A chisel is a wedged hand tool with a characteristically shaped cutting edge on the end of its blade, for carving or cutting a hard material. The tool can be used by hand, struck with a mallet, or applied with mechanical power. The handle and blade of some types of chisel are made of metal or wood with a sharp edge in it.
Jean-François Oeben, or Johann Franz Oeben was a German ébéniste (cabinetmaker) whose career was spent in Paris. He was the maternal grandfather of the painter Eugène Delacroix.
The Gobelins Manufactory is a historic tapestry factory in Paris, France. It is located at 42 avenue des Gobelins, near Les Gobelins métro station in the 13th arrondissement of Paris. It was originally established on the site as a medieval dyeing business by the family Gobelin.
A buttress is an architectural structure built against or projecting from a wall which serves to support or reinforce the wall. Buttresses are fairly common on more ancient buildings, as a means of providing support to act against the lateral (sideways) forces arising out of inadequately braced roof structures.
A finial or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature.
A commode is any of many pieces of furniture. The Oxford English Dictionary has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers ; in the drawing room, a large kind of chiffonier." The drawing room is itself a term for a formal reception room, and a chiffonier is, in this sense, a small sideboard dating from the early 19th century.
A sideboard, also called a buffet, is an item of furniture traditionally used in the dining room for serving food, for displaying serving dishes, and for storage. It usually consists of a set of cabinets, or cupboards, and one or more drawers, all topped by a wooden surface for conveniently holding food, serving dishes, or lighting devices. The words sideboard and buffet are somewhat interchangeable, but if the item has short legs, or a base that sits directly on the floor with no legs, it is more likely to be called a sideboard; if it has longer legs, it is more likely to be called a buffet.
An ottoman is a piece of furniture. Generally ottomans have neither backs nor arms. They may be an upholstered low couch or a smaller cushioned seat used as a table, stool or footstool. The seat may have hinges and form a lid for the inside hollow, which can be used for storage of linen, magazines or other items, making it a form of storage furniture. The smaller version is usually placed near to an armchair or sofa as part of living room decor, or may be used as a fireside seat.
Chairs are known from Ancient Egypt and have been widespread in the Western world from the Greeks and Romans onwards. They were in common use in China from the twelfth century, and were used by the Aztecs.
Moulding, or molding, also coving, is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster, but may be of plastic or reformed wood. In classical architecture and sculpture, the moulding is often carved in marble or other stones. In historic architecture, and some expensive modern buildings, it may be formed in place with plaster.
Juste-Aurèle Meissonier was a French goldsmith, sculptor, painter, architect, and furniture designer.
A washstand or basin stand is a piece of furniture consisting of a small table or cabinet, usually supported on three or four legs, and most commonly made of mahogany, walnut, or rosewood, and made for holding a wash basin and water pitcher. The smaller varieties were used for rose-water ablutions, or for hair-powdering. The larger ones, which possessed receptacles for soap dishes, were the predecessors of the modern bathroom wash basin, or sink. Both varieties, often of very elegant form, were in extensive use throughout a large part of the 18th century and early-19th century, eventually disappearing with the advent of modern indoor plumbing.
A guéridon is a small table supported by one or more columns, or sculptural human or mythological figures, often with a circular top. The guéridon originated in France towards the middle of the 17th century. The supports for early guéridons were often modeled on ancient Egyptian and Greek as well as various African human traditional figures.
A what-not is a piece of furniture derived from the French étagère which was exceedingly popular in England in the first three-quarters of the 19th century. It usually consists of slender uprights or pillars, supporting a series of shelves for holding china, ornaments, trifles, or "what nots", hence the allusive name. In its English form, it is a convenient piece of drawing room furniture, and was rarely valued for its aesthetic.
Charles Cressent was a French furniture-maker, sculptor and fondeur-ciseleur of the régence style. As the second son of François Cressent, sculpteur du roi, and grandson of Charles Cressent, a furniture-maker of Amiens, who also became a sculptor, he inherited tastes, skills and aptitudes which contributed to his success as an artist. Even more important, perhaps, was the fact that he was a pupil of André-Charles Boulle. Cressent's distinction is closely connected with the regency, but his earlier work had affinities with the school of Boulle, while his later pieces were full of originality.
David Roentgen, was a famous German cabinetmaker of the eighteenth century, famed throughout Europe for his marquetry and his secret drawers and poes and mechanical fittings. His work embraces the late Rococo and the Neoclassical styles.
Gilles Joubert (1689–1775) was a Parisian ébéniste who worked for the Garde-Meuble of Louis XV for two and a half decades, beginning in 1748, earning the title ébéniste ordinaire du Garde-Meuble in 1758, and finally that of ébéniste du roi on the death of Jean-François Oeben in 1763. He produced case furniture in a robust Rococo style, ranging from simple veneered bidets to grand commodes that integrated gilt-bronze mounts into the forms of furniture with subtle three-dimensional curves (bombé). From the later 1760s his furniture increasingly shows a conservative compromise with the nascent neoclassical style.
Mathieu Criaerd (1689–1776) was the most prominent of a large family of cabinetmakers (ébénistes), apparently of Flemish ancestry, who were working in Paris during the 18th century. He became a master in the Corporation des Menuisiers-Ébénistes 29 July 1738 and set up his workshop in the rue Traversière-Saint-Antoine, in the heart of the furniture-making district of Paris, using the stamp M CRIAERD.
A cabinet is a case or cupboard with shelves and/or drawers for storing or displaying items. Some cabinets are stand alone while others are built in to a wall or are attached to it like a medicine cabinet. Cabinets are typically made of wood, coated steel, or synthetic materials. Commercial grade cabinets usually have a melamine-particleboard substrate and are covered in a high-pressure decorative laminate, commonly referred to as Wilsonart or Formica.
The Louis XIV style or Louis Quatorze, also called French classicism, was the style of architecture and decorative arts intended to glorify King Louis XIV and his reign. It featured majesty, harmony and regularity. It became the official style during the reign of Louis XIV (1643–1715), imposed upon artists by the newly established Académie royale de peinture et de sculpture and the Académie royale d'architecture. It had an important influence upon the architecture of other European monarchs, from Frederick the Great of Prussia to Peter the Great of Russia. Major architects of the period included François Mansart, Jules Hardouin Mansart, Robert de Cotte, Pierre Le Muet, Claude Perrault, and Louis Le Vau. Major monuments included the Palace of Versailles, the Grand Trianon at Versailles, and the Church of Les Invalides (1675–1691).
