Former name | University of Kansas Museum of Art (1928-1978) |
---|---|
Established | 1928 |
Location | 1301 Mississippi Street Lawrence, Kansas 66045 |
Coordinates | 38°57′34.9″N95°14′40.6″W / 38.959694°N 95.244611°W |
Type | Art museum |
Accreditation | American Alliance of Museums |
Collection size | ~47,000 objects |
Visitors | 100,000 annually [1] |
Director | Saralyn Reece Hardy |
Architect | Robert E. Jenks Pei Cobb Freed & Partners |
Owner | University of Kansas |
Website | www |
The Spencer Museum of Art is an art museum operated by the University of Kansas in Lawrence, Kansas, United States.
In 1917, the Kansas City art collector Sallie Casey Thayer donated her collection of over seven thousand works of art, primarily from Asia and Europe to the University of Kansas to form a museum in order to encourage the study of fine arts in the Midwestern United States. In 1928, the school established the University of Kansas Museum of Art, with Thayer's collection as the basis, within Spooner Hall. By the 1960s, under the directorship of Marilyn Stokstad, the Museum of Art outgrew the space.
In 1978, Helen Foresman Spencer, another female Kansas City collector, made a substantial gift to fund the construction of a new space, under the directorship of Charles C. Eldredge. The new building was designed by the architect and Class of 1926 alum Robert E. Jenks in the Neoclassical style from Indiana limestone. The museum was renamed in honor of Helen to the Spencer Museum of Art. From 1976 to 1983, Elizabeth Broun served as Curator of Prints and Drawings, as well as a stint as Acting Director from 1982 to 1983, succeeding Eldredge. Since then, the museum has only been led by three individuals: Jay Gates, Andrea Norris, and Saralyn Reece Hardy.
In 2007, the Spencer Museum of Art grew when over nine thousand objects from the former University of Kansas Museum of Anthropology were transferred to its possession. The collection included a wide variety of global cultural materials, with emphasis on Native American materials.
In 2016, the Spencer Museum of Art completed the first phase of a major renovation project, led by the architectural firm Pei Cobb Freed & Partners. In addition to transforming over 30,000 square feet of the space, the Stephen H. Goddard Study Center and the Jack and Lavon Brosseau Center for Learning were both added. In that same year, the museum received a grant totaling over $450,000 from the Andrew W. Mellon Foundation to support interdisciplinary research. [2] Three years later, an additional $650,000 was awarded. [3]
In May 2021, the fourth-floor galleries closed to the public for Phase II renovation also designed by Pei Cobb Freed & Partners. Phase II introduced new ceilings and lighting to the galleries that were untouched during Phase I and enhanced the entire fourth floor with new oak floors. Situated within the updated galleries is the new 1,150-square-foot Ingrid & J.K. Lee Study Center, which features custom drawers and glass cases designed to display larger and three-dimensional works of art. These architectural improvements provided an opportunity to rethink the presentation and interpretation of the Museum’s collection galleries, which reopened in November 2022 with four new exhibitions that expand the diversity of artworks and identities represented. Phase II and the reinstallation of the collection galleries were supported by a $900,000 gift from the J.K. and Ingrid Lee Foundation, two grants from the National Endowment for the Humanities, as well as private philanthropy, totaling over $4 million.
The Spencer Museum of Art houses over 48,000 objects in a variety of media. In particular, the collection broadly covers American and European art from ancient to contemporary times, as well as Asian art from various periods.
The Library is located on the first level of the Spencer Museum of Art building. [4]
Ieoh Ming Pei was a Chinese-American architect. Born in Guangzhou into a Chinese family, Pei drew inspiration at an early age from the garden villas at Suzhou, the traditional retreat of the scholar-gentry to which his family belonged. In 1935, he moved to the United States and enrolled in the University of Pennsylvania's architecture school, but quickly transferred to the Massachusetts Institute of Technology. Unhappy with the focus on Beaux-Arts architecture at both schools, he spent his free time researching emerging architects, especially Le Corbusier.
The National Gallery of Art is an art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The Carnegie Museum of Art is an art museum in the Oakland neighborhood of Pittsburgh, Pennsylvania. The museum was originally known as the Department of Fine Arts, Carnegie Institute and was formerly located at what is now the Main Branch of the Carnegie Library of Pittsburgh. The museum's first gallery was opened for public use on November 5, 1895. Over the years, the gallery vastly increased in size, with a new building on Forbes Avenue built in 1907. In 1963, the name was officially changed to Museum of Art, Carnegie Institute. The size of the gallery has tripled over time, and it was officially renamed in 1986 to "Carnegie Museum of Art" to indicate it clearly as one of the four Carnegie Museums.
The Yale Center for British Art at Yale University in central New Haven, Connecticut, houses the largest and most comprehensive collection of British art outside the United Kingdom. The collection of paintings, sculpture, drawings, prints, rare books, and manuscripts reflects the development of British art and culture from the Elizabethan period onward.
