Encore Theatre Magazine is an online magazine relating to contemporary theatre published in the United Kingdom. [1] [2]
Encore Theatre Magazine begun publication in May 2003. It was inspired by the defunct magazine of the same title (Encore), which had a brief but influential life from 1954 to 1965. The magazine describes its history thus:
"The life of Encore (right) was brief but furious. For little more than a decade, between 1954 and 1965, the magazine railed at the state of British theatre, championing work that it saw as standard-bearing for the experimental, challenging, vital theatre it sought. It was not an ideologically-driven magazine; it was not consistent; it admired the Royal Court, Theatre Workshop, Ionesco, Arden, and Tynan, and it often attacked all of these. But it had passion and it had curiosity. Its standards were invariably high. It knew what it wanted. We've named this site after Encore. We're not reviving the magazine but maybe we can revive its spirit. [1]
Articles published in the original Encore were reprinted in a volume entitled The Encore Reader: A Chronicle of New Drama. According to Robert Brustein, the original magazine Encore embodied both the virtues and the failings of the movement it examined; he criticizes it for being "bursting with energy, vigor, and excitement" but being "seriously lacking in balanced judgments or penetrating ideas." [3]
Arthur Asher Miller was an American playwright, essayist and screenwriter in the 20th-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955). He wrote several screenplays, including The Misfits (1961). The drama Death of a Salesman is considered one of the best American plays of the 20th century.
If was an American science fiction magazine launched in March 1952 by Quinn Publications, owned by James L. Quinn.
The American Repertory Theater (A.R.T.) is a professional not-for-profit theater in Cambridge, Massachusetts. Founded in 1979 by Robert Brustein, the A.R.T. is known for its commitment to new American plays and music–theater explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. Over the past forty years it has garnered many of the nation's most distinguished awards, including a Pulitzer Prize (1982), a Tony Award (1986), and a Jujamcyn Award (1985). In 2002, the A.R.T. was the recipient of the National Theatre Conference's Outstanding Achievement Award, and it was named one of the top three theaters in the country by Time magazine in 2003. The A.R.T. is housed in the Loeb Drama Center at Harvard University, a building it shares with the Harvard-Radcliffe Dramatic Club. The A.R.T. operates the Institute for Advanced Theater Training.
Lorraine Vivian Hansberry was an American playwright and writer. She was the first African-American female author to have a play performed on Broadway. Her best-known work, the play A Raisin in the Sun, highlights the lives of black Americans in Chicago living under racial segregation. The title of the play was taken from the poem "Harlem" by Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?" At the age of 29, she won the New York Drama Critics' Circle Award — making her the first African-American dramatist, the fifth woman, and the youngest playwright to do so. Hansberry's family had struggled against segregation, challenging a restrictive covenant in the 1940 U.S. Supreme Court case Hansberry v. Lee.
Reader's Digest is an American general-interest family magazine, published ten times a year. Formerly based in Chappaqua, New York, it is now headquartered in midtown Manhattan. The magazine was founded in 1922 by DeWitt Wallace and his wife Lila Bell Wallace. For many years, Reader's Digest was the best-selling consumer magazine in the United States; it lost that distinction in 2009 to Better Homes and Gardens. According to Media Mark Research (2006), Reader's Digest reached more readers with household incomes of over $100,000 than Fortune, The Wall Street Journal, Business Week, and Inc. combined.
The Saturday Evening Post is an American magazine, currently published six times a year. It was published weekly from 1897 until 1963, and then every other week until 1969. From the 1920s to the 1960s, it was one of the most widely circulated and influential magazines among the American middle class, with fiction, non-fiction, cartoons and features that reached two million homes every week.
The David Geffen School of Drama at Yale University is a graduate professional school of Yale University, located in New Haven, Connecticut. Founded in 1924 as the Department of Drama in the School of Fine Arts, the school provides training in every discipline of the theatre – acting, design, directing, dramaturgy and dramatic criticism, playwriting, stage management, technical design and production, and theatre management. It was known as the Yale School of Drama until its endowment by David Geffen in 2021.
A Dream Play, sometimes staged in English as The Dream Play, is a fantasy play in 14 scenes written in 1901 by the Swedish playwright August Strindberg. It was published in Swedish in 1902 and first performed in Stockholm on 17 April 1907. It remains one of Strindberg's most admired and influential dramas, seen as an important precursor to both dramatic Expressionism and Surrealism.
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
Robert Sanford Brustein was an American theatrical critic, producer, playwright, writer, and educator. He founded the Yale Repertory Theatre while serving as dean of the Yale School of Drama in New Haven, Connecticut, as well as the American Repertory Theater and Institute for Advanced Theater Training at Harvard University in Cambridge, Massachusetts, where he was a creative consultant until his death, and was the theatre critic for The New Republic. He commented on politics for the HuffPost.
The Golden Apple is a musical adaptation of parts of the Iliad and Odyssey with music by Jerome Moross and lyrics by John Treville Latouche. The musical premiered Off-Broadway in 1954 and then transferred to Broadway.
Joseph Stein was an American playwright best known for writing the books for such musicals as Fiddler on the Roof and Zorba.
Carey Harrison is an English novelist and dramatist.
Charles Marowitz was an American critic, theatre director, and playwright, regular columnist on Swans Commentary. He collaborated with Peter Brook at the Royal Shakespeare Company, and later founded and directed The Open Space Theatre in London.
Robert Charles Shearman, sometimes credited as Rob Shearman, is an English television, radio, stage play and short story writer. He is known for his World Fantasy Award-winning short stories, as well as his work for Doctor Who, and his association with Jarvis & Ayres Productions which has resulted in six plays for BBC Radio 4, broadcast in the station's regular weekday Afternoon Play slot, and one classic serial.
Shlemiel the First is a musical adaptation of the "Chelm stories" of Isaac Bashevis Singer about the supposedly wise men of that legendary town, and a fool named Shlemiel. It was conceived and adapted by Robert Brustein, with lyrics by Arnold Weinstein and music based on traditional klezmer music and Yiddish theater songs by Hankus Netsky of the Klezmer Conservatory Band and Zalmen Mlotek, who wrote additional music and arrangements, and served as the musical director of the original production. Singer had written a non-musical theatrical adaptation of the stories, Shlemiel the First, which Brustein produced in 1974 when he was the artistic director of Yale Repertory Theater in New Haven, and this served to provide the basic material for the musical.
Vanity Fair was an American society magazine published from 1913 to 1936. It was highly successful until the Great Depression led to its becoming unprofitable, and it was merged into Vogue in 1936. In the 1980s, the title was revived.
Les pêcheurs de perles is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was premiered on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon, the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "Au fond du temple saint", generally known as "The Pearl Fishers Duet", is one of the best-known in Western opera.
The Sign in Sidney Brustein's Window is the second and last staged play by playwright Lorraine Hansberry, author of A Raisin in the Sun. The play focuses on events that occur after Sidney hangs a political sign urging the end to bossism in the window of his Greenwich Village apartment. Chaos ensues in his marriage and personal relationships and raises questions about Bohemian culture, Judaism, race, suicide, homosexuality, political corruption, interracial love, and prostitution.
The Old Glory is a play written by the American poet Robert Lowell that was first performed in 1964. It consists of three pieces that were meant to be performed together as a trilogy. The first two pieces, "Endecott and the Red Cross" and "My Kinsman, Major Molineux" were stage adaptations of short stories by Nathaniel Hawthorne, and the third piece, "Benito Cereno," was a stage adaptation of the novella by Herman Melville.