of Australian contemporary art. Her media included drawing, painting, sculpture and mosaic.

Kathleen Petyarre was an Australian Aboriginal artist. Her art refers directly to her country and her Dreamings. Petyarre's paintings have occasionally been compared to the works of American Abstract Expressionists Jackson Pollock and Mark Rothko, and even to those of J. M. W. Turner. She has won several awards and is considered one of the "most collectable artists in Australia". Her works are in great demand at auctions.

Janine Burke is an Australian author, art historian, biographer, novelist and photographer. She also curates exhibitions of historical and contemporary art. She is Honorary Senior Fellow, Faculty of Fine Arts and Music, University of Melbourne. She was born in Melbourne in 1952.

Australian feminist art timeline lists exhibitions, artists, artworks and milestones that have contributed to discussion and development of feminist art in Australia. The timeline focuses on the impact of feminism on Australian contemporary art. It was initiated by Daine Singer for The View From Here: 19 Perspectives on Feminism, an exhibition and publishing project held at West Space as part of the 2010 Next Wave Festival.

<span class="mw-page-title-main">Viola Frey</span> American artist (1933–2004)

Viola Frey was an American artist working in sculpture, painting and drawing, and professor emerita at California College of the Arts. She lived and worked in the San Francisco Bay Area and was renowned for her larger-than-life, colorfully glazed clay sculptures of men and women, which expanded the traditional boundaries of ceramic sculpture.

<span class="mw-page-title-main">Lenore Malen</span> American artist

Lenore Malen is an American artist who creates video installations, photography, and performance. Malen was awarded a Guggenheim fellowship and a NYFA Grant in Interdisciplinary Art in 2009.

Aganetha Dyck is a Canadian sculptor residing in Winnipeg, Manitoba. Dyck is best known for her work with live honeybees, that build honeycomb on objects that she introduces to honeybee hives. In 2007 Dyck was awarded both Manitoba's Arts Award of Distinction and Canada's Governor General's Award in Visual and Media Arts.

Elizabeth Gower is an Australian abstract artist who lives and works in Melbourne. She is best known for her work in paper and mixed-media monochrome and coloured collages, drawn from her sustained practice of collecting urban detritus.

Elizabeth Sawyer Norton (1887–1985) was an American artist, known for her bronze sculptures, paintings, and printmaking. The subject of her work often featured animals, landscapes and/or portraits. She lived in Palo Alto, California, from 1919 until her death in 1985.

Rosie Leventon is a British visual artist whose practice encompasses sculpture, installation, land art, drawing and painting. She is known for making sculptural installations that reference current issues as well as the natural environment,prehistoric archaeology and vernacular architecture.

Anniebell Marrngamarrnga is an Aboriginal Australian artist from Maningrida in the Northern Territory of Australia. She is well known for her large-scale, intricate fibre sculptures.

Linda Mitchell is an American artist. Born in Atlanta, Georgia, her works have been exhibited widely, especially in the US. She is known for her mixed-media animal paintings and installations. She has two MFAs from Georgia State University in painting and sculpture. Linda combines painted and sculptural imagery, creating multimedia paintings that are intricate, surreal scenes, reflecting life’s complexity – layered with experience, memory, expectations, hopes, and dreams. Linda Mitchell's works have been exhibited since 1982.

