Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas often consist of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
Sandra Betty Blow was an English abstract painter and one of the pioneers of the British abstract movement of the 1950s. Blow's works are characteristically large scale, colourful abstract collages made from discarded materials.
Ida Rittenberg Kohlmeyer was an American painter and sculptor who lived and worked in Louisiana. Kohlmeyer took up painting in her 30s and achieved wide recognition for her work in art museums and galleries throughout the United States. Notably, her work is held by the National Museum of Women in the Arts, the Smithsonian American Art Museum, the Speed Art Museum, the Ogden Museum of Southern Art and the New Orleans Museum of Art. Ms. Kohlmeyer, a member of the Reform Jewish movement, played an active role in the New Orleans Jewish community throughout her life. Touro Synagogue displays much of her artwork in their synagogue and in the social hall.
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements.
Sylvia Snowden is an African American abstract painter who works with acrylics, oil pastels, and mixed media to create textured works that convey the "feel of paint". Many museums have hosted her art in exhibits, while several have added her works to their permanent collections.
Yvonne Thomas was an American abstract artist.
Ida Gramcko was a Venezuelan essayist and poet. She was a recipient of the National Prize for Literature.
Tomie Ohtake was a Japanese Brazilian visual artist. Her work includes paintings, prints and sculptures. She was one of the main representatives of informal abstractionism in Brazil.
Beatrice "Bice" Lazzari was an Italian painter.
Fanny Sanín Sader is a Colombian born artist from Bogotá who resides in New York City. The daughter of Gabriel Sanín Tobón and Fanny Sader Guerra, she is best known for her paintings of abstract geometric forms and colors. She is considered to be part of the second generation of abstract artists from Colombia.
Colección Patricia Phelps de Cisneros (CPPC) is a privately held Latin American art organization based in Venezuela and New York City founded by Patricia Phelps de Cisneros and Gustavo Cisneros.
Mercedes Clementina Marta del Carmen Pardo Ponte, known as Mercedes Pardo was a Venezuelan abstract art painter.
Lilly Fenichel (1927–2016), was an American painter who explored abstraction through a wide range of media and approaches, with her various periods linked together by a common emphasis on color harmonies and expressive, often calligraphic gesture. Her earliest work is associated with second-generation Bay Area Abstract Expressionism.
Sarah Grilo was an Argentine painter who is best known for her abstract gestural paintings. Married to the artist José Antonio Fernández-Muro, she lived in Buenos Aires, Paris, New York and Madrid.
Elba Damast was a Venezuelan artist.
Ani Villanueva is a Venezuelan visual and performance artist who is best known for her performances and collaborative works during the 1980s. Her work is heavily influenced by her extensive education that she received throughout her life. Many of her more notable performances juxtapose fantasy with reality, while her later paintings are abstract and minimalist.
Noemí Di Benedetto (1930–2010) was an Argentine painter and visual artist with a long career. She formed part of the Informalism group in Argentina.
Ida Cadorin Barbarigo was an Italian painter. She was born on 26 August 1920 or 1925, in Venice, Italy. She attended the Accademia di Belle Arti di Venezia. In 1942 one of her paintings is included in the Venice Biennale. She exhibited her work continuously until her final solo show at Galleria Contini in 2004. She was included in thirteen annual Salon de Mai exhibitions from 1955 through 1980.
Action, Gesture, Paint: Women Artists and Global Abstraction 1940–1970 was an art exhibition held at the Whitechapel Gallery from 9 February 2023 through 7 May 2023. The exhibit presented 150 mid-century abstract paintings by 81 women artists. The show included artists from Asia, Europe, North America, and South America.
