Emmanuel Plasson (born 1965) is a French conductor.
Son of the conductor Michel Plasson, Emmanuel Plasson began piano music studies at the Conservatoire de Toulouse , before studying violin with his mother, Mercedes Plasson. He was awarded a gold medal in 1981. In 1984, he studied violin in David Takeno [1] 's class at the Guildhall School of Music and Drama of London, from which he graduated in 1986. In 1988, he premiered the concerto n°2 for violin and string orchestra by Aubert Lemeland on Radio France, a concerto which he recorded with the Ensemble instrumental de Grenoble. [2] [3] Then, from the 1990s, Plasson continued his musical studies in the United States, notably at the Pierre Monteux School in Maine, then at the Yale School of Music. He then turned to the study of conducting. He won the Donatella Flick Conducting Competition in 1994, conducting the Philharmonia Orchestra of London.
His career as a conductor began in 1997, when he led the Royal Ballet of Covent Garden. In the late 1990s, he was Assistant Chief of the Metropolitan Opera of New York. Among the orchestras he has conducted are the BBC Philharmonic Orchestra, the BBC National Orchestra of Wales, the Royal Scottish National Orchestra, the Ulster Orchestra, and the Royal Northern Sinfonia. In 2002, he made his debut with the Opera North in Ravel's L'Enfant et les Sortilèges and Stravinsky's Petrushka , and conducted Massenet's Werther at the Royal Danish Theatre in Copenhagen. In Australia, he conducted Gounod's Faust , Orphée aux Enfers and La Traviata in Sydney, Manon at the Melbourne Opera, and Carmen with the New Zealand Opera in Wellington and Auckland. He has conducted the symphony orchestras of Adelaide, Melbourne and the Western Australian.
In France, he notably worked with the Orchestre de chambre de Paris, the Orchestre national du Capitole de Toulouse, the Orchestre Régional de Cannes , and the Orchestre National de Bordeaux. In 2005, he conducted a production of Bizet's Les Pêcheurs de perles in New York, and in 2007, Sergei Prokofiev's Cinderella in Tokyo.
The Piano Concerto No. 2 in G minor, Op. 22 by Camille Saint-Saëns was composed in 1868 and is probably Saint-Saëns' most popular piano concerto. It was dedicated to Madame A. de Villers. At the première on 13 May the composer was the soloist and Anton Rubinstein conducted the orchestra. Saint-Saëns wrote the concerto in three weeks and had very little time to prepare for the première; consequently, the piece was not initially successful. The capricious changes in style provoked Zygmunt Stojowski to quip that it "begins with Bach and ends with Offenbach."
Jean Francisque-Étienne Martinon was a French conductor and composer.
Manuel Rosenthal was a French composer and conductor who held leading positions with musical organizations in France and America. He was friends with many contemporary composers, and despite a considerable list of compositions is mostly remembered for having orchestrated the popular ballet score Gaîté Parisienne from piano scores of Offenbach operettas, and for his recordings as a conductor.
Michel Plasson is a French conductor.
Jean Fournet was a French flautist and conductor.
Yannick Nézet-Séguin, CC is a Canadian conductor and pianist. He is currently music director of the Orchestre Métropolitain (Montréal), the Metropolitan Opera, and the Philadelphia Orchestra. He was the principal conductor of the Rotterdam Philharmonic Orchestra from 2008 to 2018.
Jean-Pierre Wallez is a French violinist and conductor.
The Diapason d'Or is a recommendation of outstanding (mostly) classical music recordings given by reviewers of Diapason magazine in France, broadly equivalent to "Editor's Choice", "Disc of the Month" in the British Gramophone magazine.
The Belgian-born French conductor André Cluytens (1905–1967) was a prolific recording artist. His recording career ran from May 1943 to December 1965. Many of Cluytens recordings have since been re-issued.
Fayçal Karoui, is a conductor of Tunisian descent.
Jean François Toussaint Rogister was a Belgian virtuoso violist, teacher and composer.
Thierry Joseph-Louis Escaich is a French organist and composer.
The Victoires de la musique classique are an annual French classical music award event founded in 1986. The awards are the classical equivalent of the popular music awards Victoires de la Musique and the Victoires du Jazz. Most of the awards are for actual performers, orchestras, composers, etc. as opposed to the Diapason d'Or given to recordings, though there is an Enregistrement français de musique classique de l'année.
Philippe Capdenat is a French composer and academic teacher. First a mining engineer, he started composing avant-garde music, but turned to chamber music, music for the stage and vocal music, using traditional instruments. He has been a teacher at several French universities and conservatories.
Frank Braley is a French classical pianist.
Jean-Patrice Brosse was a French harpsichordist and organist.
Geneviève Laurenceau is a French classical violinist. She was a supersoloist with the Orchestre national du Capitole de Toulouse from 2007 to 2017.
Louis Auriacombe was a French conductor, active from 1956 to 1971.
Claude Méloni is a French baritone of the Paris Opera.
Pierre Bleuse is a French violinist and conductor.