References

  1. 1 2 3 4 5 6 7 8 9 "elizabeth presa". elizabethpresa.com. Retrieved 8 March 2020.
  2. 1 2 3 4 5 6 "Dr Elizabeth Presa". findanexpert.unimelb.edu.au. Retrieved 8 March 2020.
  3. 1 2 Germaine, Max, 1914-2006. (1991). A dictionary of women artists of Australia. Roseville East, NSW, Australia: Craftsman House. ISBN   976-8097-13-2. OCLC   26591029.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  4. ↑ "DARE 2017: aberrant nuptials – DARE conferences" . Retrieved 8 March 2020.
  5. ↑ "ARTICULATE". articulate497.blogspot.com. Retrieved 8 March 2020.
  6. 1 2 Coslovich, Gabriella (14 November 2016). "Human/Animal/Artist: Janine Burke's exhibition explores the lines in between". The Sydney Morning Herald. Retrieved 8 March 2020.
  7. ↑ "Elizabeth Presa". Sculpture Magazine. 1 December 2014. Retrieved 8 March 2020.
  8. ↑ "Gregory Burgess Architects, Practice Profile" (PDF). Gregory Burgess Architects. 8 March 2020. Archived (PDF) from the original on 8 March 2020. Retrieved 8 March 2020.
  9. ↑ Suzanne Berger, Chloé; Aubin-Horth, Nadia (2018). "A eDNA-qPCR assay to non-invasively detect the presence of the parasite Schistocephalus solidus inside its threespine stickleback host". doi:10.1101/231670. S2CID   90685369.{{cite journal}}: Cite journal requires |journal= (help)
  10. ↑ "Review: Human Animal Artist: art inspired by animals | Art + Australia". artandaustralia.com. Retrieved 8 March 2020.
  11. ↑ Saliot, Anne-Gaëlle (2015). The Drowned Muse: Casting the Unknown Woman of the Seine Across the Tides of Modernity. Oxford University Press. ISBN   978-0198708629.
  12. ↑ "duetto". Artlink Magazine. Retrieved 8 March 2020.
  13. ↑ "Elizabeth Presa". Parallax. 9 (3): 73–78. 2003. doi:10.1080/1353464032000103654. ISSN   1353-4645. S2CID   220343569.
  14. ↑ "Charing", Benezit Dictionary of Artists, Oxford University Press, 31 October 2011, doi:10.1093/benz/9780199773787.article.b00035806
  15. ↑ Yuan, Xueying; Shi, Yeli (1 September 2017). "The C-E Translation of Business Promotional Material Based on Skopostheorie". Theory and Practice in Language Studies. 7 (9): 775. doi: 10.17507/tpls.0709.09 . ISSN   1799-2591.
  16. ↑ Chaganti, Seeta (2008), "The N-Town Assumption's Impossible Reliquary", The Medieval Poetics of the Reliquary, Palgrave Macmillan US, pp. 73–94, doi:10.1057/9780230615380_4, ISBN   978-1349372454
  17. ↑ Breward, Christopher (1 March 2017), "Sartorial spectacle", Imperial cities, Manchester University Press, doi:10.7765/9781526117960.00022, ISBN   978-1526117960
  18. ↑ Presa, Elizabeth (2 December 2019), "Sculpture Installation", Aberrant Nuptials, Universitaire Pers Leuven, pp. 445–455, doi:10.2307/j.ctvmd83nt.39, ISBN   978-9461663054, S2CID   214408648
  19. ↑ "Morris, Desmond John, (born 24 Jan. 1928), writer on animal and human behaviour; artist", Who's Who, Oxford University Press, 1 December 2007, doi:10.1093/ww/9780199540884.013.u28164
  20. ↑ "3 Empirie des Bricolage-Projekts", Bricolage, Peter Lang, 2014, doi:10.3726/978-3-653-03994-8/15, ISBN   978-3631646281
  21. ↑ "Playland". Playland. 15 February 2015. doi:10.5040/9781580817691.01.
  22. ↑ "18. On the Morning of Christ's Nativity", Milton and His England, Princeton University Press, p. 16, 31 December 2015, doi:10.1515/9781400871865-021, hdl: 2027/chi.18004778 , ISBN   978-1400871865
  23. ↑ Ruggieri, Dominique G.; Leebron, Elizabeth J. (2010). "Situation Comedies Imitate Life: Jewish and Italian-American Women on Prime Time". The Journal of Popular Culture. 43 (6): 1266–1281. doi:10.1111/j.1540-5931.2010.00799.x. ISSN   0022-3840.
  24. ↑ Presa, Elizabeth (1 May 2018), "Ways of being: transitional objects and the work of art", The Winnicott Tradition, Routledge, pp. 315–326, doi:10.4324/9780429483769-28, ISBN   978-0429483769
  25. ↑ Coleman, Nathaniel (7 May 2007). Utopias and Architecture. doi:10.4324/9780203536872. ISBN   978-0203536872.
  26. ↑ Backhouse, R. E. (1 January 2014). "MIT and the Other Cambridge". History of Political Economy. 46 (Supplement 1): 252–271. doi:10.1215/00182702-2716190. ISSN   0018-2702.
  27. ↑ Ammar, Doreid; Savinien, Jean; Radisson, Lionel (2019). "The Makers' Beehives". Proceedings of the 9th International Conference on the Internet of Things. New York: ACM Press. pp. 1–4. doi:10.1145/3365871.3365887. ISBN   978-1450372077. S2CID   207955934.
  28. ↑ Sawday, Jonathan (2013). The Body Emblazoned. doi:10.4324/9781315887753. ISBN   978-1315887753.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.