The Herbert F. Johnson Museum of Art is an art museum located on the northwest corner of the Arts Quad on the main campus of Cornell University in Ithaca, New York. Its collection includes two windows from Frank Lloyd Wright's Darwin D. Martin House, and more than 35,000 other works in the permanent collection. It was designed by architect I.M. Pei and is known for its distinctive concrete facade.
Henry Nichols Cobb was an American architect and founding partner with I.M. Pei and Eason H. Leonard of Pei Cobb Freed & Partners, an international architectural firm based in New York City.
The Art Gallery of Greater Victoria (AGGV) is an art museum located in Victoria, British Columbia, Canada. Situated in Rockland, Victoria, the museum occupies a 2,474.5 square metres (26,635 sq ft) building complex; made up of the Spencer Mansion, and the Exhibition Galleries. The former building component was built in 1889, while the latter component was erected in the mid-20th century.
The Portland Museum of Art, or PMA, is the largest and oldest public art institution in Maine. Founded as the Portland Society of Art in 1882. It is located in the downtown area known as The Arts District in Portland, Maine.
Pei Cobb Freed & Partners is an American architectural firm based in New York City, founded in 1955 by I. M. Pei and other associates. The firm has received numerous awards for its work.
Wendell Castle was an American sculptor and furniture maker and an important figure in late 20th century American craft. He has been referred to as the "father of the art furniture movement" and included in the "Big 4" of modern woodworking with Wharton Esherick, George Nakashima, and Sam Maloof.
John Carter Brown III was the director of the U.S. National Gallery of Art from 1969 to 1992 and a leading figure in American intellectual life. Under Brown's direction, the National Gallery became one of the leading art museums in the United States, if not the world. He was known as a champion of the arts and public access to art at a time of decreased public spending on the humanities.
The Gateway is a 37-storey, 150 m (490 ft), skyscraper complex completed in April 1990 on Beach Road in the Downtown Core of Singapore. The two buildings are named The Gateway East and The Gateway West.
Marilyn Jane Stokstad was an American art historian, educator, and curator. A scholar of medieval and Spanish art, Stokstad was Judith Harris Murphy Distinguished Professor of Art History Emeritus at the University of Kansas, and also served as director of the Spencer Museum of Art.
The Charles Shipman Payson Building is the most recent expansion of the Portland Museum of Art (PMA) in Portland, Maine, located on the corner of High Street and Congress Square. Henry N. Cobb designed the Payson Building, which introduced over five times more gallery space than in the adjacent, historic PMA buildings. The building opened in 1983 after Mr. Payson donated 17 Winslow Homer paintings and ten million dollars to the museum. Similar in theme to these Homer paintings, the Payson building contains a collection of contemporary paintings and short-term exhibitions created by Maine artists, focusing on regional themes.
Ernesto Pujol is a site-specific performance artist, social choreographer, and educator with an interdisciplinary practice. Pujol was born in 1957 in Havana, Cuba and spent time in San Juan, Puerto Rico, and in Madrid and Barcelona, Spain, before moving to the United States in 1979. He has lived and worked in New York since 1984. Pujol engaged in interdisciplinary pursuits, such as psychology and literature, while doing undergraduate work in humanities and visual arts at the University of Puerto Rico, in Spanish art history at the Universidad Complutense in Spain and in philosophy at St. John Vianney College Seminary in Florida. He pursued graduate work in education at the Universidad Interamericana in San Juan, Puerto Rico, in art therapy at Pratt Institute in Brooklyn, and in communications and media theory at Hunter College in New York City. Pujol received his MFA in interdisciplinary art practice from the School of the Art Institute of Chicago.
Achelous and Hercules is a 1947 mural painting by Thomas Hart Benton. It depicts a bluejeans-wearing Hercules wrestling with the horns of a bull, a shape the protean river god Achelous was able to assume. The myth was one of the explanations offered by Greco-Roman mythology for the origin of the cornucopia, a symbol of agricultural abundance. Benton sets the scene during harvest time in the U.S. Midwest.
Elizabeth "Betsy" Broun is an American art historian and curator. Broun served as the Margaret and Terry Stent Director of the Smithsonian American Art Museum from 1989 to 2016, and is the longest-serving female director in the history of the Smithsonian Institution.
Sallie Casey Thayer, née Casey was a Kansas City art collector and advocate. Her diverse collection of fine and decorative art became the founding gift of the Spencer Museum of Art.
Charles "Charlie" Child Eldredge is an American art historian, educator, and curator. Eldredge is the Hall Distinguished Professor of American Art and Culture Emeritus at the University of Kansas. He also served as Director of the Spencer Museum of Art and the Smithsonian American Art Museum during his career.
The Grand Louvre refers to the decade-long project initiated by French President François Mitterrand in 1981 of expanding and remodeling the Louvre – both the building and the museum – by moving the French Finance Ministry, which had been located in the Louvre's northern wing since 1871, to a different location. The centerpiece of the Grand Louvre is the Louvre Pyramid designed by Chinese-American architect I. M. Pei, which was also the project's most controversial component. The Grand Louvre was substantially completed in the late 1990s, even though its last elements were only finalized in the 2010s.