Free improvisation or free music is improvised music without any general rules, instead following the intuition of its performers. The term can refer to both a technique—employed by any musician in any genre—and as a recognizable genre of experimental music in its own right.
David Eugene Tudor was an American pianist and composer of experimental music.
Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s, she had shifted to a postmodernist, neoromantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich has served as the Francis Eppes Distinguished Professor at Florida State University.
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music.
Miya Masaoka is an American composer, musician, and sound artist active in the field of contemporary classical music and experimental music. Her work encompasses contemporary classical composition, improvisation, electroacoustic music, inter-disciplinary sound art, sound installation, traditional Japanese instruments, and performance art. She is based in New York City.
Annie Gosfield is a New-York-based composer who works on the boundaries between notated and improvised music, electronic and acoustic sounds, refined timbres and noise. She composes for others and performs with her own group, taking her music to festivals, factories, clubs, art spaces and concert halls. Much of her work combines acoustic instruments with electronic sounds, incorporating unusual sources such as satellite sounds, machine sounds, detuned or out-of-tune samples and industrial noises. Her work often contains improvisation and frequently uses extended techniques and/or altered musical instruments. She won a 2012 Berlin Prize.
Graphic notation is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. Graphic notation was influenced by contemporary visual art trends in its conception, bringing stylistic components from modern art into music. Composers often rely on graphic notation in experimental music, where standard musical notation can be ineffective. Other uses include pieces where an aleatoric or undetermined effect is desired. One of the earliest pioneers of this technique was Earle Brown, who, along with John Cage, sought to liberate performers from the constraints of notation and make them active participants in the creation of the music.
Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance.
Marilyn Crispell is an American jazz pianist and composer. Scott Yanow described her as "a powerful player... who has her own way of using space... She is near the top of her field." Jon Pareles of The New York Times wrote: "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist Anthony Braxton's quartet in the 1980s and '90s.
Ausmultiplikation is a German term used by the composer, Karlheinz Stockhausen to describe a technique in which a long note is replaced by shorter "melodic configurations, internally animated around central tones", resembling the ornamental technique of divisions in Renaissance music. Stockhausen first described this technique in connection with his "opus 1", Kontra-Punkte, composed in 1952–53, but in his later formula composition there is a related method of substituting a complete or partial formula for a single tone that is very long in a much slower, "more background" projection of the formula. When this is done at more than one level, the result is reminiscent of a fractal.
Satoko Inoue is a Japanese musician.
Emily Jordan Bear is an American composer, pianist, songwriter and singer. After beginning to play the piano and compose music as a small child, Bear made her professional piano debut at the Ravinia Festival at the age of five, the youngest performer ever to play there. She gained wider notice from a series of appearances on The Ellen DeGeneres Show beginning at the age of six. She has since played her own compositions and other works with orchestras and ensembles in North America, Europe and Asia, including appearances at Carnegie Hall, the Hollywood Bowl, the Montreux Jazz Festival and Jazz Open Stuttgart. She won two Morton Gould Young Composer Awards, the youngest person ever to win the award, and also won two Herb Alpert Young Jazz Composers Awards.
Maya Dunietz, is an Israeli musician and artist, combining a solo career with collaborations with renowned musicians: Emahoy Tsegué-Maryam Guèbrou, Roscoe Mitchell, John Tilbury, Habiluim, and many others. Her works are exhibited in venues such as Centre Pompidou Paris, Athens Onassis Center, Frac Paca, CCA Tel Aviv and Bemis Center for Contemporary Art.
Mieko Shiomi is a Japanese artist, composer, and performer who played a key role in the development of Fluxus. A co-founder of the seminal postwar Japanese experimental music collective Group Ongaku, she is known for her investigations of the nature and limits of sound, music, and auditory experiences. Her work has been widely circulated as Fluxus editions, featured in concert halls, museums, galleries, and non-traditional spaces, as well as being re-performed by other musicians and artists numerous times. She is best known for her work of the 1960s and early 1970s, especially Spatial Poem, Water Music, Endless Box, and the various instructions in Events & Games, all of which were produced as Fluxus editions. Now in her eighties, she continues to produce new work.
Benedict Taylor is a British avant-garde violist, violinist and composer.
Kis-My-Ft2 is a six-member Japanese boy band under Johnny & Associates, with members Kento Senga, Toshiya Miyata, Wataru Yokoo, Taisuke Fujigaya, Yuta Tamamori and Takashi Nikaidō.
Miho Hazama is a Tokyo-born composer and jazz musician, based in New York City.
Jerome Joseph Kohl was an American musicologist, academic journal editor, and recorder teacher. A music theorist at the University of Washington, he became recognized internationally as an authority on the music of Karlheinz Stockhausen.
Group Ongaku was a Japanese noise music and sound art collective exploring musical improvisation, composed of six composers, including Takehisa Kosugi, Mieko Shiomi, Yasunao Tone. Ongaku in their group name means "music." The group began their activities in Tokyo in 1958, mainly as a students group at the Tokyo National University of Fine Arts and Music. In 1960, they formalized the group by naming it Group Ongaku and continued until 1962. Their music freely crossed from orchestral to ethnic instruments, technology, and daily objects, melting sound production from devices associated with vastly different forms of sonic practices. In addition, they strategized to expand the musical experience in an attempt to merge the act of composition and that of performance. They shifted their focus from just creating sounds to deploying actions as music. From 1961 onwards, they came into contact with Fluxus coordinator George Maciunas and some members became affiliated with Fluxus. The Japanese Fluxus contingency, centering on them, expanded and Tone called this loose collection of people "Tokyo Fluxus."
Verity Susman is an English songwriter, composer, singer and multi-instrumentalist. She is best known as a founding member and the frontwoman of the English indie rock band Electrelane.
