Dušan Džamonja was a Yugoslav sculptor of Serbian ancestry.
Eija-Liisa Ahtila is a contemporary visual artist and filmmaker who lives and works in Helsinki.
In the art world, a Biennale, Italian for "biennial" or "every other year", is a large-scale international contemporary art exhibition. The term was popularised by the Venice Biennale, which was first held in 1895, but the concept of such a large scale, and intentionally international event goes back to at least the 1851 Great Exhibition in London.
Sarah Sze is an American artist and professor of visual arts at Columbia University. Sze's work explores the role of technology, information, and memory with objects in contemporary life utilizing everyday materials. Her work often represents objects caught in suspension. Drawing from Modernist traditions, Sze confronts the relationship between low-value mass-produced objects in high-value institutions, creating the sense that everyday life objects can be art. She has exhibited internationally and her works are in the collections of several major museums.
Gligor Stefanov is a sculptor and environmental installations artist, who lives in Windsor, Ontario, Canada.
Žilvinas Kempinas is a contemporary visual artist. He lives and works in New York City.
Art and Sacred Places is a UK-based national charity in London working in the field of commissioning visual art for sacred places. Its work includes both temporary and permanent commissions and projects which bring together communities of people from both faith and non-faith backgrounds.
Ragnar Kjartansson is a contemporary Icelandic artist who engages multiple artistic mediums, creating video installations, performances, drawings, and paintings that draw upon myriad historical and cultural references. An underlying pathos and irony connect his works, with each deeply influenced by the comedy and tragedy of classical theater. The artist blurs the distinctions between mediums, approaching his painting practice as performance, likening his films to paintings, and his performances to sculpture. Throughout, Kjartansson conveys an interest in beauty and its banality, and he uses durational, repetitive performance as a form of exploration.
Dame Phyllida Barlow was a British visual artist. She studied at Chelsea College of Art (1960–1963) and the Slade School of Art (1963–1966). She joined the staff of the Slade in the late 1960s and taught there for more than forty years. She retired from academia in 2009 and in turn became an emerita professor of fine art. She had an important influence on younger generations of artists; at the Slade her students included Rachel Whiteread and Ángela de la Cruz. In 2017 she represented Great Britain at the Venice Biennale.
Zharko Basheski is a Macedonian sculptor and professor in the Sculpture Department at the Faculty of Fine Arts in Skopje. His work falls under the hyperrealism movement, with a specific focus on the human body.
Aidan Salahova is a Soviet and Russian artist of Azerbaijani descent, gallerist and public person. In 1992 she founded the Aidan Gallery in Moscow. Salahova's works can be found in many private and state collections including the State Tretyakov Gallery, the Moscow Museum of Modern Art, the Ekaterina Cultural Foundation, Francois Pinault Foundation, Teutloff Museum and the Boghossian Foundation; in private collections of I. Khalilov, Matan Uziel family collection, P-K. Broshe, T. Novikov, V. Nekrasov, V. Bondarenko and others. At the 2011 Venice Biennale, Salahova's name hit the headlines when her work was politically censored.
Laure Prouvost is a French artist living and working in Brussels, Belgium. She won the 2013 Turner Prize. In 2019, she represented France at the Venice Biennale with the multi-media work "The Deep Blue Sea Surrounding You".
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Emilia Telese is an Italian artist whose practice includes performance, visual, site-specific and video art, interactive and body-responsive technology, installation, literature and public art. She lives and works between Brighton, UK, Foggia, Italy, and Reykjavik, Iceland. Telese graduated in 1996 with a BA (Honours) in painting from the Fine Arts Academy, Florence, focusing on 14th-century techniques, Arte Povera and political performance. In 1997 she studied acid-based printmaking techniques at the University of Brighton, where she continues to lecture. In addition she lectures at other institutions in the UK and internationally, specialising in the relationship between art, economics and professional practice. Her work Life Begins at Land's End (2013) was part of Rebirth Day, a concept organised by Michelangelo Pistoletto. Pistoletto named her a Third Paradise Ambassador, which is a small group of people chosen by him to embody the spirit of his Third Paradise concept. Her videos, along with works by other artists, were shown at the Musee du Louvre in Paris. In 2015 her exhibition Modern Women was featured at Airspace Gallery in Stoke-on-Trent, with artist Binita Walia.
Kimsooja was born in Daegu, South Korea. Kimsooja is a multi-disciplinary conceptual artist who travels between her three homes and places of work in New York City, Paris, and Seoul. In 1980 Kim graduated with a B.F.A in Painting from Hong-Ik University, Seoul and continued to pursue her M.F.A there, obtaining the degree in 1984 at the age of 27. Her origin as a painter was a crucial starting point for the development of her art. That same year, she received a scholarship to study art at Ecole Nationale Supérieure des Beaux-Arts in Paris, France, where she studied Printmaking. Her first solo exhibition was held in 1988 at Gallery Hyundai, Seoul. Currently, her work is featured in countless international museums and galleries as well as public art fairs and other spaces. Her practice combines performance, film, photo, and site-specific installation using textile, light, and sound. Kimsooja's work investigates questions concerning the conditions of humanity, while engaging issues of aesthetics, culture, politics, and the environment. Her principle of ‘non-doing’ and ‘non-making,’ which follows a conceptual and structural investigation of performance through modes of mobility and immobility, inverts the notion of the artist as the predominant actor.
Katrín Sigurdardóttir is a New York-based artist who works in installation and sculpture. Katrin studied at the Icelandic College of Arts and Crafts, Reykjavík and received a BFA from the San Francisco Art Institute and her MFA from the Mason Gross School of the Arts, Rutgers University. She creates complex structures built to be viewed in exhibition settings but not used as functional architecture. Conceptually, her work reflects issues of intimacy and memory in built spaces, historical recreations, and disorienting shifts in scale. Her work has appeared at the 2013 Icelandic Pavilion of the 55th Venice Biennale, the 33rd São Paulo Bienal, in 2018, The Metropolitan Museum of Art, Sculpture Center, and PS1 Contemporary Art Center.
Firelei Báez is a Dominican Republic-born, New York City-based artist known for intricate works on paper and canvas, as well as large scale sculpture. Her art focuses on untold stories and unheard voices, using portraiture, landscape, and design to explore the Western canon.
The national pavilions host each participant nation's official representation during the Venice Biennale, an international art biennial exhibition held in Venice, Italy. Some countries own pavilion buildings in the Giardini della Biennale while others rent buildings throughout the city, but each country controls its own selection process and production costs.
Suki Seokyeong Kang (강서경) is a visual artist based in Seoul, Korea. Kang's practice traverses painting, sculpture, performance, video and installation. Inspired by cultural traditions of Korea as well as contemporary artistic and literary discourses. Kang decodes rules and values that govern these disciplines, turning to artistic languages of the past to construct a contextual lens through which she explores the notion of individuality and freedom in the present moment.
Kumari Nahappan is a Malaysian-born Singaporean contemporary artist best known for her large-scale public sculptures that often depict natural subjects such as fruit, seeds, and spices. Aside from sculpture and public art, Nahappan's interdisciplinary practice also spans installation and abstract painting.
