Emma Walter (born 1833/1834, died 1893) was an English artist, known for her watercolour paintings of flowers, fruit and still lifes. [1]
The daughter of Edward Walter, a civil servant, she was born in London and largely self-taught, she began drawing at the age of five. In 1855, she first submitted her paintings to the Society of British Artists, continuing to exhibit with them until 1875. In total during her career Walter exhibited some sixty-six paintings at the Society's Suffolk Street gallery. [2] She also began exhibiting at the Royal Academy in 1855, continuing until 1887. Around 1857, she was elected to the Society of Female Artists. [2] In 1872, she became an associate of the Liverpool Society of Painters in Water Colours and also received a bronze medal for her work from the Royal Cornwall Polytechnic Society. [3] [4]
Walter also exhibited at the Royal Scottish Society, the Royal Hibernian Academy and the Royal Glasgow Institute of the Fine Arts. [4]
Mary Moser was an English painter and one of the most celebrated female artists of 18th-century Britain. One of only two female founding members of the Royal Academy in 1768, Moser painted portraits but is particularly noted for her depictions of flowers.
Sophie Gengembre Anderson was a French-born British Victorian painter who was also active in America for extended periods. She specialised in genre paintings of children and women, typically in rural settings. She began her career as a lithographer and painter of portraits, collaborating with Walter Anderson on portraits of American Episcopal bishops. Her work, Elaine, was the first public collection purchase of a woman artist. Her painting No Walk Today was purchased for more than £1 million.
Ellen Wallace Sharples was an English painter specialized in portraits in pastel and in watercolor miniatures on ivory. She exhibited five miniatures at the Royal Academy in 1807, and founded the Bristol Fine Arts Academy in 1844 with a substantial gift.
Brenda Pye, also known as Brenda Landon or Brenda Capron, was an English portrait painter and landscape artist. She exhibited at the Royal Academy, the Paris Salon, the Royal Society of Portrait Painters, the Royal Society of British Artists and the Association of Women Artists; she was also a member of the Association of Sussex Artists.
Laura Sylvia Gosse was an English painter and printmaker. She also ran an art school with the painter Walter Sickert.
Julia Goodman was a British portrait painter.
Rebecca Solomon was a 19th-century English Pre-Raphaelite draftsman, illustrator, engraver, and painter of social injustices. She is the second of three children who all became artists, in a prominent Jewish family.
Margaret Sarah Carpenter was an English painter. Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence. She was a close friend of Richard Parkes Bonington.
Joanna Mary Boyce was a British painter associated with the Pre-Raphaelite Brotherhood. She is also known by her married name as Mrs. H.T. Wells, or as Joanna Mary Wells. She produced multiple works with historical themes, as well as portraits and sketches, and authored art criticism responding to her contemporaries. She was the sister of Pre-Raphaelite watercolourist George Price Boyce.
Ann Charlotte Bartholomew (1800–1862), was an English flower and miniature painter, and author.
Madeline Francis Jane Marrable, née Cockburn was a prolific London based watercolourist and oil painter specialising in landscapes with a preference for mountains and snowscapes. She traveled widely to places including Austria, France, Italy, Ireland, Switzerland and Venice. Noted works include: Ancient Cedars at Ankerwycke, Staines, Moonlight at Chiavenna and The Diligence Halting. She exhibited both in Britain and abroad, including at the Royal Academy between 1864 and 1903. She exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. Her painting Isola Bella Lago Maggiore was included in the 1905 book Women Painters of the World. In 1886, Marrable was elected as the first President of the Society of Lady Artists (SLA), formerly the Society of Female Artists (SFA) and since 1899 is now known as the Society of Women Artists (SWA), she retired from the presidency in 1912.
Margaret Backhouse (1818–1896) was a successful British portrait and genre painter during the 19th century. Although she was born near Birmingham, Backhouse spent most of her life in London where she showed works on a regular basis at the Royal Academy, the Society of Women Artists and at the Royal Society of British Artists.
Adelaide Sophia Claxton was a British painter, illustrator, and inventor. She was one of the first women artists to make a major part of her living through the commercial press, selling satirical and comic illustrations to more than half a dozen periodicals.
Daisy Mary Rossi was an Australian artist, interior designer and writer. She is best known for painting portraits and impressionist landscapes and flowers.
Anna Blunden, later Anna Blunden Martino, was an English Pre-Raphaelite artist. She was a member of John Ruskin's circle and was one of a number of women artists working and exhibiting during the Victorian age. Her best known work is The Seamstress (1854), a piece inspired by Thomas Hood’s poem "The Song of the Shirt". Starting her career with oil painting, Blunden moved to painting landscapes in watercolours and these make up a large proportion of her remaining works. Her work was regularly showcased at the Royal Academy and by the Society of British Artists from 1854 to 1867, as well as by the Birmingham Society of Artists.
Agnes Rose Bouvier Nicholl was an English artist noted especially for her watercolours of rustic scenes with children.
Cicely Hey (1896–1980) was a British artist known as a painter, sculptor and model-maker. Although born in England she spent much of her career in Wales.
Edith Mary Lawrence was a British artist known for her landscape and portrait paintings, her colour linocuts and her textile designs.
Emma Sophia Oliver née Eburne later Emma Sedgewick, was a British landscape painter.
William Oliver (1804–1853) was an English landscape artist who painted in oils but chiefly in watercolours, painting views in England, France, Spain, Italy, Switzerland, Germany and the Tyrol, being especially fond of the Pyrenees. He was not related to William Oliver Williams (1823–1901) who also used the professional name of William Oliver.