The National Museum of the American Indian–New York, the George Gustav Heye Center, is a branch of the National Museum of the American Indian at the Alexander Hamilton U.S. Custom House in Manhattan, New York City. The museum is part of the Smithsonian Institution. The center features contemporary and historical exhibits of art and artifacts by and about Native Americans.
In library and archival science, digital preservation is a formal endeavor to ensure that digital information of continuing value remains accessible and usable. It involves planning, resource allocation, and application of preservation methods and technologies, and it combines policies, strategies and actions to ensure access to reformatted and "born-digital" content, regardless of the challenges of media failure and technological change. The goal of digital preservation is the accurate rendering of authenticated content over time. The Association for Library Collections and Technical Services Preservation and Reformatting Section of the American Library Association, defined digital preservation as combination of "policies, strategies and actions that ensure access to digital content over time." According to the Harrod's Librarian Glossary, digital preservation is the method of keeping digital material alive so that they remain usable as technological advances render original hardware and software specification obsolete.
The National Wrestling Hall of Fame and Museum is a museum and hall of fame for amateur wrestling, headquartered in Stillwater, Oklahoma. In 2010, it began operating the Dan Gable Museum in Waterloo, Iowa.
A virtual museum is a digital entity that draws on the characteristics of a museum, in order to complement, enhance, or augment the museum experience through personalization, interactivity, and richness of content. Virtual museums can perform as the digital footprint of a physical museum, or can act independently, while maintaining the authoritative status as bestowed by the International Council of Museums (ICOM) in its definition of a museum. In tandem with the ICOM mission of a physical museum, the virtual museum is also committed to public access; to both the knowledge systems embedded in the collections and the systematic, and coherent organization of their display, as well as to their long-term preservation.
The Sabancı University Sakıp Sabancı Museum is a private fine arts museum in Istanbul, Turkey, dedicated to calligraphic art, religious and state documents, as well as paintings of the Ottoman era. The museum was founded by Sakıp Sabancı, and was opened in June 2002. Aside from permanent exhibitions, the museum also hosts national and foreign temporary exhibitions and, hosts cultural events on the weekends.
The National Museum of Health and Medicine (NMHM) is a museum in Silver Spring, Maryland, near Washington, D.C. The museum was founded by U.S. Army Surgeon General William A. Hammond as the Army Medical Museum (AMM) in 1862; it became the NMHM in 1989 and relocated to its present site at the Army's Forest Glen Annex in 2011. An element of the Defense Health Agency (DHA), the NMHM is a member of the National Health Sciences Consortium.
The Museum of Health Care is located in Kingston, Ontario, Canada in the Ann Baillie Building on the Kingston General Hospital site and covers medical history from the 18th century to the modern era. Its research and collection are searchable on-line via their website and online catalogue.
The conservation and restoration of new media art is the study and practice of techniques for sustaining new media art created using from materials such as digital, biological, performative, and other variable media.
Mary Flanagan is an American artist, author, educator, and designer. She pioneered the field of game research with her ideas on critical play and has written several books. She is the founding director of the research laboratory and design studio Tiltfactor Lab and the CEO of the board game company Resonym. Flanagan's work as an artist has been shown around the world and won the Award of Distinction at Prix Ars Electronica in 2018.
A digital library, also called an online library, an internet library, a digital repository, a library without walls, or a digital collection, is an online database of digital objects that can include text, still images, audio, video, digital documents, or other digital media formats or a library accessible through the internet. Objects can consist of digitized content like print or photographs, as well as originally produced digital content like word processor files or social media posts. In addition to storing content, digital libraries provide means for organizing, searching, and retrieving the content contained in the collection. Digital libraries can vary immensely in size and scope, and can be maintained by individuals or organizations. The digital content may be stored locally, or accessed remotely via computer networks. These information retrieval systems are able to exchange information with each other through interoperability and sustainability.
The International Center for the History of Electronic Games (ICHEG) collects, studies, and interprets video games, other electronic games, and related materials and the ways in which electronic games are changing how people play, learn, and connect with each other, including across boundaries of culture and geography. Located at The Strong in Rochester, New York, United States, it houses one of the world's largest, most comprehensive collections of electronic game platforms, games, and related materials, with more than 37,000 items.
The Centre for Computing History is a museum in Cambridge, England, established to create a permanent public exhibition telling the story of the Information Age.
The Vietnam Center and Archive collects and preserves the documentary record of the Vietnam War. The Vietnam Center and Archive, part of Texas Tech University, is the nation's largest and most comprehensive collection of information on the Vietnam War. On August 17, 2007, the Texas Tech Vietnam Center became the first U.S. institution to sign a formalized exchange agreement with the State Records and Archives Department of Vietnam. This opens the door for a two-way exchange between the entities.
The Virtual Teaching Collection (VTC) project at the Museum of Archaeology and Anthropology, University of Cambridge within the University of Cambridge, led by Dr Robin Boast, ran from 1994 to 1997 and was part of the Teaching and Learning Technology Project funded by the Higher Education Funding Council for England.
An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs. They can also foster community engagement, dialogue, and education, providing visitors with opportunities to explore diverse perspectives, historical contexts, and contemporary issues. Additionally, exhibitions frequently contribute to the promotion of artists, innovators, and industries, acting as a conduit for the exchange of ideas and the celebration of human creativity and achievement.
Museum informatics is an interdisciplinary field of study that refers to the theory and application of informatics by museums. It represents a convergence of culture, digital technology, and information science. In the context of the digital age facilitating growing commonalities across museums, libraries and archives, its place in academe has grown substantially and also has connections with digital humanities.
The McLean County Museum of History is an AAM accredited institution located in Bloomington, Illinois. It is the principal asset of the McLean County Historical Society, an Illinois nonprofit organization, which was founded in 1892 to study local history. The Museum moved into its current location in 1991.
The Canadian Museum of Immigration at Pier 21, in Halifax, Nova Scotia, is Canada's national museum of immigration. The museum occupies part of Pier 21, the former ocean liner terminal and immigration shed from 1928 to 1971. Pier 21 is Canada's last remaining ocean immigration shed. The facility is often compared to Ellis Island (1892–1954), in terms of its importance to mid-20th-century immigration to Canada an association it shares with 19th century immigration history at Grosse Isle, Quebec (1832–1932) and Partridge Island in Saint John, New Brunswick (1785–1941). The museum began as an independent institution run by the Pier 21 Society in 1999. It became a national museum run by the Canadian federal government in 2011.
