Petar Mazev (February 10, 1927 in Kavadarci, Kingdom of Yugoslavia – March 13, 1993 in Skopje, Republic of Macedonia) was a Macedonian academic painter, [1] who is considered one of the most important postwar painters who introduced new energy into contemporary Macedonian art. [2]
He graduated from the Academy of arts in Belgrade in 1953 where he studied under painter Zoran Petrovic. [3] He was professor at the Faculty of Architecture in Skopje. He had held individual exhibitions in the United States, China, India, France, Germany, Italy, Switzerland and other countries. [1] He was a member of the artistic group "Mugri". [3]
Expressionism was a constant presence in his paintings, [1] but before choosing expressionism, he went through several phases including his White Phase and Warm Phase. [2] In the mid-1960s, Mazev started to include in his non-figurative paintings in muted colours and rendered in dense and grainy impasto with materials such as burnt wooden plates, glass, scrap-metal sheets, and sand. [3] In addition to paintings (mostly oil on canvas), he was also the author of murals, mosaics and ceramic arts. [1]
Abstract expressionism is a post–World War II art movement in American painting, developed in New York in the 1940s. It was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky.
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Lazar Ličenoski. He was one of the first Slavic expressionist painters and one of the most authentic Macedonian painters of landscape, in which he imported folk elements as well. He painted still nature, portraits and mosaics.
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